Adam Roberts
Gollancz, 25 July 2024
Available as: HB, 320, audio, e
Source: Advance e-copy
ISBN(HB): 9781399617673
Gollancz, 25 July 2024
Available as: HB, 320, audio, e
Source: Advance e-copy
ISBN(HB): 9781399617673
I'm grateful to the publisher for giving me access to an advance e-copy of Lake of Darkness to consider for review.
In Lake of Darkness, we are introduced to a medium-to-far future human interplanetary society of a Utopian bent - and to the thorny problem of evil, which seems to have been eradicated but proves tenacious.
This is a world of abundance, permitting its members to do pretty much what they want, subject to some basic rules about consent. Effectively people devote themselves to hobbies, forming "fandoms" that act in common to pursue goals. These goals range from art projects to the pursuit of pure science to exploration. We see an attempt by one man to be the first to walk on the surface of the planetary core (Roberts addressing the technical difficulties this presents in some (convincing) detail). The aim is basically status, earned by the acclamation of one's fandom. This is seen as a healthier approach than accruing resources or power.
It's all done with the help of AI, which undertakes the real work. This allows a staggering level of achievement, but it all feels a little empty. The people we meet here reminded me of those in EM Forster's The Machine Stops - they sustain a lively degree of chat and engagement with one another but it all feels brittle, shallow, with the real action taking place elsewhere. Representative of this is that nobody can read, everyone relies on the AIs to translate historic documents, resulting in a whole layer of ignorance and misunderstanding arising from the failure of sounds to represent or differentiate underlying ideas.
It's also a short-attention-span society, one where those AIs don't just speak texts but summarise and recommend them too. As a result the adults in this book are contradictory, at the same time both erudite and childlike. When things begin to go wrong, when the system is challenged, nobody is really able to pull together a response (another echo of Forster, I think?)
In Lake of Darkness, what goes wrong is slightly mysterious. It may be a threat from an Ancient Evil which meddling scientists have unleashed from its prison (cue a great deal of speculation about who or what would be capable of constructing this prison and the paradoxes it builds into the universe). Or it may be that the evil has been loose and ac time for aeons. Or it may be that both things are true, with the evil (possibly not the right term, really) representing a part of humanity that the Utopia has suppressed. We are reminded that there are laws of balance and conservation in the Universe and that therefore, at least in the long run, certain things may be impossible - such as firewalling off areas of experience and motivation. Or, putting it another way, some things may be certain, such as human traits and behaviours surviving.
As presented to the reader, this paradox is framed in terms of the event horizon of a black hole. A couple of futuristic ships arrive, capable of FTL travel, to investigate black hole QV Tel but madness and obsession will soon destroy their crews. There is a great deal of debate, both among the characters of this novel and from the narrator (or narrators - the way the book represents how it is being told is twisty, reminding me of Tolkien in its insistence that it is being translated - but from what and to what and by whom is unclear) about whether it might be possible to communicate with whatever life might exist within a black hole. This apparently abstract point of physics, indeed, motivates characters to extremes, up to and beyond murder. (I enjoyed the way in which Roberts uses his apparently consensual society to show an individual with aberrant views can impose this on the wider culture - the grounding in consensus meaning that there are no real checks in place. It all reminded me of a version of social media gone septic. Sorry, gone even more septic).
This question engages real, unresolved issues of physics but it also, I think, represents the gist of the book. The existence of black holes poses a puzzle whose solution allows for real choices in the design of the universe - it's left deliberately uncertain whether it is this fact that drives a succession of characters in this story to defy, indeed trample, the norms of their civilisation, or whether they have indeed been affected by some kind of serial taint that derives from the black hole itself and is being communicated through society, thereby posing a deep contradiction.
This is a novel of ideas, that debate about the nature of reality coming over as more solid that the rather insipid characters who fail to face up to its consequences. And, just to be clear, by "insipid" I don't mean these are badly or weakly drawn characters, I think Roberts depicts them just as he intends to, they are insipid members of an insipid society which has forgotten things about itself that it ought to to have help on to.
Overall, a riveting and strange book, alive with alternatives and a haunting sense of the past and the future debating with each other.
For more information about Lake of Darkness, see the publisher's website here.
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