Norm Konyu
Titan Comics, 21 October 2025
Available as: HB, 104pp, e
Source: Advance copy
ISBN(HB/): 9781787746800
Norm Konyu's new fantasy The Space Between the Trees brings his haunting imagery and heartfelt storytelling to the wilderness of the Pacific Northwest.
In 2022 a young couple, Meera and Mark are looking for a house, viewing a development that has been cut into the primeval forest. Something about it doesn't appeal - it's all a bit "Little Boxes" perhaps and despite the sylvan street names, the forest is nowhere to be found. Disappointed, they head home - which is when the fun really starts (for a rather special value of "fun") as, despite a clear road, they become lost.
The reader will have anticipated this from a short prologue set in 1902 and featuring a group of loggers who run into problems themselves. But the exact danger is left unclear. As in Downlands, Konyu plays games here with his setting.
And as in Downlands, I love the way that the threat creeps up on Meera and Mark. We've been given a hint in the prologue that something may be up, so I was expecting that journey into the woods to go wrong, but Konyu cleverly wrongfoots the reader as to what has happened and, of course, what will happen. Though Mark's story about the spooky forest where he grew up may give a hint.
Konyu's angular, understated drawing style is perfect for this - extreme horror doesn't need swirling imagery. I think it's fair to describe the atmosphere here as gothic, but by being rendered in clear, stylised graphics the creepy factor is dialled up because of a certain... incongruity? A contrast between what are very Modern graphics (in a mid 20th century sense) and the primeval, gothic mystery of the forest. The fate of the characters is slippery - they seem so solid, so well located in their clearly depicted, definite world... which then turns shifty and paradoxical as they seek to march from one frame to the next. It's like there is a magician performing in front of you, everything is visible, but then, wham! And where did that go? Look at the page again, can you spot the glitch... maybe...
I found that once I started reading this book, I couldn't stop. It is perfect for devouring in a single sitting - and then going back to see what you'd missed. There's a richness - both of storytelling and of characterisation - that is belied by the plainness of the style.
And which would be undermined if I said anymore about what happens! This is a book to come to unsuspecting, as it were.
Like Meera and Mark.
In short, really, really enjoyable and I hope to read more by Norm Konyu soon.
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