Showing posts with label Devon. Show all posts
Showing posts with label Devon. Show all posts

23 February 2023

#Review - A Wild & True Relation by Kim Sherwood

Book "A Wild & True Relation" by Kim Sherwood. The background is pale green, and the central device done in shades of green. The cover is occupied by a lozenge shape, divided into upper and lower halves by a scroll upon which the book's title is blocked in a kind of antique playbill sort of font. In each half of the lozenge is a silhouette portrait - the upper is a woman, facing right, the lower a man, facing left. Each is inside a circle, with lettering, the upper saying "MILDEGO 1703", the lower, "VENTURE 1703". At the bottom of the lozenge are a pair of crossed antique pistols. Above the lozenge, a couple of seabirds swoop. The device overall resembles a coat of arms or heraldic crest.
A Wild & True Relation
Kim Sherwood
Virago, 2 February 2023
Available as: HB, 506pp, e
Source: Advance e-copy
ISBN(HB): 9780349015361

I'm grateful to the publisher for an advance e-copy of A Wild & True Relation via Netgalley, to consider for review.

Kim Sherwood is one of those authors who refuses to be trapped in one genre or another. She's written historical fiction about the Holocaust. She's written James Bond. And here she is telling, with great verve and with a strand of modern relevance,  a story of smugglers, Revenue men and seadogs in early 18th century Devon, Queen Anne's time.

But A Wild & True Relation is so much more than that, really it is. 

It's the tale of Molly - Orlando - a young girl brought up aboard ship by smugglers as a boy, after her mother is killed in a mysterious scuffle involving notorious 'free trader' Tom West, Revenue man Dick English, and one of West's crew. 

Orlando grows up determined to take revenge against English, who he blames for his mother's death. Influenced and schooled by West, he/ she becomes an accomplished sailor, something that would never be allowed a girl or woman, and indeed a perfect smuggler, something only a hair's breadth from being a pirate. But it's a time when the free traders are popular - 'Watch the wall, my darling, when the gentlemen go by' - and West lords it over Devon like a king, any and all manner of sins being forgiven or at least overlooked... for now.

But there's more! A Wild & True Relation may be rooted in stormy 18th century Devon but it grows out into other ages, other places too. Molly's/ Orlando's story is elusive, contradictory - one of the themes of this book, indeed, with nothing sure and certain, facts slippery and events liable to be reimagined - but it comes to the attention of  a succession of writers: Mrs Thrale and Doctor Johnson, Daniel Defoe and Celia Fiennes, Charles Dickens, and eventually, Robert Louis Stevenson. We see the story become a touchstone, as characters look for a personal connection with Molly, eventually the 'lady shipwright" of Devonport, as it is reworked into filmscript, travelogue and more. 

A common feature of the reworking is the appropriation of women's writing, imagination, life by men, something coolly commented on by a modern voice writing a series of lectures to be given commemorating Virginia Wolf at Girton College, Oxford (Orlando, of course!) I really enjoyed these interpolations. While the story of Orlando/ Molly is (I think!) fictitious, the descriptions given, and judgements made, of how cerated male writers used the woman around them are factual - and pretty scathing. Putting into those hands a narrative of a woman who who did whatever it took not to be so used - neither by the hand of officialdom nor by a romantic rogue - is a great corrective. There is a golden thread running through this book that, come what may, in the end Molly will be heard.

In the strangest sense, that very modern sensibility makes the romantic, salt-splashed narrative of three hundred years ago seem even more immediate, its themes and issues even more alive and present, than if it were just another romance of the sea, of which we have plenty (and I'm not saying that's a bad thing!)

Really, really good, fun to read and with a sharp core - or might I say a blade? - of steel at its heart

For more information about A Wild & True Relation, see the publisher's website here.


27 April 2021

#BlogTour #Review - The Lynmouth Stories by Lucy V Hay

The Lynmouth Stories
Lucy V Hay
Available as: e (print length 35pp)
Source: Free copy provided by the author
ASIN: B07L3TS5XM 

I'm grateful to Lucy for a free copy of The Lynmouth Stories to consider for review and to Anne for inviting me to take part in the blogtour.

When I was young, in the 70s and 80s, our family sometimes used to go to the seafront (New Brighton, on the Wirral) in the depths of winter. We had family nearby who we'd visit, but the highlight for me was walking past the shuttered amusement arcades and gift shops and watching the waves break on the rocky beach. 

Don't you think there's something two-faced about the British seaside? Something almost theatrical? A darkness, a theatricality that's probably there even in the hottest summer - just go round behind one of those arcades - but which comes into its own when the tourists go away and the locals lose their part time jobs. These are places where anything might happen, and accordingly, The Lynmouth Stories includes three dark short tales, set in and around the seaside town of Lynmouth in North Devon. 

The coast of Wales is visible from the town, functioning here in many glimpses almost as a sign that the outside world still exists, whether that is a sliver of hope nor a distant threat. For the protagonists Hay introduces us to, Lynmouth seems to represent a dead end - a stopping point, which they can't get beyond - or a point of decision, marking the end of one life, the beginning of another.

In Plain Sight

For Meg and her young son Danny, kidnapped and whisked from their ordinary lives to live in the power of an abusive man, it's an endpoint. He will never let them go. Meg has to trade herself for even the slightest freedom, and Danny is effectively a hostage for his mother's compliance. Rather than a place of fun, the town, which The Man eventually allows them to visit, is only a wider prison. Meg and Danny will have to be clever and brave if they're going to register their mere existence against the blank slate of winter Lynmouth.

Killing Me Softly

Catherine, who I think briefly crosses paths with Meg, is haunted by a darkness, but in contrast it's a darkness she has brought with her - or which has followed her to Lynmouth. I loved this story which is deliciously unclear about the reality of what's happening: A psychological state? An intrusion of evil? A stalker? Whatever the truth is, there seems to to be a real danger and risk of its taking root and spreading.

Hell And High Water

In the aptly names third story, another family out of season have come to stay in a remote cottage, a last minute decision taking no account of the unpredictable Exmoor weather which isolates costs them off, marking bad relationships worse. Told across two timelines, Hell And High Water focusses on Naomi and baby Tommy, whose lives and future are unexpectedly under threat. Weaving together local history and a shrewd reading of human nature, this was my favourite story.

All of The Lynmouth Stories feature women making choices - choices they have not sought, and which will affect others, especially children (not always their own). The grey, sea-wracked out of season two truly becomes a stage on which these choices are acted out, and leaves us wondering what the consequences were: we can guess some of them, but the picture isn't complete. We don't get to see all of the final act.

Overall, these are atmospheric and involving stories with a haunting background and they leave a great deal to think about.