#Blogtour #Review - Small Bomb at Dimperley by Lissa Evans

Small Bomb at Dimperley
Lissa Evans
Doubleday, 5 September 2024
Available as: HB, 309pp, audio, e   
Source: Advance copy
ISBN(HB): 9780857528292

I'm grateful to the publisher for sending me a copy of Small Bomb at Dimperley to consider for review, and to Anne for inviting me to join the book's blogtour.

Small Bomb at Dimperley sees Lissa Evans returning to 1940s England with a new novel set just after the end of the Second World War. It’s a standalone, not part of the same sequence as Old Baggage, Crooked Heart and V For Victory although many of the same themes are here. We see the improvisational quality of life, especially for those on the margins (here, a woman who has to make her way through a world that doesn't want to admit she exists - or wouldn't if it knew that she was a single mother). We see people making do, adapting, living the hands they've been dealt. 

And we see them triumphing in odd, unexpected ways - even remaking themselves, admidst the societal dislocation and change of the war years and the immediate and postwar. 

Also evident is Evans’s ease with the setting and atmosphere as she unfolds her story in a decade that now seems so remote and different. It's only twenty years before I was born, but so much seems strange. It's not just distance in time, but a particular moment. The war is over, the future has not yet begun. A tide of change is poised, an Empire about to be dismantled - but it hasn't begun yet. The country is balanced, many wishing for a return to older ways, others already taking advantage of the new. I say Evans does this with ease, that isn't really fair, it must of course have  have taken fearsome amounts of research, of empathy, but to me the story feels very real (as did her earlier novels).

 

Small Bomb at Dimperley is set in rural Buckinghamshire. It's imbued with the rhythms and incidents of  a vanished world: ploughing competitions, knackers’ vans, market days that fill country towns with animals and farmers in damp tweed, a decaying country house, a decaying, cash-strapped gentry. The story follows the minorly aristocratic family which lives in that house and which has, due to an accumulation of deaths, ill-advised investments, and social change, come to the end of its financial road. They now face having to sell up. As a reader I had mixed feelings about that. These country houses and estates were often built on cleared villages, using wealth earned from exploitation abroad. Irene, ("My Lady") the dowager of the family (one of the dowagers - it's complicated) almost invites the thought: serves her right, as she looks down on the lower orders and plots an entitled future by marrying Valentine off to an heiress. 

Almost invites it. The redeeming quality of Irene is her tender care for her son, a young man who has a learning disability. The matter of fact moments between the two as they live their days are very touching. And Ceddy - Cecil - isn't a token figure here, he is a vital part of things.

Also appearing are Valentine, the reluctant heir to Dimperley, invalided out of the Army to manage the ruin that has been made of the family's finances and Zena, a no-nonsense young woman employed as secretary to eccentric Alaric. (He's writing a history of the family, which nobody will read). Zena has in effect found refuge at Dimperley, as will Priss and Kitty, Valentine's nieces, back from evacuation in the USA and full of modern ideas about showers and deodorant. Their mother, Barbara, occupies an uneasy space between Irene's disapproval and the adolescent scorn of her daughters. 

This is a gallery of smart, opinionated characters though they probably need an entire country house at their disposal or they'd all murder each other by page 2, and it isn't that sort of book at all. As it is, they have some space and Evans honours them all, pulling off what I always feel much be the most difficult trick a novelist can, persuading the reader to be interested in, and even sympathetic to, people who in real life one would avoid on principle. This is how we enter minds and hearts and begin to understand and appreciate others. This is the wonder of a great storyteller.

Small Bomb at Dimperley is a vivid, active book whose pages simply fly by. It has a subtle perspective combining as it does the outsider's critique of a society and a family - Kitty, Zena - the staunch traditionalist's defence of both - Alaric, Irene - and the pragmatism that just wants to keep the show on the road (Valentine, Barbara). It's not a social history, but at the same time, does tell us something about that pivotal time, about the choices that were made then, and about how they have cascaded down the years to influence the county we live in (well, that I live in) today.

There's also romance, a certain degree of growing-up, and a few shocks and surprises.

It is a wonderful read, great fun, and, in an undemonstrative way, rather moving.

For more information about Small Bomb at Dimplerley, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy Small Bomb at Dimperley from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith or Waterstones. Other online retailers are available.

#Blogtour #Review - Living is a Problem by Doug Johnstone

Living is a Problem (Skelfs, #6)
Doug Johnstone
Orenda Books, 12 September 2024
Available as: PB, 276pp, audio, e   
Source: Advance copy
ISBN(PB): 9781916788268

I'm grateful to Orenda Books for sending me a copy of Living is a Problem to consider for review, and to Anne for inviting me to join the book's blogtour.

Living is a Problem sees the Skelf women - grandmother Dorothy, mother and daughter Jenny and granddaughter Hannah - perhaps face their toughest trial yet in this series. And if you've been following the brilliant #SkelfSummer recap of the previous 5 books, you'll know that's saying something.

The challenges that confront the three here don't arise, at least not directly, from perplexing mysteries. If you've read any of the earlier Skelf books you'll know that the family are undertakers in Edinburgh, but also private investigators. Naturally, the latter role can create complex scenarios to unravel, and there are some of those here. The funeral of an Edinburgh gangster, disrupted by parties unknown. The grave of a child disturbed. A missing woman, a refugee from Ukraine.

For once though, these cases are "solved" fairly straightforwardly. There isn't a lot of subtle detecting. But in these books, and never more so that in Living is a Problem, just establishing the facts is only the beginning. The harder part of the Skelfs' work only begins after that. The cases aren't really "solved" till parties are reconciled; difficult decisions made; compromises reached. Because it's not really about the crime, it's about the opposite of crime, to paraphrase the title of the last book, The Opposite of Lonely. Peace is not the same as the absence of war. How will the networks of people affected by all these events learn to live with themselves - and with each other - after what's come out?

That question hangs heavy over Living is a Problem from the start. The Skelfs, and their associates - Archie, Brodie, Thomas - still have to reckon with the events of the earlier books. Dorothy's and Thomas's relationship has been particularly strained after the dangers and violence in The Opposite of Lonely. Thomas has taken things hard. The antagonists in that book, corrupt police Webster and Low, have been taken down, but continue to exert a malign influence. Hannah, knowing that her father was a wrong'un, still mourns him and the life that she and Jenny might have had if he had been a decent man. It's complicated. Living is a problem, as Scottish band Biffy Clyro sang, Because Everything Dies. To which I might oppose Bruce Springsteen singing Everything dies, baby, that's a fact, But maybe everything that dies some day comes back. (Sorry, I am going to work The Boss into any review I can, of course I am). 

To be less oblique, the funeral side of the Skelf business might seem like the last word in finality - what is more final than death - but this book teases the idea that due to our interrelatedness, death is not the end. A dead child affects the living, and how we deal with the death may be important. Or how we fail to deal with it. Death has a way of fossilising, of sanctifying, from Old Dead White Guy statues in Edinburgh which belie the deeds of those men (they are always men) to the trouble of living with the legacy of a war hero in the family to dealing with unacknowledged grief.

And that is really the essence of the Skelf books. It may be convenient to see them as crime fiction, because I'm not sure there's a label for what they really are - moral fiction? human fiction? Something like that? Whatever it is has at its heart the wonderfulness and the sadness of being human and the need to be on the side of those in need. That's what the Skelfs are about and long may they continue it.

For more information about Living is a Problem, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy Living is a Problem from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith or Waterstones. Other online retailers are available.

#Review - The Seventh Veil of Salome by Silvia Moreno-Garcia

The Seventh Veil 

Silvia Moreno-Garcia
Arcadia, 6 August 2024 
Available as: HB, 312pp, audio, e   
Source: Purchased
ISBN(HB): 9781529431001

The Seventh Veil of Salome is a clever juxtaposition of the story of Salome, daughter of Herodias who is the wife of the tetrarch Herod Antipas in first century Palestine, and Vera Larios, a Mexican actress in 1950s Hollywood who has been chosen to portray Salome in a sword-and-sandals epic.

The background of the historical Salome is one of power politics involving Ancient Rome and its client states. Rome is expanding its influence but not yet ruling absolutely. Its allies and collaborators therefore need to tread carefully, and Herod is concerned about a fiery preacher who been denouncing his rule (and morals). Salome, however, by Jokanaan...

Larios also inhabits a complex world. She has come into an increasingly paranoid Hollywood, a place  stalked by the House Un-American activities Committee and still subject to the Puritan moral hypocrisy of various self-appointed censors but also one, haunted by racism (Larios, as a Mexican, is firmly an outsider and looked down on). Things are starting to change as the studio system declines, but this uncertainty only makes everyone even more insecure. Gossip sheets exploit this, trading in innuendo and stereotypes.

Beyond this dichotomy, the book is structurally fascinating since the film Larios is involved in is clearly the same "story" as that which the Salome sections tell (for example, some of the dialogue echoes). But the story is being rewritten as the book progresses (in a late episode, we hear the screenwriter describing the closing scene as he would have had it, the studio bosses having insisted on somethings else). The historical Salome's life is not, therefore, fixed, but mutable, a matter of contention and at the mercy of those same prejudices, Puritan constraints and political and commercial imperatives that rule Hollywood itself. That's appropriate for a character being portrayed by another woman, Vera, who is in turn manipulated and (mis)represented by family, publicists, witnesses, and the Press.

Witnesses? I use that word because while there are lengthy narrative sections where the camera follows Vera (if I can use that analogy) of Samole, there are also interventions in the voice of the many characters who play a part in this story - other actresses and studio figures, for example, and people who were lucky or unlucky enough to witness the events - and they all have their own spin, often informed (again) by prejudice and jealousy. 

Vera has - as soon become evident - stepped into a nest of vipers, with others convinced that she doesn't merit the part - or that she doesn't, morally, deserve it. A Mexican? Surely not! The outworking of jealously and resent meant in an industry that embodies whim and fashion is both fascinating to see unfold and awful to anticipate, giving a real edge of noir as scenes unfold in seedy hotel rooms and down-at-heel diners, all leading up to... well I don't want to be spoilery... all leading up to the inevitable conclusion in the final reel. As a nasty chain of events unfold, innocents will be caught up, reputations ruined and the truth left to wither.

All in all and exciting, complex and atmospheric novel with a steely core of accusation.

For more information about The Seventh Veil of Salome, see the publisher's website here.

#Review - The Witches of World War II by Paul Cornell et al

The Witches of World War II

Paul Cornell (words), Valeria Burzo (pencils), Jordie Bellaire (colours)
TKO Studios, 25 July 2023
Available as: PB, 160pp, e
Source: Purchased
ISBN(PB): 9781952203183

The Witches of World War II tugs at one of the many loose threads of that conflict - persistent rumours that alongside the familiar heroism, sacrifice and application of industry and science to winning the war, alongside the more shadowy departments of unorthodox warfare and military deception, the Allies used even stranger means - notably witchcraft.

You don't have to accept the supernatural or the power of magic to see that this is something that could really happen. Deep in the layers of psyops, it would surely have registered that at least some high-ranking Nazis fervently believed this stuff, and that very belief could be used against them. 

That paradox is at the heart of The Witches of World War II. Cornell has assembled here a crack team of practitioners and theorists from the occult world of the first half of the 20th century, and posed a "what if...?" about their potential use in warfare, and beyond that, about the nature of their own beliefs and the power of belief itself. Cornell acknowledges, as does the Afterword by Prof Ronald Hutton, that this group never actually met (unless the records of that meeting have been even more than carefully weeded) but we might imagine similar characters carrying out the actions described here, some of which are based on those persistent rumours...

So the premise is intriguing. That wouldn't though be enough, without Cornell's excellent story and its interpretation by the brilliant comic artists here, to produce the immersive and fun narrative that The Witches of World War II is. I felt it captured the spirit of that dangerous time, all done in muted khaki, green, brown and grey, as it introduces us not just to the would-be witches themselves but also to their world. That world includes the would-be upper class Quislings and fellow-travellers who would have sold their country out at the drop of a hat, if they could. Against these fifth-columnists, our hero, Doreen Valiente, shows steely nerve as she negotiates a maze of mirrors, never sure who is going to back her and who will betray her. 

A sceptic herself, Doreen encounters dangers including a curse that can only affect those who don't believe, and slippery customers like Aleister Crowley, the self-proclaimed Wickedest Man in the World. (Who, exactly, believes that they are themselves wicked? I was reminded of the "are we the baddies" sketch...) The double crosses, hints of things below the surface build tension, with the poignancy of Doreen's lost sweetheart giving the story real bite by reminding us that this isn't all some fantasy, that regardless of the occult and its reality or otherwise, real people suffered and died in those years.

With a complex plot, many twists and turns and layers of deception, it all makes for a rewarding read, with just that hint of mystery as to what really went on...

For more information about The Witches of World War II, see the author's website here.

#Blogtour #Review - The Reunion by M. J. Arlidge and Steph Broadribb

The Reunion

M. J. Arlidge and Steph Broadribb

Orion, 5 September 2024

Available as: PB, 304pp audio, e   

Source: Advance e-copy

ISBN(PB): 9781398716575

I'm grateful to the publisher for sgiving me access to an advance e-copy of The Reunion to consider for review, and to Tracy and Compulsive Readers for inviting me to join the book's blogtour.

Oh this one is very good. 

It's set in the town of Whitecross, somewhere in the English Chiltern Hills. I think I know where the real Whitecross is - that isn't of course its actual name - and the authors bring to life the character of this district, protected for its natural beauty and riddled with twee little villages, but also full of new housing estates and also surpsingly deprived town centres where depressed youth find an escape in the time honoured ways: drink, drugs and sex. 

This is Jennie Whitmore's world. Jennie never left Whitecross: her dreams of doing so shattered when her beloved friend Hannah vanished as they were on the cusp of escape. Instead, Jennie has hung around, and decades later she is a DI in the same town. Interesting - did she simply lose heart and never leave? Or, unconsciously, did she hang around, choosing a career that might one day give her an opportunity to find out what happened to Hannah? If so, she is still shocked when that possibility crystallises. This occurs suspiciously soon after her unwise experiment of joining in a school reunion. (Personally, I stay away from such things). Has the reunion jolted something among the little group of "friends"? Or was the clock already ticking?

The resulting investigation will see Jeannie throwing away beliefs she's held for three decades, taking uncharacteristic risks, and running into danger. I found it absolutely gripping how she justified, and undertook, an investigation she absolutely shouldn't be part of (her closest friend!) and the effect that doing so has on her relationships with her colleagues (she hardly has any friends). The impact of what is discovered, and Hannah's way of opening it up, will shatter the little group who see themselves as Hannah's mates from all those years ago, bring secrets into the open, and change Whitecross for ever.

It will also change Hannah's life. This is not a story - at least I don't think it is - that can kick off a series of small-town mysteries. I can't see Hannah returning to this dark Midsommer any time soon. Too mush will have changed. I did though find myself desperately hoping that things would turn out well for her in the end, I don't recall a recent main character I've so wished would come through unscathed - though this seems increasingly unlikely as the story proceeds...

Arlidge and Broadribb are at the top of their game (their games?) in this collaboration, a book that demands to be read in a single sitting if you can possibly manage that.

For more information about The Reunion, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy The Reunion from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, or Waterstones.

#Review - The Undermining of Twyla and Frank by Megan Banner

The Undermining of Twyla and Frank

Megan Bannen
Orbit, 4 July 2024
Available as: PB, 380pp audio, e   
Source: Advance copy
ISBN(PB): 9780356521923

I'm grateful to the publisher for sending me an advance copy of The Undermining of Twyla and Frank to consider for review.

The Undermining of Twyla and Frank is set in the same world as The Undertaking of Hart and Mercy, which wowed me last year, and is a fantasy romance in the same vein.  

And, yes, we do bump into Mercy Birdsall and Hart Ralston and their circle again here, although they're not the main characters in this book. That would be Twyla Banneker and Frank Ellis. They are partners, Tanrian Marshals employed to police that strange space, once a prison for gods, that opens from the island of Bushong, part of the Federated Islands of Cadmus. Now, after the events of The Undertaking of Hope and Mercy, the drudges (zombies) that threatened Bushong from Tanria are gone, and some are even questioning the need for the Marshals. But there are other threats in Tanria, and assets there to be guarded, as Twyla and Frank are about to find out.

I loved this book. The comfortable relationship between middle-aged Twyla and Frank - work, but not life, partners - is realistic and well portrayed, their lives to this point sensitively sketched with all their pluses and minuses. A failed marriage. A dead spouse. New lives rebuilt, the best made of things. Children to nurture and see over the threshold of adulthood. The backgrounding of hopes and dreams in the face of practical concerns - money, health, family. As a result we have two beautifully drawn and largely content characters...

...who are about to have their cosy world turned upside down in a blaze of conspiracy, murder - and dragons.

It was both moving, and hilarious, to see how Twyla and Frank cope with the various eruptions into their lives that follow from what's brewing in Tanria. These are both large and small. There's the fact of a totally unexpected and previously mythological species of creature. There's crime. There are new colleagues - in this case a dangerously sexy scientist who upsets what turns out to have been a carefully balanced relationship that only survived by not asking certain questions, not thinking certain things. But, it seems that relationship rested on certain assumptions, and once these are challenged it's clear that for Twyla and Frank, nothing will ever be the same again.

Oh, and just who's trying to blow the pair up?

In some ways, Twyla and Frank have very ordinary lives. In some ways, they are very extraordinary people. But once the balance of the ordinary is upset, will they ever find it again? Will they even want to?

STRONGLY recommended. More like this, please.

For more information about The Undermining of Twyla and Frank, see the publisher's website here.

#Blogtour #Review - Jimi Hendrix: Purple Haze by Tom Mandrake, DJ Ben Ha Meen and Mellow Brown

Purple Haze

DJ Ben Ha Meen and Mellow Brown (writers), Tom Mandrake (artist)
Titan Comics, 27 August 2024
Available as: HB, 128pp, e   
Source: Advance copy
ISBN(HB): 9781787731899

I'm grateful to the publisher for giving me access to an advance e-copy of Jimi Hendrix: Purple Haze to consider for review, and for inviting me to join the graphic novel's blogtour.

From the publisher

This is a pure rock and roll space opera featuring the legendary Jimi Hendrix as you’ve never seen him before. 

Fully sanctioned by Experience Hendrix L.L.C.; Authentic Hendrix, LLC - this is the first ever full-length graphic novel inspired by the music of the legendary Jimi Hendrix – arguably the world’s greatest guitarist. 

This 21st Century psychedelic rock ‘n’ roll odyssey sees Jimi Hendrix embark on a quest to the very centre of the universe in search of a magical talisman powerful enough to unlock the incredible latent power of his music so that he can share it with a universe starved of the rock ‘n’ roll by a tyrannical intergalactic force hellbent on silencing all music from the universe and enslaving all life. 

What I thought

Space opera. Rock opera. Seemingly unrelated genres which the collaborators behind this graphic novel nevertheless pull together with aplomb. The result is great as an example of each, but put together, something much more.

Yes, we get zoomy spaceships, vivid alien worlds, combat and awesome vistas, that genuine sense of wonder that space opera must deliver. But we also get what is actually - so far as such a thing is possible - a pretty vivid visualisation of a musical high (is that a thing? I think it's a thing) as the central character here, Hendrix, takes to the stage on a galaxy-crossing tour. Lyrics stream by in a kind of diagetic cloud. The music ignites in the intense shades of a fiery sun, blazing across the page. At once, deeply SFnal, deeply musical.

But, as I said, there is more here too. The story finds Hendrix, mysteriously, playing on an endless tour in this far-future dystopia. The how and why of that's never explained, but that doesn't actually loom large in the story and it doesn't really matter. Rather we have this guitar hero pushing his message of peace and brotherhood in a galaxy embroiled in brutal war. He's doing all he can, he thinks.

But of course he's not (I had vibes here of Springsteen's No Surrender "There's a war outside still raging/ You say it ain't ours anymore to win" and there's a moment of realisation with attempts to coop the tour  for sinister purposes, a moment of truth and decision which leads to a fascinating quest. The ultimate test here is then very much one of those "surely there must be another way?" setups where, behind the spaceships and the zooming, the point is that the hero must, will, reject the constraints imposed on them and do the different thing. The Kobayashi Maru moment, in Star Trek language.

And who better, in such a moment, to use their humanity, their sympathy, their courage, than Jimi Hendrix?

A fine graphic novel with a powerful, beating heart. Recommended.

For more information about Jimi Hendrix: Purple Haze, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy Jimi Hendrix: Purple Haze from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, or Waterstones.

#Review - Death at the Sign of the Rook by Kate Atkinson

Death at the Sign of the Rook
Kate Atkinson
Doubleday, 22 August 2024
Available as: HB, 336pp, audio, e   
Source: Advance copy
ISBN(HB): 9780857526571

I'm grateful to the publisher for giving me access to an advance e-copy of Death at the Sign of the Rook  to consider for review.

The appearance of a new Jackson Brodie novel is always an event to celebrate and Death at the Sign of the Rook truly lives up to expectations, culminating in a classic country house murder with all the expected ingredients - a retired Major, a vicar, a dowager and, of course, in Brodie himself, the renowned amateur sleuth.

At the same time, it's none of those things. While the murder itself evolves as a kind of play within a play (literally - Burton Makepeace House, cut off by the blizzard, is hosting a murder mystery weekend and we're treated to scenes in which the band of itinerant performers, the literal murderer(s), and all the guests who have assembled for the event, get hilariously confused) it is also commenting on, and being shaped by, events of the early 21st century. 

An aristocratic family on its uppers. 

A soldier injured in Afghanistan and facing a bleak future. 

A vicar who thinks he's gone down the wrong path. 

A middle aged couple anxious to wring every last penny form their mum's estate.

And Brodie himself, surveying it all with a jaundiced eye.

As the husband of a priest, I was particularly taken with the Vicar, Simon, a man whose backstory included the same theological college my son is currently studying at. I was struck by his dilemma, his sense of futility, of a moment of revelation that maybe wasn't - but also by his history which blends an awkward suburban past, a career in the TV industry and that moment of revelation in a York church. I recently read Atkinson's Normal Rules Don't Apply, a book of loosely linked short stories, and recognised Simon as totally belonging in the collection of rackety, slightly loner-y figures encountered there. (I would point out, though, that true vicarly mastery isn't the ability to surreptitiously glance at a watch, as Atkinson suggests. That is too obvious. The thing is to place oneself in a room so that one can easily spot the clock face, a much less obvious action. At least, so my wife tells me, and I never doubt the word of the clergy).

The book struck other chords with me too. Like Ben, the ex-Major, I have a great-uncle who died at Monte Cassino. That probably goes to show more the scale of that battle than anything about Atkinson aiming her writing at me, but I found it a telling detail. I loved Ben, the kind of diffident character who suffers fools gracefully and downplays his problems. He's currently living with his sister and her wife, the former a vet who takes in waifs and strays and has "an abundance of Labradors" (how can you have too many?) Ben might be one of the strays himself, perhaps, but when he steps onto the stage as The major in the denouement he's far from a waif, and equally far from the doddering Major of the Golden Age detective mystery that Atkinson's subverting.

This kind of telling characterisation - knowing, subversive, but still affectionate - is a highlight of Atkinson's books. With Brodie at the centre of the story, it might be tempting to focus on him and have everyone else a supporting character but Atkinson gives plenty of time and space to the others, drawing out their stories and creating fully rounded figures who then behave in fanstastically complex ways. Any could easily carry a book of their own, and I rather hope some will. Which isn't to say that Bodie himself is neglected, quite the opposite. Entering the story via those avaricious siblings who report that their mum's priceless Renaissance painting ("Woman With Weasel") has gone missing, Brodie soon spots that a similar theft has taken place at Burton Makepeace, allowing him to involve a reluctant DC Reggie Chase (hooray!) and to explore the history of an aristocratic family fallen on hard times.

There is simply so much going on in this book, often not directly concerning crimes - while there is a blend of murder and art theft here, in many respects they're almost incidental - but rather, people. And yes, people do sometimes commit crimes, but there are much more interesting things to say about people, and in particular about this bunch of peculiar people who assemble one snowy night to enact a murder...

I'd strongly recommend Death at the Sign of the Rook. I knew I would!

For more information about Death at the Sign of the Rook, see the publisher's website here.

#Review - Houses of the Unholy by Ed Brubaker & Sean Phillips

Houses of the Unholy

Ed Brubaker & Sean Phillips 
Image Comics, 27 August 2024
Available as: HB   
Source: Advance copy
ISBN(HB): 9781534327429

I'm grateful to Image Comics for giving me access to an advance e-copy of Houses of the Unholy to consider for review.

I recently went to see Arthur Miller's play The Crucible at the Gielgud theatre in London. This story of mass delusion leading to a literal witch-hunt is a deep part of modern culture but it was the first time I had actually watched it. The parallels with the McCarthy political purges are well known, but I didn't know until I read this graphic novel that it also prefigured a more literal form of witch-hunt that actually took place in the USA in the 1980s, a couple of decades after Miller's play appeared. (My lack of knowledge of this perhaps reflects a deep gulf between the pre Internet age and now - something like this would, of course, be all over social media and impossible to miss. But in the 80s I, and most people, were not online).

The parallels are, as depicted in Houses of the Unholy, close. Young kids, pushed by peer pressure and fundamentalist-minded parents and authority figures such as therapists and clergy, denounce teachers, youth workers and others. The whole thing snowballs. Reason sleeps. Those falsely labelled are ostracised, lose their jobs and sometimes take their own lives. In the backwash, when a degree of common sense is reasserted, there is guilt and retribution. Lives are damaged or lost.

In Houses of the Unholy we first meet Natalie Burns checking in at a remote motel. She pays in cash and asks for a cabin isolated from the others. Is she up to something, or does she just want a bit of peace and quiet? Of course it's the former, and the story soon takes a dark turn, resulting in attention form the local police and a driven, maverick, FBI agent.

Learning more about Natalie's background, we gradually understand how she got caught caught up in the 80s panic, and what she feels she has to atone for. The stigma of those events wrecked Natalie's family and her brother spiralled off into online conspiracy fandom. She herself cannot forget what she did - but nor can she properly distinguish the false memories from the true ones. At first seeming a rather unpleasant character, Brubaker and Philips do build sympathy for Natalie as the story continues, showing how she, too, was a victim in all this and what she has done to rebuild her life.

Agent Paul West, who begins by arresting Natalie but then offers her a deal if she'll cooperate, is a bit of a classic loner, apparently working an angle that he shouldn't be. We learn little about him until later in the book, partly because his attempts at bonding with Natalie are pretty much rebuffed. Endlesss car journeys in frozen silence are more suitable for a graphic novel depiction than they are to prose. and Houses of the Unholy makes excellent use of panels without speech as well as using background colour to animate the mood - a cool blue for the frequent noir-ish, nighttime scenes, red when we scent evil, particularly for flashbacks to the 80s. It's a compelling and addictive story, weaving together both the aftermaths of the 80s panic and a modern strand of apocalyptic, End-Of-Times fear that's pointed up later in the story by a distant warning siren (we never learn what it's warning of) as well as our heroes encountering unnatural disasters such as floods and wildfires.

All in all an excellent horror-tinged tale that ends on a note of real uncertainty, blurring the boundary between human evil and the supernatural. Great fun.

For more information about Houses of the Unholy, see the publisher's website here.

#Review - Ninth Life by Stark Holborn

Ninth Life (Factus Sequence, 3)

Stark Holborn
Titan Books, 23 July 
Available as: PB, 416pp audio, e   
Source: Advance e-copy
ISBN(PB): 9781803362984

I'm grateful to the author and publisher for giving me access to an advance e-copy of Ninth Life to consider for review.

Ninth Life is a return to the universe of Ten Low and of Hel's Eight - a future dominated by the militaristic Accord, which ruthlessly exploits its colony planets for raw materials, assisted by various warlords, gangster capitalist federations and oligarchs. Opposition has arisen on the mysterious but especially harsh world of Factus with its spirits, the probability-bending Ifs, who are able - sometimes - to turn likelihood on its head. Also featuring are the Seekers, with their semi-religious trade in organs and blood.

Ninth Life follows the career of ex General Gabriella Ortiz, originally a child soldier and a former hero of the Accord. Gabi featured in the earlier books, and her arrival, dragged from the wreck of a crashed spacecraft, nods to that. Here, though, her story is given in full - although it's contradictory to say that because as the narrator of Ninth Life makes clear, he has limited, uncertain sources and somebody is trying to erase his work.

Military Proctor Idrisi Blake himself is as much a character here as Gabi. We see his understanding of, and sympathy with, the former general turned pirate and rebel develop as his researches proceed. The framing is complex, with at least two different timelines for Gabi and numerous witnesses and accounts used to substantiate her career, but it's made more so by a fourth wall breaking effect where she seems at times to be directly addressing Blake. Failing to heed the often repeated instruction not to listen to her, Blake falls more and more under Gabi's spell, as do most of those she encounters and as, I am sure, will most readers.

Yet Gabi remains something of a mystery. Through a series of battles, fights, escapes, downfalls, injuries and betrayals we learn a lot about her origins, motivation and fears - but less about her intentions. Hers has been a life with loss (you'll know that if you've read the previous books) and she's suffered both betrayal and failure, but even so, everywhere she goes, everything she does, seems to align with some unstated purpose. It's less than clear how far she knows and understands this herself (the asides to Blake suggest that she does) and how far she is is actively cooperating with it or how much she is being drawn along. The best I can put it is, the Ifs, who are an important part of this story, will offer their help but only on their own terms, and there is a cost. Gabi is clearly paying that price, but we don't know - and I don't think she does - how far she is being given fair weight in exchange for her coin.

All in all a heart-pounding and exciting story with a core of steel. As ever Stark Holborn is superlative in bringing alive these actively hostile, dead-end-of-the-galaxy locations, places which make each day's survival a heroic act and every character, therefore, a hero. They're like the desert environs of the typical Western raised to the power 100.  That will be familiar from the earlier books, but the story has now expanded beyond that Western-in-Space metaphor to a whole new level of weird, anarchic, punkiness that is just a glory to read.

I'm not sure if there will be more in this series - the ending is I think deliberately unclear - but if there are I will be delighted. Holborn's books provide something - a spice, a feistiness - which, while impossible to pin down, is I think unique in current SF and which I just can't get enough of.

For more information about Ninth Life, see the publisher's website here.

#Blogtour #Review - Prey by Vanda Symon

Prey (Sam Shephard, 6)

Vanda Symon
Orenda Books, 15 August 2024
Available as: PB, 278pp audio, e   
Source: Advance e-copy
ISBN(PB): 97819116788220

I'm grateful to Orenda for sending me a copy of Prey to consider for review, and to Anne for inviting me to join the book's blogtour.

There is a particular comfort in returning a well-loved and long running series - none more so than with Symon's books featuring New Zealand detective Sam Shephard. Over the course of five stories so far, and now a sixth, we've seen Sam progress from a reckless, not so say rash young woman working in a remote town as the only outpost of law and order to a detective in Dunedin. In the last book, Expectant, she was heavily pregnant. In Prey, Sam is the new mother of Amelia, just returned to work, and Symon usefully explores the ups and downs of this - the tiredness, the child who won't be put down when one wishes to eat or take a bath, the nappy changing... there's a particular incident of a "poonami" that I think all new parents will relate to (we have curtains that never recovered). 

All this as Sam is tasked with reopening an especially tricky cold case. DI Johns, also know as The Boss and by a host of less repeatable epithets, has asked her to pick up an investigation form 25 years ago, the murder of a priest on the cathedral steps, no less. It's a case which requires particular tact as Johns is connected to it himself. And it's one which awakens dark memories for Sam from her own early life.

If you're a regular reader of this series you'll know already that Sam is at her best when up against it: every problem here - the lack of forensic evidence, pressure from her superiors, vanished witnesses, that creeping miasma of unease that she feels as she climbs the cathedral steps - just spurs her on to try harder, find new angles, try different things. So as the story unfolds, Sam's re-examination of witnesses, her unpicking of evidence and her posting of awkward questions are just wonderful to see. Symon has a rare skill, the ability to make a situation visible. Without dropping any clunky hints or telling you the answer, she creates, in the reader's head, a kind of hologram, a grasp of all the angles and possibilities. Here, mediated by Sam, we begin to see the strains and tensions that, decades before, led to murder - and their imprint on the witnesses being re-interviewed in the present day.

It is though a nasty, unedifying picture that unfolds, with an apparently loving and supportive community riven by jealousy, judgementalism and old-fashioned patriarchy. As Sam gets deeper into things, she increasingly wonders why she was asked to reopen this case, whether she was ever meant to solve it, and if she does, what the cost may be for all concerned?

All in all this is a taut, compulsive and involving read, a book I more inhaled than read. Weaving together two serious themes, relating to parenting an infant and caring for a teenage daughter, it challenges us as to what is really important in putting a child's needs first - rather than just paying lip service to that - and shows how secrets can undermine the most loving of relationships. (The family of the Revd Mark Freeman in particular seems to have raised the keeping of these to an artform, one matched only by Sam's ability or prise out the truth from reluctant witnesses.)

Prey is another great instalment in this series from Vanda Symon. As I said above, it was marvellous to meet Sam again and to see how her life is changing. But above all this is a scorching and immersive detective story.

For more information about Prey, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy Prey from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, or Waterstones.

#Blogtour #Review - The Friend Zone Experiment by Zen Cho

The Friend Zone Experiment

Zen Cho
Macmillan, 8 August 2024 
Available as: HB, 352pp audio, e   
Source: Advance e-copy
ISBN(HB): 978-1035046089

I'm grateful to the publisher for giving me access to an advance e-copy of The Friend Zone Experiment to consider for review, and to Anne for inviting me to join the book's blogtour.

Renee Goh has an enviable life, growing her own Instagram-friendly clothing business, Virtu, dating a Taiwanese pop star and living in a posh London flat left her by her aunt.

But she's estranged from her family, ends up working extremely long days and has just been dumped by the boyfriend. So it's perhaps not suprising that when she bumps into another ex, Yap Ket Siong, at a V&A do, she spends a night with him. Surely they can just remain friends? 

Unfortunately, there is unfinished business from their previous breakup - business which touches on Renee's father's desire to hand on his own firm, a major conglomerate based back home in Malaysia, to one of his three kids. Renee could be back in the fold, all she has to do is impress father (and outdo her very competitive brothers...). But what might the impact be on Ket Siong - and should she care? Suddenly that friend zone begins to look more like a very unstable fence to sit on, with passion one side, cold hard business on the other and perhaps, murky secrets on both.

The Friend Zone Experiment was a terrific read. Renee is an engaging main character, a woman who knows what she wants, is basically together and organised and definitely not ready to get pushed off course by romantic currents. And yet, at some level, she is still hurt by what happened between her and Ket Siong ten years before. As is he. Renee doesn't, though, know the full story - and I enjoyed seeing that teased out, with flashbacks and revelations. Yes it's one of those scenarios where people are hiding things for each others' supposed good, where there are misconceptions and assumptions (cue Renee's judgy but supportive pal Nathalie). Beneath all this are the bones of a thriller plot involving kidnap, stolen documents and murky secrets - but Zen Cho has the confidence to leave that sketchy and focus on the impact of events on her cast of appealing characters. 

Did somebody say "appealing characters"? I have to mention Ket Siong at this point, of course I do, he is the epitome of an appealing, no downright attractive, character - certainly to Renee, despite what he did ten years before. An honourable, somewhat tortured soul, he spent years putting duty ahead of self - as, in a slightly different way, has Renee. She was brought up learning that business and money always comes before family, with the result that her rebellion against a highly patriarchal father has been expressed by... founding her own business and working night and day at it.

With those secrets from the past reaching out, will Renee and Ket Siong be able to sort out what's real and what's imagined, satisfy the constraints of duty and love, and, above all, keep those they care for safe? Deftly plotted, fun to read and with great heart, The Friend Zone Experiment keeps us guessing, serving up thrills, excitement and a powerful, tearjerking finale.

Strongly recommended, whether you've read Zen Cho's earlier fantasy works such as Sorcerer to the Crown, The True Queen and Black Water Sister - or not.

For more information about The Friend Zone Experiment, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy The Friend Zone Experiment from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, Waterstones or Amazon.

#Review - Lake of Darkness by Adam Roberts

Lake of Darkness

Adam Roberts
Gollancz, 25 July 2024
Available as: HB, 320, audio, e   
Source: Advance e-copy
ISBN(HB): 9781399617673

I'm grateful to the publisher for  giving me access to an advance e-copy of Lake of Darkness to consider for review.

In Lake of Darkness, we are introduced to a medium-to-far future human interplanetary society of a Utopian bent - and to the thorny problem of evil, which seems to have been eradicated but proves tenacious. 

This is a world of abundance, permitting its members to do pretty much what they want, subject to some basic rules about consent. Effectively people devote themselves to hobbies, forming "fandoms" that act in common to pursue goals. These goals range from art projects to the pursuit of pure science to exploration. We see an attempt by one man to be the first to walk on the surface of the planetary core (Roberts addressing the technical difficulties this presents in some (convincing) detail). The aim is basically status, earned by the acclamation of one's fandom. This is seen as a healthier approach than accruing resources or power.

It's all done with the help of AI, which undertakes the real work. This allows a staggering level of achievement, but it all feels a little empty. The people we meet here reminded me of those in EM Forster's The Machine Stops - they sustain a lively degree of chat and engagement with one another but it all feels brittle, shallow, with the real action taking place elsewhere. Representative of this is that nobody can read, everyone relies on the AIs to translate historic documents, resulting in a whole layer of ignorance and misunderstanding arising from the failure of sounds to represent or differentiate underlying ideas. 

It's also a short-attention-span society, one where those AIs don't just speak texts but summarise and recommend them too. As a result the adults in this book are contradictory, at the same time both erudite and childlike. When things begin to go wrong, when the system is challenged, nobody is really able to pull together a response (another echo of Forster, I think?)

In Lake of Darkness, what goes wrong is slightly mysterious. It may be a threat from an Ancient Evil which meddling scientists have unleashed from its prison (cue a great deal of speculation about who or what would be capable of constructing this prison and the paradoxes it builds into the universe). Or it may be that the evil has been loose and ac time for aeons. Or it may be that both things are true, with the evil (possibly not the right term, really) representing a part of humanity that the Utopia has suppressed. We are reminded that there are laws of balance and conservation in the Universe and that therefore, at least in the long run, certain things may be impossible - such as firewalling off areas of experience and motivation. Or, putting it another way, some things may be certain, such as human traits and behaviours surviving.

As presented to the reader, this paradox is framed in terms of the event horizon of a black hole. A couple of futuristic ships arrive, capable of FTL travel, to investigate black hole QV Tel but madness and obsession will soon destroy their crews. There is a great deal of debate, both among the characters of this novel and from the narrator (or narrators - the way the book represents how it is being told is twisty, reminding me of Tolkien in its insistence that it is being translated - but from what and to what and by whom is unclear) about whether it might be possible to communicate with whatever life might exist within a black hole. This apparently abstract point of physics, indeed, motivates characters to extremes, up to and beyond murder. (I enjoyed the way in which Roberts uses his apparently consensual society to show an individual with aberrant views can impose this on the wider culture - the grounding in consensus meaning that there are no real checks in place. It all reminded me of a version of social media gone septic. Sorry, gone even more septic). 

This question engages real, unresolved issues of physics but it also, I think, represents the gist of the book. The existence of black holes poses a puzzle whose solution allows for real choices in the design of the universe - it's left deliberately uncertain whether it is this fact that drives a succession of characters in this story to defy, indeed trample, the norms of their civilisation, or whether they have indeed been affected by some kind of serial taint that derives from the black hole itself and is being communicated through society, thereby posing a deep contradiction.

This is a novel of ideas, that debate about the nature of reality coming over as more solid that the rather insipid characters who fail to face up to its consequences. And, just to be clear, by "insipid" I don't mean these are badly or weakly drawn characters, I think Roberts depicts them just as he intends to, they are insipid members of an insipid society which has forgotten things about itself that it ought to to have help on to.

Overall, a riveting and strange book, alive with alternatives and a haunting sense of the past and the future debating with each other.

For more information about Lake of Darkness, see the publisher's website here. 

#Review - The Cracked Mirror by Chris Brookmyre

The Cracked Mirror

Chris Brookmyre
Abacus, 18 July 2024
Available as: HB, 497, audio, e   
Source: Advance e-copy
ISBN(HB): 9780349145792  

I'm grateful to the publisher for giving me access to an advance e-copy of The Cracked Mirror to consider for review.

The Cracked Mirror is a story with many layers. As described in the blurb, it unites a tough LA detective, Johnny Hawke,  with a seemingly genteel Scottish spinster, Penny Coyne (yes, I know!) a librarian who solves crime in her quaint village. Penny would never break a rule (she know the sorts of consequences that can follow) but she does have some surprises for Hawke (who is of course, Mr Rule Breaker, always at odds with his own boss, and with a string of dead partners behind him).

Each is presented in their own segment, which has its distinct title ("The Cracked Mirror" being one). Hawke is working on a high-stakes murder at a Hollywood film studio, but is about to be suspended and thrown off the case when strings are pulled by those with, well, pull. Coyne investigates a death at a local church, which she solves before moving on to a Society wedding - to which she's been invited, but doesn't know why. Indeed, this isn't the only instance of Penny's memory proving unreliable - an experience shared by Hawke, planting seeds of there being something unsettling going on even before the two, improbably, meet in one story.

Which is where things go REALLY weird. What has so far read as basically a pastiche of two different crime genres, if an entertaining one, then pivots to become something all its own. It isn't an oddball crime story in which the two mismatched detectives have to work together and earn each others' respect. Or rather, it is, it can't avoid being that, but that's almost incidental, it provides some fun but it's not the point. Unfortunately I can't say what the point is without being spoiler, so you'll just have to take it from me, Brookmyre is on top form here and if you think the story as presented is fiendish, well, you've seen nothing yet. This book simply bowled me over.

It wasn't just the way that Brookmyre maintains the structure of the two, very different, narratives - using it to show events from two quite distinct perspectives - while fusing the whole thing into a powerful, engaging and much more distinct unity. Yes, there are cracks here which we will eventually understand once we know what's going on, but those cracks also make sense in terms of the frames of reference of Penny and Johnny. Unlikely events which befall our hapless protagonists do have their own logic, but as they happen, the vividness of Brookmyre's writing sweeps the reader up so were less concerned with the why, as with the "how do they get out of this?"

No, it wasn't just that. I found these characters growing on me. The more I learned about who they were, the more heart I saw this novel had. Behind the different brands of detective genius which the two display (with Penny, especially, showing great ingenuity even though apparently out of her comfort zone in the LA sunshine) there's a real sense of loss, of burned bridges and deep hurt, which drives them to behave as they do (whether to step over the line, or treat it as a religion) and which makes them, in combination, a formidable force.

Come for the high concept, stay for the vivid, relatable characters and their strange world.

Overall, a fun and rather tricksy novel that kept me guessing although - when I went back and thought about it - Brookmyre played a straight bat and left enough hints to work out what is happening. Also, a book that plays some wonderful games with genre conventions and the reader's expectations.

For more information about The Cracked Mirror, see the publisher's website here.

#Review - The Last Song of Penelope by Claire North

The Last Song of Penelope (The Songs of Penelope, 3)

Claire North
Orbit, 20 June 2024
Available as: HB, 388pp, audio, e   
Source: Advance copy
ISBN(HB): 9780356516110

I'm grateful to Orbit for sending me a copy of The Last Song of Penelope to consider for review.

The stories of Penelope and of Odysseus her husband, who was ten years away from Ithaca at the Trojan War and ten years returning, are part of the DNA of Western culture and I can remember when I first heard then, in a (necessarily bowdlerised!) version when I was about eight years old. 

Even then, I thought, this was rather odd. 

It wasn't so much the somewhat random escapades of Odysseus as he made his leisurely way home (though he could have hurried up a bit couldn't he?) but the way Penelope was treated as she waited for him. Why didn't someone just chase those suitors away? Why did Penelope have to stage an elaborate ruse, weaving her father-in-law's shroud just to delay them? Of course, nobody was going to teach the kids in an English rural primary school in the 70s about sexism and the patriarchy - and I'd never really gone back and revisited the stories until Claire North's trilogy began to appear - so long-buried questions and puzzlement bubbled up as soon as I began reading these books. I have been intrigued and captivated by the way that North deals with them. By the cool affect of her narration, the way she integrates human affairs with the Greek pantheon, the puzzled outsider's view of Egyptian Kenamon. But most of all, by the often-exasperated Penelope - a woman on the edge in more ways than one - as she deals with indignity after indignity and triumphs every time.

Last Song is the third (and last) book, and if you haven't read the others (Ithaca and House of Odysseus) you simply must go back and do so before you start this one. Not because spoilers (this is a three thousand year old story!) but because you have such a reading treat in store. You mustn't miss out. So promise me you'll do that, please?

Assuming you have, you'll be a bit more clued up with the setting. In her husband's prolonged absence, Penelope is Queen of Ithaca, a remote and much-maligned corner of the Ancient Greek world, a modest place and one which tends, shrewdly, to exaggerate its modesty. With so many ravening kings, pirates, psychotic gods and such loose on the wine-dark sea, the less tempting a kingdom appears, the safer it will be.

The general set-up is that Penelope, a wise and determined woman, mustn't be seen to exercise ;power, so this is left to her somewhat bumbling counsellors. In reality she is, though, firmly in control and is playing a long game, keeping the suitors, who wish to marry her (and inherit the kingdom) at arm's length while also preserving Ithaca's independence from its stronger neighbours. 

In the earlier books we saw Penelope skilfully navigate various crises, cultivating allies and bamboozling various would-be enemies. In The Last Song, though, she faces her stiffest challenge when Odysseus, finally, returns, upsetting careful calculations and overturning the delicate balance that Penelope has maintained. Soon Ithaca will be at war with itself for reasons utterly predictable to anyone who's been watching the absurd, strutting men who inhabit these tales. 

All of that is complicated by our narrator, the goddess Athena, who, as she informs us, is far from reliable. Indeed, she admits that she has a certain purpose in shaping events, and she will, obviously, adhere to a certain view of how things develop. While it might be nice if this involved female solidarity with Penelope and her lieutenants and maids, that will only go so far. Athena is in the business of writing her story, and she will have an eye to the audience down the ages who will receive it. 

So, as events unfold, we're getting two narratives (at least). There is what - we may imagine - "really" went on (but which we're not told all of) and what the "poets" will sing of in future days. Sometimes these align, more often not. I would venture to say though that the former is what eight year old me would like to have been told. By giving us this, North therefore corrects the record, though, as Athena warns us, there can be no reliability when one goes beyond the words of poets...

But what a story this is. There is war here, both force of arms and force of cunning. There is pride, rage, revenge. There is greed. Above all - or at the centre of all - there is love, or loves. Love that might have been, love that has been worn down and lost but might be regrown. The relationship between Penelope and the returned Odysseus is knotted and complex, he revealed to be, perhaps, less the pig headed patriarch than some of his peers. But equally complex is Penelope's relationship with her son Telemachus - though it is rather one to which she has lost, and can't seem to find, the key.

There is also bitterness and cruelty here with some moments of real horror - The Last Song of Penelope is not a book for the faint of heart. Long-suffering as she is, Penelope is not spotless herself - for example, even she does not really, I think, see her maids, who are slaves, as people, however much she clearly loves them. So we are trapped by layers of assumptions and social norms.

The Last Song of Penelope is a brilliant, satisfying, heart-wrenching and absorbing conclusion to North's trilogy. The writing shows North at her formidable best, but more, it takes these ancient stories and imbues them with a sense of heart, a deep empathy for people of long ago, who are living half in myth, half in history. I think it's that heart, that empathy which is perhaps what is missing from so many modern retellings, eroded by the act of translation and the familiarity of the story. North gifts her version with both. 

I would STRONGLY RECOMMEND this book!

For more information about The Last Song of Penelope, see the publisher's website here.

#Blogtour - Cursed Under London by Gabby Hutchinson Crouch

Cursed Under London
Gabby Hutchinson Crouch
Farrago Books, 11 July 2024
Available as: HB, 255pp, audio, e   
Source: Advance copy
ISBN(HB): 9781788425032

I'm grateful to Black Crow for sending me a copy of Cursed Under London to consider for review, and for inviting me to join the book's blogtour.

Cursed Under London is an engaging and entertaining urban fantasy, with a real subcurrent of romance. It's also one of the oddest books - in a good way - that I've read in ages.

In an alternate Tudor London, under Good Queen Bess's rule, a separate realm has been established underground, and more widely, under England, for magical creatures - fae, vampires, werewolves and a host more. There the undead mingle with creatures from myth and legend, following their own laws (human meat definitely ON the menu).

The outcome of a past war, this state of affairs is delicate and it needs continual diplomatic effort to keep it working and prevent fresh conflict. So when a deadly consignment is stolen from the Fae by surface gangs, Her Majesty's guards become involved in the investigation. Frustrating them at every turn, however, are the renegades Fang (a distant traveller from the Ming empire) and Lazare de Quitte-Beuf (a flailing, not to say failing, actor). Both have come under a strange curse which they attribute to Deep London. All roads lead, it seems, down the Tubes...

I loved this book for its verve - the story just keeps rolling on, throwing wonders and moments of terror off in all directions - its characters - Fang and Lazare develop a delightful, will-they, won't-they relationship whose bitterness and joy turns on some real emotional knots and awful experiences in their pasts - and its sly humour (simply too many examples to be able to quote, the story had me giggling on my commute). The busy, detailed view of a different London is always great fun and it's incredible how the author makes some seemingly bizarre ideas work: Christopher Marlowe as a zombie? You'll believe he was! A swan as Elizabeth R's jaded, hard bitten head of guards? Meet Captain Dame Isobel Honkensby! It's all gloriously inventive, rather convincing, and, well, a lot of fun.

Opening, I hope, a series, Cursed Under London draws on knowing references to London and Londoners, genre fiction, romance, crime politics, culture and a myriad other themes to paint its world - the darkness as well as the light. Because, don't be mistaken, there is darkness here - the wonders of Upper and Deep London are wonders, but they can be misused and real harm caused. Behind the fun and games, there's somebody trying to do just that.

I'd strongly recommend this book, and can't wait to see where the story goes next.

For more information about Cursed Under London, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy Cursed Under London from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, Waterstones or Amazon.

#Blogtour - The Betrayal of Thomas True by A J West

The Betrayal of Thomas True
A J West
Orenda Books, 4 July 2024
Available as: HB, 301pp, audio, e   
Source: Advance copy
ISBN(HB): 9781916788152

I'm grateful to Karen at Orenda for sending me a copy of The Betrayal of Thomas True to consider for review, and to Anne for inviting me to join the book's blogtour.

The Betrayal of Thomas True is a novel about growth, about recognising and becoming what one was meant to be, and about about loyalty. It is also a novel about betrayal, about prejudice and about persecution.

Above all, it is a novel about love.

Though the book is set in the roiling metropolis of early 18th century London, the precise date that this story takes place is kept vague. However, while St Paul's Cathedral is nearly complete (so some decades after the Great Fire), Sir Christopher Wren is still alive, so the action takes place before 1723. It's early enough though to pick up something of the brimstone of Restoration drama, opening as young Thomas arrives in London on the stagecoach, fleeing staid and respectable Highgate for a life of passion. Convention would dictate the naive young country boy suffering all manner of indignity at the hands of worldly Londoners, and in a way he does, beginning with his grasping aunt and uncle demand 6 months' rent for a decaying attic room on London Bridge. But hold. Master Thomas isn't some lost innocent. Alive to who he meets and what they hint, he comes to the city with a purpose, and soon seeks out the molly houses, and in particular, the most notorious of them all, Clap's. There he can be Verity True-tongue, taking a woman's gown and mingling with others - some respectable and wealthy, others less so - who must also conceal their true natures from friends, family and neighbours.

It is a fraught and dangerous double life, for, among the ranks of the mollies is a rat, selling them out to their persecutors...

I loved the sheer joy of this book, the teeming life of London depicted in all its variety, its glory and grossness. This is the London of Jonathan Wilde, of thief-takers, cutpurses, Bedlam, Newgate and the Tyburn jig. It's a London impossible to police, a place of rookeries and hidden houses of resort, of double identities and split loyalties. Remember, civil war and religious differences are only a generation back, with the Crown and the faith still dubiously founded. London is a town of spies, full of those on the make and those daring to live fully after decades of turmoil. And it's full of the self-righteous, those who are terrified that somebody, somewhere, might be enjoying themself. All's a perfomance - respectability or defiance - on the widest stage in the world, as True Thomas takes his place.

Against that setting, The Betrayal of Thomas True is a thriller of sorts, following Gabriel Griffin ("Lotty Lump" is his Molly name), the guard of Mother Clap's, as he pursues the rat. Mollies are being murdered, and only one of a few can be to blame. Consumed by grief at the loss of his wife and baby three years before, Gabriel stalks his quarry. Meanwhile, a pair of wandering justices, Myre and Grimp, approach London, consumed with their own plans and plots and determined to feed the Tyburn tree. This pair - who at first seem like the comic relief from a Shakespeare play, a Shallow and Simple, perhaps - grow steadily more disturbing as their true natures and motivation are revealed.

It's a complex story where appearances deceive and no-one can be trusted. Division among the mollies will be fatal, and yet bodies pile up provoking suspicion and recrimination. Their motto, "Always together", begins to seem hollow yet as we will see, it can bear several meanings.

Building to a tremendous conclusion asking vital questions about authenticity, solidarity and the nature of love,  The Betrayal of Thomas True reveals a London at once both utterly alien and rather familiar. It's the story that might have been written between chapters of Joseph Andrews or Tom Jones - both obvious (yes, of course this is what was going on on the other side of the page) and deeply revealing.

A great read and a book I'd strongly recommend.

For more information about The Betrayal of Thomas True, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy The Betrayal of Thomas True from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, Waterstones or Amazon.