Review - The Regicide Report by Charles Stross

The Regicide Report (Laundry Files, 14)

Charles Stross
Publisher, 27 January 2026
Available as: HB, 336pp, audio, e   
Source: 
ISBN(HB/ PB): 

I'm grateful to the publisher for giving me access to an advance e-copy of The Regicide Report to consider for review.

The Regicide Report is the final volume (at least for now?) of Stross's Laundry Files sequence, something that, in my view, has grown into a SFF phenomenon. Over the past two and a half decades I've followed the story of Bob Howard, necromancer, demonologist and computer nerd, through books that began as stories "in the style of" a series of espionage masters, mutated into treatments of classic monsters from horror, and ended up as pretty scathing criticism of UK politics.

Where is the endpoint of all that? In whose name is the espionage carried out out? On whose secret service are Bob, Mo and their colleagues engaged? Who is the most scary monster in the pack? What is at the summit of politics and public administration?

Why, the monarchy itself, of course. So, in a book which I think could probably only have been published following the death of Our Late Queen, here is the apotheosis of the Laundry, its endpoint (literally) as the unspeakable horror which has consumed the British State turns its baleful attention on the Crown itself. And on the billions of person-years of worship and belief that it has accumulated.

Written according  the normal convention of the series (Bob Howard writing his classified work diaries - but we finally see how and why that exercise is being undertaken) The Regicide Files gives us a complex plot hanging on the dilemma of the Laundry and its duty (enforced by geas) to both the current PM (that nameless horror, who was, in truth, the lesser of two evils - as PMs so often are) and to Her Majesty. 

Long-buried External Assets are being awoken, there's trouble afoot at the Palace and Bob's required to wear a fancy suit and shiny shoes. That last may be the thing he worries about most.

This book has all the notes I love in the Laundry Files: the fiendish plot (fiendish in at least two senses of the term), the dry humour, check-ins with most of the vast array of characters Stross has given us to date and a tight, action-filled narrative.  I don't know if this was planned in advance, but it's a story that derives real heft from the recent death of Elizabeth II and indeed probably couldn't have been published before. If you thought that the Royal funeral in 2023 was a big production, well, just look at THESE funeral games... 

I feel this book provides very much the ending that the Laundry (the series, and the institution) deserves. Bob and Mo get plenty of time (I've missed them in the past few books) and development but we're left guessing about just how events will proceed as CASE NIGHTMARE GREEN unfolds and what role the Laundry will play in that. (I'm blurring some detail here so as not to spoil, but I will note that - as evidenced by Bob's being at large to write his casenotes, some form of normality does continue, albeit the warped version of the New Management)

Strongly recommended to long-haul Laundry fellow-travellers. If you haven't read these books yet then no, really this isn't the one to begin with but you have some fun in store if you go back and begin with The Atrocity Archives.  

(It was also fun to see Stross adroitly sidestep issues of continuity in the series...)

For more information about The Regicide Report, see the publisher's website here.

Review - Ring the Bells by CK McDonnell

Ring the Bells (Stranger Times, 5)

CK McDonnell
Bantam, 9 October 2025 
Available as: HB, 496pp, audio, e   
Source: Advance copy
ISBN(HB): 9780857505392

I'm grateful to the publisher for giving me access to an advance e-copy of Ring the Bells  to consider for review. Given the seasonal bent of this book, I should really have reviewed BEFORE not after Christmas, but my reviews have been a car crash recently so perhaps just take this as a hint to buy it for someone NEXT Christmas!

You actually might not think of McDonnell's Stranger Times series as providing potential for a Christmassy story. The titular, Manchester based newspaper, which operates from a decaying, closed-down church, and chronicles the eerie and the unexplained is produced on a shoestring by a cabal of eccentrics and misanthropes. Attempts by the staff to inject a note of goodwill or cheer into proceedings tend to fall flat, even if the team general end up saving the world by the last page.

The books so far have tended to explore the seamier side of supernatural life leaving little time for wonder and cheer. Most of all, the editor, Banecroft (who is surely some sort of cousin to Jackson Lamb in Slow Horses) lives on cynicism and booze and would, one thinks, likely sit up by the fireplace with a shotgun ready to scare Father Christmas right back up the chimney.

So, as the storyline here develops, it's fun to imagine how the coalescing evil - which is clearly going to coalesce into something rather Santa-shaped - will both ring all the Christmas bells and threaten the known universe. That does happen, I didn't anticipate how, and the knowledge of it doesn't in any way lessen the fun and the fear when it does. I will say that there were possibly Prathcettian overtones to the theme here that belief in itself is a power to be reckoned with, but McDonnell also plays subtle games with the usual seasonal redemption arc which should make us question the transformation of an evildoer into the Chrismassiest person ever. Here, even the wrongdoer has his doubts about that trope.

A couple of sub-plots are though perhaps worth as much attention as the main story. Christmas is a time for family, and as far as we know, Manny, the mysterious Rastafarian printer who makes sure that each week's edition of the ST gets to its readers, has no family (other than the strange entity which imbues him). In this story, we find out more about Manny's background. It's a very affecting and sad story, giving him a central place he deserves after four books of being rather at the margins (or perhaps, in the basement).

There are also developments in the world of the Founders, the entitled and wealthy clique who try to control the magical world. Given that places at that table tend to follow the "dead man's shoes" rule, it's perhaps no surprise that competition is ruthless but Ring the Bells sets us up I think for a future battle Royale to fill a pair of those shoes (only given the likely contenders, they'd better be killer heels, not just any old shoes.

An entertaining and fun addition to this series, showing the value of an ensemble cast which keeps things fresh by always providing new corners and angles to explore.

For more information about Ring the Bells, see the publisher's website here.

Review - The Cold House by AG Slatter

The Cold House

AG Slatter
Titan Books, 7 October 2025
Available as: HB, 160pp, audio, e   
Source: Advance e-copy
ISBN(HB): 9781835412541

I'm grateful to the publisher for  giving me access to an advance e-copy of The Cold House to consider for review.

Though set in modern Britain rather than her fantasy Sourdough world, in The Cold House Slatter explores similar themes to her recent fantasy novels - here we meet a woman left somewhat alone and struggling to understand her place in the wider world. Everly'd had her share of tragedy. there is a mystery about her early life which Slatter only gradually shares, and more recently, she's lost a husband and child. When we meet Everly at the beginning of the story, she reached the "attacking strangers in supermarkets" stage of grieving, something which rather shakes her out of herself and forces her to seek help.

Though the help proves to be a recommendation to get away from it all by spending a few days at an isolated, spooky house on a remote island. That leads Everly into a somewhat folk horror chain of events which moves quickly from the charming and quaint to the downright terrifying. As we learn how she handled those earlier, terrifying events in her life, the question looms: does that make her a survivor, or a betrayer? Will she be able to summon the strength to push through, or will things, this time, just be too much?

The Cold House is a cracking read, a short book but one with terrific pace. Slatter is perfect at judging what her readers need in the book, and where gaps will be filled in. That means we don't get reams of back information about Everly's harrowing earlier years, for example, or about the history of YYY Manor, just essential nuggets which are really quite enough. But there is a beautifully told account of Everly's very real distress and sense of dislocation at the start of the book (if "beautiful" is an appropriate word for a portrayal of such distress; I couldn't find a more apt one). 

The pace also feels natural, I think, as the book moves from an initial paralysing situation to exploration to that to a real, pounding, action-y conclusion as Everly's forced to fight for her own identity - and to choose who, and what, she will trust. Her quick decisions will result in lasting consequences and we have to hope that those will be results that she can live with. I felt that the ending contained a delicious ambiguity here, and wondered if things were, indeed, over? I suppose time will tell!

I'd strongly recommend The Cold House, if you haven't read any of Slatter's stuff before this standalone would be a good place to take the temperature, as it were.

For more information about The Cold House, see the publisher's website here.

Blogtour review - Kill Them With Kindness by Will Carver

Kill Them with Kindness
Will Carver
Orenda Books, 19 June 2025
Available as: PB, 292pp, audio, e   
Source: Advance copy
ISBN(PB): 9781916788381

I'm grateful to Orenda for sending me a copy of Kill Them With Kindness to consider for review, and to Anne for inviting me to join the book's blogtour.

A worldwide coronavirus pandemic. 

Shady but well-connected figures eager to profit from the misery. Lockdowns. 

A foppish, populist UK PM who can't keep his trousers zipped up for more than half an hour.

All signalling, then, that Kill them with Kindness has no bearing AT ALL on actual recent world history. So the speculation here that the virus, and the vaccine, was scheduled; that a third party intervened to change it from what it might have been; and that a secret cabal of world leaders knew rather more about matters that they let on - can all be safely indulged in the interests of a fascinating and knotty plot that nevertheless dramatises some of the real dilemmas that we faced a few years back. Carver's writing is excellently adapted to the. He has the rare ability - no, scratch that, unique, at least so far as I'm aware - to dramatise not only the events of a story but also the actual ethics of it.

Here, that is done mainly though two characters - the blustering, blond Harris Jackson, Prime Minister of the UK, who can't encounter a woman without seeking to impregnate her, and brilliant but modest Dr Haruko Ikeda, a Japanese scientist who works at a Chinese research centre backed by American money. Jackson doesn't care if a few million people die, so long as it serves his purposes. Ikeda wants to save lives, but he has a wider vision than that: to make life, people, kinder. While the two never meet, they are in effect the players in the chess game, well matched since one has immense political power but - seemingly - little empathy, while the other brims over with empathy but is being forced to act by circumstances.

Carver's portrayal of both men is superb, but it's only part of the storytelling here. Events, literally taking part on a world scale, are given life by vignettes of individuals, too many to list, across the nations and of all ages and social positions. This author is a master of the telling phrase, the perfect description or action, showing what people are doing or thinking. These go beyond simply the reaction - people are panicked, people are scared, people are greedy, selfish or heroes, or whatever - to engage with the rights and wrongs, the awkward unexpected reactions, the unintended consequences, of the story. 

Carver widens his canvas, I think, here, compared to previous books where events were often focussed on a small locality - a building, a village - but despite this larger stage he still makes the story connect very directly with a reader's own experience and convictions. It helps here of course that we have all recently gone through a pandemic so many of the experiences described and the trains of thought are closely rooted in observed experience. That connectedness means that Kill Them with Kindness is at the same time a deeply serious and thoughtful book - the author's argument about the value of simple kindness deserves respect - as well as an absorbing and often funny read. 

Carver never disappoints, and Kill them with Kindness is a stunner of a read.

For more information about Kill Them with Kindness, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy Kill them with Kindness from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, or Waterstones.

Blogtour review - Downlands by Norm Konyu

Downlands
Norm Konyu
Titan Comics, 13 May 2025
Available as: HB, 292pp, e   
Source: Advance copy
ISBN(HB): 9781787743328

I'm grateful to Julia at Titan Comics for sending me a copy of Downlands to consider for review, and for inviting me to join the blogtour for this excellent graphic novel.

I hadn't read Norm Konyu's work before but now that I've seen Downlands I'm a fan. To this 70s child there's a haunting fusion of form and content here, not so much dreamlike as "memories you had forgotten like". And that's even before you add in the folk-horror vibe and rich historical depth.

Set in the ancient countryside and the villages of Sussex, Downlands is centred around James and his 14 year old sister Jen, who dies suddenly at the start of the book. I think it's fair to say the story is centred around James and Jen because her absence is itself a presence that haunts this book. It is (as well as being many other things!) a powerful evocation of loss and dislocation, as James and his parents struggle with their grief and the unfairness of a life lost so young. ("Tea again. I was constantly being offered tea as if it would make everything right.") The supernatural events that flit around the subsequent story reflect that dislocation, but they are clearly intended here as more than a reaction to it - there is something amiss.

Jen's absence isn't the only one. Through the book, Konyu also gives us, via retold stories, fragments of history, postcards, extracts and countless other sources, the stories of the houses in James' street. These include many losses. There have been deaths. There have been disappearances. Young men march away to war, to return changed, it at all. One unfortunate woman is committed to the county asylum. A family perish in a road accident. A cottage burns down and is never rebuilt. 

Other events are also touched on - a famous writer lodged in the street while working on her masterpiece. The local vicar struggles with his sermon. A woman whispered to be a witch has some answers. And, through all of it, a mysterious black dog that only some can see steps in and out of the tale.

It's a puzzle of sorts. James tries to understand what happened to Jen, but discovers that is linked to other, older mysteries. It's not "ancient evil" territory but there is a sense of malevolence, or perhaps, of human twistedness warping a natural ineffableness to darken and taint the lives of those who live in The Street (and especially at one particular address). In the course of sketching this out, Konyu blends many powerful themes, both historical and mythic - excavating the "ghost soil" as it were (and helpfully describes some of the sources at the end)

The story is, as I mentioned, conveyed in a very distinctive style, naturalistic yet stylised, the angles and often muted tones often gorgeous yet chiming with the slightly awkward feelings and sense of disjunction being felt by James and his family. Grief, guilt and disbelief will do that to how you see the world, I think. I have no learning in graphical styles so may be making some huge faux pas here, but to me it also recalled a strand in book illustration from the 60s and 70s - something overlapping between the sparseness of Dick Bruna and those intricate line drawn pictures in 70s Puffin books. I felt very at home with these pages. (That's especially useful since the book encourages you to turn back and forward, making connections between things as later pages shed new light on earlier material).

All in all, a ravishing read, perfect whether as something spooky to send shivers through you in summer hear or autumn fog, as a powerful episode of nostalgia, or as a comforting companion in grief. Or, just if you want a good read!

For more information about Downlands, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy Downlands from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, or Waterstones.

#Review - A Conventional Boy by Charles Stross

A Conventional Boy (Laundry Files, 13)

Charles Stross
Little, Brown, 7 January 2025
Available as: HB, 224pp,  audio, e   
Source: Advance e-copy
ISBN(HB): 9780356524641

I'm grateful to the publisher for sending giving me access to an advance e-copy of A Conventional Boy to consider for review.

A Conventional Boy is a more or less contemporary Laundry Files novella set before the events that brought us The New Management. (If you need to be told what all that means, when we are 13 books into this series, you possibly shouldn't be starting here and I'm not going to explain it all because this is only meant to be a short review - although if you do start her I think you'll soon get the hang of things.)

The protagonist is Derek Reilly, a young boy who, in the 1980s, expressed an incautious love of Dungeons and Dragons and due to an unfortunate misunderstanding was rounded up by the Laundry, the branch of the British secret services that deals with supernatural threats, due to an unfortunate misuderstanding. As a teenager who was very into D&D at the same time, I can only say, there but for the grace of God... 

Well. Decades later, Derek is still banged up, now institutionalised in a shabby camp for - what shall we call them? Not so much political as, perhaps, Ludic prisoners? - situated in the Lake District, England's wettest region. Rehabilitated to a degree, he's allowed to run his play-by-mail RPGs because the camp hierarchy think he's harmless and don't read what he's producing. If they did they might get some hints about their own futures. In an amusingly meta development we see Derek analysing and puzzling over developments in the Laundry saga that readers of the recent books will be well familiar with.

So far, so OK... till one day Derek learns that a major RPG convention is taking place just down the road and he decides to show up. That involves a fiendish escape plan and then contact with the modern world - something he's been denied for thirty years.

All of this is slickly handled and amusingly done, I love the vein of co(s)mic horror that Stross maintains in these books, delivered in the deadpan style of a 1950s field training manual, agents for the use of. At the same time there are I think definite barbs aimed at over commercialised RPG companies (or at one in particular, I'm sure you can guess which) with too much money to splash and no love for the games. One such is up to something nefarious here, and a ragtag group assembles to take them on before something really bad can happen to Derek.

Or before he can do something really bad.

Or perhaps, both.

A Quest (of course!) results, as always in the Laundry books, and while I think Stross has dropped the idea of channeling a particular different author or trope in each of these books, nevertheless, the story follows the logic, as it were, of a dungeon crawling RPG with challenges to be solved and dangers awaiting. That's of course playing to Derek's strengths - he's basically been in training for this all his adult life - and he also has help and support. The final third of the book is therefore a no holds barred battle with the danger not just the immediate threat of the dungeon, but a real peril for the visible world as well.

Great fun and a book I consumed pretty much in one reading. Recommended.

For more information about A Conventional Boy, see the publisher's website here.

#Review - The Proof of my Innocence by Jonathan Coe

The Proof of my Innocence

Jonathan Coe
Penguin, 7 November 2024 
Available as: HB, 352pp, PB, audio, e   
Source: Advance e-copy
ISBN(HB): 9780241678411

I'm grateful to the publisher for giving me access to an advance e-copy of The Proof of my Innocence  to consider for review.

Reading a review this weekend of a new TV series set in the 80s, I found myself agreeing with the writer's point that to portray the 80s, you need to stir in a good deal of the 70s. Coe would I think agree, at least one of the characters in his novel would, asking as she does when the 80s began? (The answer isn't 1 January 1980).

The 80s 'beginning' is code in this discussion for the onset of the individualistic, consensus-breaking phase in UK national life which has often been a theme, or lurking in the background, of Coe's novels. It's particularly appropriate here since The Proof of my Innocence focusses on what one may hope is the end, or the beginning of the end, of that worldview, with a bunch of highly unattractive and ideologically bent conservatives meeting in a rural hotel to set their world to rights. This takes place as the Queen (THE Queen: sorry, but that's what she'll always be even for this anti-monarchist) dies, and Liz Truss is appointed to her catastrophic period as PM. (When I reviewed Coe's last novel, Bournville, which appeared just after that time and had a key episode around most of the significant points of post war British history, I noted it was a shame that publication timetables meant he had missed that one - he does though take it in here, most notably The Queue, is a sequence that could almost be a coda to the earlier book).  

Coe is though slightly playing games with the reader: the conference section is in a part of the book that also, or perhaps primarily, explores the conventions and settings of the cosy crime genre (the out-of-this-world setting, the eccentric detective, the unlikely murder) as subsequent sections do dark academia and autofiction (in a pleasingly meta way). They're not parodies or pastiches of those genres, still less I think meant as straight examples, but those styles do influence the events and characters. So after the gruesome country house section introduces a foodie detective who's about to retire, we get a memoir of 80s Cambridge which touches on a cabal who meet behind locked doors (and I think a walk on part by Coe himself?) and then a jointly narrated section by the two young women whose story frames this book, inspired by autofiction.

What these three interrelated stories are all about though is unpicking the tragic story of a novelist, Peter Cockerel, who committed suicide, also in the 1980s. He's a shadowy figure whose books have been given a posthumous revival by an academic, also an attendee at that conference. Cockerill's voice gives Coe an opportunity to explore a conservative worldview and vision at one remove, or two, perhaps, with something of the same distancing effect that MR James might use in a ghost: here is something I found, in the last quarter of the previous century, in an old manuscript; and here is the trouble it got me into. That distancing is I think important here as it creates a separation between what is at least a fairly human view of conservatism and the grotesque cult that it now seems to be.  Perhaps that's a true difference of perhaps it's just nostalgia. In either case Coe demonstrates, and comments on, the difference, and suggests how it perhaps arose (that moment when the 80s began!) but he is wise enough to not try to diagnose it in detail. 

Rather, the point is illustrated, in a variety of settings, throughout the book in encounters with lift controls, overheard chat on a train, and even a character who, unwittingly, sings in his sleep. What goes on in our heads, and our ability to empathise with what goes on own others' minds, is important here. Some things should be shared and others, not. Both individuality and the collective experience matter, but the boundaries between the two can shift and that is not a light matter.

In a book that features murder (perhaps more than once), suicide, and other deaths, it's hardly surprising that bereavement and how we cope with it, or don't, is also a theme. Death is of course one of the great internal/ external events in life so is a suitable part of the book's subject.

As always with Coe's books, I found The Proof of my Innocence very entertaining and funny, but it also made me think hard about appearances and reality (as I said, he plays some games). As the husband of a vicar, and someone who has far too many books, I also took the opening scenes, in a book infested rectory, very personally, and wondered if, indeed, Coe doesn't have uncanny abilities to see into others' minds...

For more information about The Proof of my Innocence, see the publisher's website here. 

#Review - The Witches of World War II by Paul Cornell et al

The Witches of World War II

Paul Cornell (words), Valeria Burzo (pencils), Jordie Bellaire (colours)
TKO Studios, 25 July 2023
Available as: PB, 160pp, e
Source: Purchased
ISBN(PB): 9781952203183

The Witches of World War II tugs at one of the many loose threads of that conflict - persistent rumours that alongside the familiar heroism, sacrifice and application of industry and science to winning the war, alongside the more shadowy departments of unorthodox warfare and military deception, the Allies used even stranger means - notably witchcraft.

You don't have to accept the supernatural or the power of magic to see that this is something that could really happen. Deep in the layers of psyops, it would surely have registered that at least some high-ranking Nazis fervently believed this stuff, and that very belief could be used against them. 

That paradox is at the heart of The Witches of World War II. Cornell has assembled here a crack team of practitioners and theorists from the occult world of the first half of the 20th century, and posed a "what if...?" about their potential use in warfare, and beyond that, about the nature of their own beliefs and the power of belief itself. Cornell acknowledges, as does the Afterword by Prof Ronald Hutton, that this group never actually met (unless the records of that meeting have been even more than carefully weeded) but we might imagine similar characters carrying out the actions described here, some of which are based on those persistent rumours...

So the premise is intriguing. That wouldn't though be enough, without Cornell's excellent story and its interpretation by the brilliant comic artists here, to produce the immersive and fun narrative that The Witches of World War II is. I felt it captured the spirit of that dangerous time, all done in muted khaki, green, brown and grey, as it introduces us not just to the would-be witches themselves but also to their world. That world includes the would-be upper class Quislings and fellow-travellers who would have sold their country out at the drop of a hat, if they could. Against these fifth-columnists, our hero, Doreen Valiente, shows steely nerve as she negotiates a maze of mirrors, never sure who is going to back her and who will betray her. 

A sceptic herself, Doreen encounters dangers including a curse that can only affect those who don't believe, and slippery customers like Aleister Crowley, the self-proclaimed Wickedest Man in the World. (Who, exactly, believes that they are themselves wicked? I was reminded of the "are we the baddies" sketch...) The double crosses, hints of things below the surface build tension, with the poignancy of Doreen's lost sweetheart giving the story real bite by reminding us that this isn't all some fantasy, that regardless of the occult and its reality or otherwise, real people suffered and died in those years.

With a complex plot, many twists and turns and layers of deception, it all makes for a rewarding read, with just that hint of mystery as to what really went on...

For more information about The Witches of World War II, see the author's website here.

#Blogtour #Review - The Friend Zone Experiment by Zen Cho

The Friend Zone Experiment

Zen Cho
Macmillan, 8 August 2024 
Available as: HB, 352pp audio, e   
Source: Advance e-copy
ISBN(HB): 978-1035046089

I'm grateful to the publisher for giving me access to an advance e-copy of The Friend Zone Experiment to consider for review, and to Anne for inviting me to join the book's blogtour.

Renee Goh has an enviable life, growing her own Instagram-friendly clothing business, Virtu, dating a Taiwanese pop star and living in a posh London flat left her by her aunt.

But she's estranged from her family, ends up working extremely long days and has just been dumped by the boyfriend. So it's perhaps not suprising that when she bumps into another ex, Yap Ket Siong, at a V&A do, she spends a night with him. Surely they can just remain friends? 

Unfortunately, there is unfinished business from their previous breakup - business which touches on Renee's father's desire to hand on his own firm, a major conglomerate based back home in Malaysia, to one of his three kids. Renee could be back in the fold, all she has to do is impress father (and outdo her very competitive brothers...). But what might the impact be on Ket Siong - and should she care? Suddenly that friend zone begins to look more like a very unstable fence to sit on, with passion one side, cold hard business on the other and perhaps, murky secrets on both.

The Friend Zone Experiment was a terrific read. Renee is an engaging main character, a woman who knows what she wants, is basically together and organised and definitely not ready to get pushed off course by romantic currents. And yet, at some level, she is still hurt by what happened between her and Ket Siong ten years before. As is he. Renee doesn't, though, know the full story - and I enjoyed seeing that teased out, with flashbacks and revelations. Yes it's one of those scenarios where people are hiding things for each others' supposed good, where there are misconceptions and assumptions (cue Renee's judgy but supportive pal Nathalie). Beneath all this are the bones of a thriller plot involving kidnap, stolen documents and murky secrets - but Zen Cho has the confidence to leave that sketchy and focus on the impact of events on her cast of appealing characters. 

Did somebody say "appealing characters"? I have to mention Ket Siong at this point, of course I do, he is the epitome of an appealing, no downright attractive, character - certainly to Renee, despite what he did ten years before. An honourable, somewhat tortured soul, he spent years putting duty ahead of self - as, in a slightly different way, has Renee. She was brought up learning that business and money always comes before family, with the result that her rebellion against a highly patriarchal father has been expressed by... founding her own business and working night and day at it.

With those secrets from the past reaching out, will Renee and Ket Siong be able to sort out what's real and what's imagined, satisfy the constraints of duty and love, and, above all, keep those they care for safe? Deftly plotted, fun to read and with great heart, The Friend Zone Experiment keeps us guessing, serving up thrills, excitement and a powerful, tearjerking finale.

Strongly recommended, whether you've read Zen Cho's earlier fantasy works such as Sorcerer to the Crown, The True Queen and Black Water Sister - or not.

For more information about The Friend Zone Experiment, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy The Friend Zone Experiment from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, Waterstones or Amazon.

#Blogtour #Review - Dead Fall by A K Turner

Dead Fall (Cassie Raven, 4)
AK Turner
Zaffre, 18 July 2024 
Available as: PB, 352pp audio, e   
Source: Advance copy
ISBN(PB): 9781804181591

I'm grateful to the publisher for allowing me access to an advance e-copy of Dead Fall to consider for review, and to Anne for inviting me to join the book's blogtour.

I only discovered Cassie Raven last year so I was excited to see a new book coming. In case you haven't caught on yet, goth Cassie is a mortuary technician working in trendy Camden, in London. Living on a canal boat with her cat, she has weathered a lot in her life so far, which gives her sympathy for the casualties of life who wash up, as it were, on the mortuary slab. And a natural antipathy for powers and principalities such as her own managers, or the local police.

Cassie also has a special talent - the ability (sometimes) to hear the dead, enabling her to resolve issues for her deceased clients. 

Such as solving their murders.

A supernatural twist like this could easily be overdone, made into a Get Out of Jail Free card, but Turner avoids this, using the idea in these books with great subtlety. Cassie gets hints and feelings from the dead, not their detailed memories. It is, though, enough to spur her on to pursue justice where it seems to be lacking. This special sense is though somehow bound up with Cassie's own rather traumatic past, so she's very alert to the danger of simply projecting her own feelings onto the corpses she encounters in her job.

And in Dead Fall, she needs to be. Local up-and-coming young singer Bronte, who has apparently taken her own life, is someone Cassie had unfinished business with from way back - unfinished business that leaves her feeling guilty, and means there is a real risk that she's turning nothing into something when she concludes that Bronte was, in fact, murdered. Nevertheless, Cassie's not going to fail Bronte a second time, and begins to look into the girl's troubled life and background.

In a novel that therefore explores the pressures of fame and success - and the exploitative nature of the music industry - Turner riffs off Camden's reputation as an edgy, creative but diverse sort of place as well as documenting the hounding, online and offline, of a vulnerable young woman. Of course in the background is the tragedy that befell Amy Winehouse, another notable Camden figure as well as the prurient interest of the Press, the fans - and the bitter attentions of patriarchy.

In Dead Fall we get a real zinger of a story: a perplexing mystery with a contemporary edge, one which draws on a very human tragedy. At the same time, Cassie is trying to make sense of her relationship the genial, Hooray Henryish, Archie, a wealthy doctor who wants to take her out of Camden to a life in his own wholesome, rural milieu. There's a struggle for integrity here too, I think, with Cassie equally tempted by ex DS Phyllida Flyte. Buttoned up Flyte recently came out, and Turner creates a real romantic tension between the two women, a tension even more piquant because of Cassie's distaste for police. Given the circumstances in which Phyllida left the Force in the last book, Case Sensitive, it's perhaps a little unlikely that she would be involved in a  Camden case, as here, so soon, but I can let that go given the edge that her and Cassie's relationship brings to these books.

All in all, another great episode in this series and I can't rate it highly enough. Get this one ordered in.

For more information about Dead Fall, see the other stops on the blogtour which you can see listed on the poster below. 

You can buy Dead Fall from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, Waterstones or Amazon.

Noise Floor (Vinyl Detective, 7)

Andrew Cartmel
Titan Books, 19 March 2024
Available as: PB, 376pp, audio, e   
Source: Purchased
ISBN(PB): 9781803367965

The Vinyl Detective is back!

I was afraid that, with the coming of The Paperback Sleuth, the Detective might take a bit of a rest but happily it's not so (though I want more of Cordelia's adventures too - and equally happily, I think another instalment is coming later this year).

This time, the nameless Detective and his pals are investigating the disappearance of Lambert Ramkin, a wealthy DJ and techno creator who was big in the 90s. Hired by Ramkin's wives (plural) to track him down, they soon realise that danger is stalking them... 

Does Ramkin want not to be found so much that he's threatening their lives? 

Or is that somebody else?

As with all of this series, much of the fun is simply the joy de vivre of the Detective, his girlfriend Nevada, their friend Clean Head and of course, Tinkler. I'm quite pleased that Tinkler's gradually moved from being just irritating to definitely loveable, if still irritating. The book is punctuated by their enjoyment of lunches, dinners, drinks and other substances and every mission to recover Ramkin includes details of hotels, trips to nice towns and plenty of gossip.

Those details really make this series come alive and are essential to a Vinyl Detective novel, and there are enough of them to satisfy although I felt that Cartmel had pared things back a bit compared to previous stories, both in the day tripping and in the plot. This is very much focussed on recovering Ramkin, rather than being a quest for rare vinyl which then takes an odd turn. There is a kind of side-plot involving creating a "Village of Vinyl" inspired by Hay on Wye, the original "town of books" but that doesn't feature much until the final part of the story. That made it easier to focus on the main issue - which for me counterpointed the lighter bits and made them more enjoyable.

At the same time we don't escape the dark side of things. Somebody seems to be riffing off The Magus, and there are decidedly weird events here including en entire time-slipped 90s rave, complete with police raid at the end. (If you've read Fowles's book you'll get the comparison). And, while most of the book is Stinky Stanmer-free, he isn't wholly missing and manages to do the dirty on our heroes as always. (Yes, I know, but you'd miss him if he never showed, wouldn't you?)

Stinky does though get his comeuppance in an action filled conclusion.

All in all a cracking instalment of this series and this should be high on your "To Read" list.

For more information about Noise Floor, see the publisher's website here.

#Blogtour #Review - The Grand Illusion by Syd Moore

The Grand Illusion (Section W, book 1)
Syd Moore
Magpie, 4 April 2024
Available as: HB, 368pp, audio, e   
Source: Advance e-copy
ISBN(HB): 9780861541607

I'm grateful to Syd Moore and to Magpie for giving me access to an advance e-copy of The Grand Illusion to consider for review, and to Anne Cater for inviting me to join the book's Random Things blogtour.

The Grand Illusion - set during the Second World War - takes place in the same world as Moore's Essex Witch mysteries (we meet Septimus!) It isn't I think a direct prequel - but this is the first of three, so who knows where things will go...

Daphne Devine is assistant to stage magician Jonty Trevelyan. Adept at being cut in half, tied up, and handling concealed doves, she's about to face a whole new scale of challenge as she and her boss are recruited to a shadowy branch of the UK's Security Service. In the first half of the book we're shown a bewildering number of different activities of Section W, with the two unclear exactly where they fit. I rather enjoyed this tour d'horizon, which creates an authentically wartime sense of barely-controlled chaos, of being sent from pillar to post and back again. Are they engaged in valuable work or is everyone just going round in circles? 

It's a world where the brilliant and war-winning plan may sit on the same table as the bonkers and time-wasting one. Indeed, they may come from the same pen, on the same day. There is a sense of near panic, of a nation and Government which are, behind Churchill's stirring rhetoric, ready to try anything that may bring victory, or avert defeat.

So we see elaborate deceptions, suited to a stage illusionist. These are things it's known took place (although my understanding is that some of the details have never been revealed). We also see more troubling plans - ostensibly directed at a known weakness of the Third Reich, its obsession with occult ritual and pseudohistory. Playing on such a weakness might seem wise, and again, Jonty's and Daphne's talents in illusion and deception might boost the effect of that, but is there more going on here besides? We are in the Essex Witches universe, after all.

Gradually, and teasingly, Moore creates a setting filled with distortions and red herrings, one where it's not clear just who is manipulating who. What matters more, illusion or reality? Is the febrile wartime atmosphere perhaps fertile ground for thinkers who are normally marginalised? Might they use it to their advantage, even if ostensibly what's going on is simply psyops? Just who is falling victim the that "grand illusion"?

Questions, questions - with some answers, but many, teasingly, withheld.

Everything that has happened may have a rational explanation. Or there may be other stuff going on. As tempting as it may be to rush through this book to the conclusion, it bears careful attention though because I think there are some clues... and I'll be looking forward to future novels in this series for some of those answers.

Turning to the characters, I loved Daphne. Trapped by circumstances in a difficult corner - her family connections make her an objection of suspicion to some, and give the Government leverage over her so that in many respects she's not free to say "no" when the Ministry comes knocking - she plays a difficult hand well. Even though those around her frequently underestimate her capabilities (being female, they often don't seem to expect much of her) she continually steps up and sees the way through. Jonty and the others are perhaps a bit less-well defined, but as Daphne is the focus that works fine for me. What does come through, as external circumstances get more desperate, is a rising sense of internal tension in Daphne. She's clearly being swept to some major trial or crisis and she responds to that knowledge, but Moore gives little away and while there is a respite by the end of the book I didn't think that matters had come to a head. In a story with plenty of menace, threats and talk of spies, Fifth-columnists and collaborators it isn't clear whether the threat is of espionage or the supernatural, or both, and I suspect there is more of it to come. 

I'm really looking forward to the next part of this series!

For more information about The Grand Illusion, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy The Grand Illusion from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, Waterstones or Amazon.

#Blogtour #Review - Murder on the Christmas Express by Alexandra Benedict

Murder on the Christmas Express 
Alexandra Benedict
Simon and Schuster, 10 November 2022 (HB) 28 September 2023 (PB)
Available as: HB, 341pp, PB, 368pp, audio, e   
Source: Purchased
ISBN: 9781398519824 (HB) 9781398519855 (PB)

I'm grateful to Anne Cater for inviting me to join the blogtour for Murder on the Christmas Express.

I do have a weakness for Christmas-themed novels, a weakness I'm indulging this year, and I also enjoy Benedict's books, so when Anne Cater was looking for bloggers to do the tour for Murder on the Christmas Express I leapt at the chance. Bring on the seasonal mayhem!

And there is mayhem here, it;'s true. But there's so much else to love as well. We meet a bunch of strangers on a train, on the night before Christmas Eve, some going back home for the season, some heading for a romantic mini break, just trying to get away from it all. A regretful ex-policewoman who wants to make amends to her estranged daughter. A dream journey into a silent Highland landscape - and a nightmare situation.

And one person who has particular business to conduct on that train

We're boarding the Caledonian Sleeper at Euston Station in London on a busy night. Of course the train's late and our passengers have to kick their heels in the lounge beforehand, revealing a lot about themselves and setting up conflict for the rest of the journey. Of course, something's going to go wrong, stranding everyone out in the snowy Highlands as the death count rises. Of course we get fascinating vignettes about our fellow travellers. Of course - I'd expect no less. 

Roz is our eyes and ears aboard the sleeper. A just-retired DI, she's travelling back to the Highlands to be with her daughter Heather, about to give birth, ready to support her and her girlfriend Ellie. Roz has spent her career trying to live down a severe trauma when she was young: the events of the next thirty-six hours will revive it and she'll have to test whether she is still able to help people, or whether a career in the muddled, compromised Met police has extinguished that spark.

Like Roz, the other passengers on the train are a thoroughly modern lot. We don't meet any spies, nuns or glamorous divorcées, but there is a beauty vloger, her sexist creep boyfriend, a party of students, a teacher with a shady past, a cat and a stowaway. And others besides. 

Benedict handles this largeish cast of characters very well, quickly grounding the reader with who is who and indicating which travellers get on with, and which dislike, each other - the heart of the book will be complex as they're forced to crowd together for safety and warmth, but when it does, the tension arises very organically from those well established relationships (although there are some surprises: we're not told everything we might know though the author respects the rules I think and tells us everything we need to know).

All that, and this book also manages to include a locked-room mystery, a pretty searching analysis of toxic masculinity (I would give a CW for mentions of sexual assault) AND its own side quiz with the reader primed to look out for song titles and anagrams in the text (I did poorly, but I'd plead that I got totally absorbed the plot so forgot to look out for them).

All in all a book which was great fun, had a compelling central character in Roz and some sharply observed (and rather tenderly done) others besides. It has quite a hard core though so I'd say, yes it's fun fun, but I'd hesitate to attach the label "cosy" too easily to it.

For more information about Murder on the Christmas Express, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy Murder on the Christmas Express from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, Waterstones or Amazon.

#Review - The Party Season by SJI Holliday

The Party Season
SJI Holliday
Hodder, 9 November 2023 
Available as: PB, 320pp audio, e   
Source: Advance copy
ISBN(PB): 9781399714259

I'm grateful to the publisher for providing me with a copy of The Party Season to consider for review.

I have a weakness for Christmas-themed novels, and I love Holliday's books, so this was bound to be my choice for a little seasonal mayhem. A sequel of sorts to her The Deaths of December, The Party Season picks up the stories of Detectives Eddie Carmine and Becky Greene.

Men are being killed at Christmas parties in the town of Woodham. Among the jolly music, holly - and the mistletoe - stalks a glamorous young woman in a party dress and heels who'll decide whether those men are naughty or nice... and act accordingly.

Carmine and Green are in a race against time to track her down before Christmas is ruined for the partygoers of Woodham.

I loved the contrasts in this book. There's slightly tawdry Christmasiness of everything (signalled by the inflatable snowman smuggled into Eddie's office early on), the debates about songs and films, the vendor selling dodgy Christmas trees from the middle of a roundabout on the by-pass. All excellent. I won't for a minute hear a criticism that all this vulgarity demeans Christmas - it has always been a raucous, roistering feast and I love to see that.

But there's another side, too. There's pathos here. Becky's mum turns up unexpectedly in a care home, near the end of her life. Becky's attempt to reintegrate the woman who abandoned her into her, before she dies, adds a real sense of coming loss and deepens the character, complicating what might otherwise be a full-on will they, won't they with Eddie (I have hopes they will, so let there be more books in this series!) The killer, too, it turns out, has suffered tragedies which are as one would expect a key part of what's driving events. But they take a while to expose so it would be spoilery to give too much detail. Indeed, unravelling that detail is what Carmine and Green are at through most of the story.

In a slickly written, page turner of a novel, Holliday introduces other themes too: a stalkery, unpleasant boyfriend, the stresses of office life (only magnified by the FOMO of Christmas parties and jubilations), a hint of a mystery from Eddie's past (I loved that Becky accepts there are things he won't reveal - these are partners who give each other some space) and a real injustice at the heart of things.

All in all this is entertaining, seasonal and fun, one of those books where you can't necessarily believe what you think you see. And it gives a hint of more to come, I have a sense the Holliday isn't finished with Carmine and Green yet...

For more information about The Party Season, see the publisher's website here.

#Review - Normal Rules Don't Apply by Kate Atkinson

Normal Rules Don't Apply: Short Stories
Kate Atkinson
Doubleday, 24 August 2023
Available as: HB, 2400pp, e, audio   
Source: Advance copy, audio subscription
ISBN(HB): 9780857529183

I'm grateful to the publisher for sending me an advance e-copy of Normal Rules Don't Apply to consider for review. I also listened to the book on audio.

The warning "Normal rules don't apply" is given in Spellbound, one of the more obviously fairytale-like of the stories in this book, but it could well apply to any of them. Talking dogs (and horses), a virgin birth (not, as I'm afraid it's described, an Immaculate Conception...), an observant ghost, a catastrophe that strikes anybody (and anything) caught outside when it comes - these stories are filled with the fantastical, the unlikely and the menacing.

They're also filled with the down to earth, the familiar and even the touching. Take Franklin, for example, a character who appears in three or four of the stories. Despite the limited space available, Atkinson gives a vivid picture of his rackety life - his mother, notorious for her role in a sex scandal; his absent father and flailing career history (until he gets lucky and lands a job with hit soap Greenacres - which also features in several of the takes). Franklin is a channel to the mysterious, encountering said talking horse (and dog), a deeply strange family, and finally an escapee from another story - but he is himself as normal, as ordinary, as anyone else would be trying to live down a minor celebrity of a parent. 

Like other characters here, Franklin doesn't invite the weird, it just happens to him and he has to cope with it - just as later in the book, Pamela, an undistinguished former teacher faced with an extraordinary event, grits her teeth and tells herself it's her time to shine. I liked Pamela, feeling she very much approaches life as, I hope, I would. Or take Mandy, that observant ghost, who uses her apparent ability post-death to perceive what's still going on to track down the facts behind her death. In the course of this Mandy tells her life story, which is shrewdly set out, very ordinary, but truly fascinating. (Mandy gets her happy ending, and even the company of a dog - there are many of them in this book!)

And sometimes, the weird just... wanders in. As you read this collection you'll spot, perhaps, situations and individuals you've already seen. Connections will spark and you'll know - sometimes with delight, sometimes with horror - what is going to happen next (perhaps). It's emphatically not one story but themes recur, alternate paths may be being explored and unlikely links are made. The atmosphere is at times something like Atkinson's Life After Life and A God in Ruins, though without quite the same space for exploration and development of characters.

There is an explanation, sort of, for the coincidences and links, lending a distinctly metaphysical touch to the book. It adds its own charm but the rest of the stories still very much stand in their own terms, every one of them. My favourite would, though, I think be Existential Marginalisation, a rather dark take on Toy Story.

The stories are all great fun, and if, as I did, you read the excellent audiobook version narrated by Paterson Joseph, I think you'll agree that it's just a perfect listening experience.

For more information about Normal Rules Don't Apply, see the publisher's website here.

#Review - The Circumference of the World by Lavie Tidhar

The Circumference of the World

Lavie Tidhar
Tachyon, 5 September 2023
Available as: PB, 256pp, audio, e
Source: Advance copy
ISBN(PB): 9781616963620 

I'm grateful to Tachyon for sending me an advance e-copy of The Circumference of the World to consider for review.

Lavie Tidhar's new novel is a fiendishly ramified mixture of narratives. In late 90s London, Delia Welegtabit's husband, Levi, has disappeared. Levi may or may not have owned a copy of the elusive novel Lode Stars, upon which pulp legend Eugene Charles Hartley apparently founded a religion (no, definitely NOT that one, despite one of the categories Amazon has filed this book under). A London gangster and his pliant police stooge want the book and engage second hand book dealer, Daniel Chase, to find it. 

That's the first layer. We also learn about Delia's early life on the island of Vanuatu (also visited by Hartley) and about Hartley's career and life - part of this is told through letters to and about Hartley by various early SF luminaries - Tidhar rendering many different voices here, all totally believably.

We also read an extract from The Book itself, the story of (another) Delia seeking her lost father deep in space, the setting keying into a mythology that Hartley either believed or invented. It's all about the destination of humankind, which is to both swept into a black hole at the centre of the galaxy and preserved as information. All of these narrative levels interact, with coincidences, names and versions of names, apparent timeslips and repeated themes (shadows, eyes). Some of these might be explained by Hartley's authorship of Lode Stars and his making allusions to the works of his contemporaries: others - less so.

Gangster Oskar Lens's career as a black market dealer in the failing Soviet Union features too, as does the London second-hand book scene ('My highest ambition had always been to open my own bookshop on Cecil Court'). It's a bewildering ride through 20th century history and the birth of modern SF (taking in the rise of modern conventions, as well as gatherings in a Holborn pub) something Tidhar has deep knowledge of (it was fun to spot allusions, especially in the Lode Stars extract, to names, themes and artefacts from various genre classics: I'm sure I missed many). It is though much more than that, touching on questions about the nature of reality and the meaning of life as well as - perhaps - commenting on how the SF writer of a religion may be affected by that and, possibly, escape the trap he's set himself. 

There is some lovely wordplay here ('Dewey-eyed librarians') as well as nice pulpy (but culturally appropriate) language ('Paperbacks started back at me from the shelves without saying a damn thing', 'My aunt had died of cancer. She wasted away like a cigarette.') as well as starkly beautiful language ('I felt the press of stars overhead, and they were cold, and bright, and indifferent.')

I really enjoyed The Circumference of the World. As a book, it is a thing of its own, not like anything I'd come across before, but a great read crammed with ideas and glorious writing: there is simply so much material here, I think some writers could and would make 3 or 4 books of it but we have all that concentrated in a short novel. Somehow that compression means that - like matter spiralling into a black hole - everything here simply lights up, bathing the reader with its intense radiation.

An amazing read, strongly recommended.

For more information about The Circumference of the World, see the publisher's website here

#Blogtour #Review - Someone Like Her by Awais Khan

Someone Like Her
Awais Khan
Orenda Books, 17 August 2023
Available as: PB, 320pp audio, e   
Source: Advance copy
ISBN(PB): 9781914585784PB)

I'm grateful to Karen at Orenda Books for sending me a copy of Someone Like Her to consider for review, and to Anne Cater for inviting me to join the book's blogtour.

Awais Khan's new novel is a frank and unflinching look at the treatment of women in Pakistani society.

Following Ayesha, a young woman living in a conservative city but determined to make her own way in life, we see a young man making use of the power of patriarchy - and the power and influence of his wealthy family - to indulge his desires.

And we see the mayhem that ensues.

Ayesha is a determined, outgoing woman, until she encounters Raza. He is rich, spoiled and indulged and sees no reason not to press for what he wants. I found Ayesha's dilemma heartbreaking. Knowing how much power Raza and his family have, she does not want her own family to be endangered yet she also wants her own life. Breaking away to London may be part of a solution, yet Ayesha knows that she treads a knife edge of danger and scandal.

The London end of this story introduces Kamil, a young man whose family have distant connections to Ayesha's. Kamil also has secrets and tragedy behind him, and it was fascinating to see how Khan gradually reveals these and how they both strengthen, and undermine, him in his relationship with Ayesha. Both main characters have a real streak of courage but are also grappling with scary things - societal structures, relationships gone wrong, shame and finding their place in the world - and the author shows that is far from certain what the outcome of that will be.

The romance in this book (of course there is romance!) is sensitively drawn, tender and brave, between two young people who have been taught that what they want doesn't;t matter, can't matter and that others' wants and needs will always come first. It is an awakening, glorious to see but so fragile, so endangered.

Lightened by moments of genuine humour as Ayesha and Kamal negotiate life among parents, Aunties, siblings and more, Someone Like Her moves at a cracking pace with a story that has great drive and urgency. But it has space too to draw out important, passing things: behaviour on the Tube in London, the taste of the air in a different city, social customs (I'd never heard of kitty parties before) and the genuine, if often unstated, love between parent and a child.

I would give a CW for Someone Like Her has it includes unflinching depictions of domestic violence, and of rape - they are not gratuitous and certainly not graphic, but Khan is under no illusions that the sort of freedom that Ayesha wants can be had without pushback from those who benefit from the oppression of women.

For more information about Someone Like Her, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy Someone Like Her from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, Waterstones or Amazon.

#Review - Neon Roses by Rachel Dawson

Neon Roses    
Rachel Dawson
John Murray Press, 25 May 2023 
Available as: HB, 304pp, audio, e  
Source: Advance copy
ISBN(HB): 1399801929

I'm grateful to John Murray Press for an advance e-copy of Neon Roses via Netgalley to consider for review.

Rachel Dawson's novel is an absorbing and eventually uplifting story of some very hard times. It's a book that acknowledges dark things, but refuses to despair, a story that showcases the need for solidarity, for friendship and always, for finding hope and a way forward.

It's 1984 and in the Valleys of South Wales a young woman, Eluned, is committed to supporting the miners' strike. In this she and her community are lined up against the cruel Thatcher government and its supporters in the media and the police (the latter personified by the unpleasant Graham, boyfriend of Eluned's little sister, Mabli). It was a very polarising time which as a teenager (not in a mining area) I remember well, I saved up pocket money to donate and I still have my Coal Not dole stickers in my scrapbook. 

As the only person in her family with a wage (she works as an assistant in a show shop) Eluned plays a key role, although it is a precarious one (who has money for shoes during the strike?) and as the months roll on, we see things tighten for the miners, with the eventual end of the strike and, in prospect, the end of the coal industry and of whole communities like Eluned's. But a time of change is also a time of opportunities and new horizons, and the solidarity of the strike has introduced Eluned to members of LGSM - Lesbians and Gays Support the Miners - who have been fundraising and organising. In turn, that leads her to explore her own sexuality, and when she sees her way to a department store job away from home in Cardiff, to form new relationships.

I was struck by the portrayal of Eluned. Dawson avoids cliche - Eluned isn't a naive young girl astonished to learn the ways of the world, so much as a smart and curious person discovering who she is and what she wants. Resourceful and compassionate, there is a real warmth to the character, with her love of music, her kindness to her landlady in Cardiff (a fascinating woman who surely deserves a novel of her own) and above all, her desire to experience the world - which makes her the reader's eyes and ears in Dawson's depiction of LGBQT culture in 1980s Cardiff and in London (and, eventually, Manchester). That depiction is done with a great sense of vibrancy, not dwelling on the darker things - Section 28, AIDS/ HIV - although they are acknowledged, with the notorious James Anderton, head of the Greater Manchester police, playing a role - but stressing the power of resistance and the potential of human connection.

I always hesitate to use "coming of age novel" as a description of a book, because it seems to stick a huge label on a process that properly is nuanced and drawn out, but I'll mutter it here in passing - and then hurry on to stress that this is a very subtle, very nuanced book. Yes, at times Eluned gets in over her head - both for good and bad: at one stage she takes up with a woman who is controlling and manipulative - but she soon gets out of that and it's beautiful watching her relationship with June quicken and deepen.

The book captures the 80s atmosphere well, I think, both through incidental things - like the copious smoking, the sisters sharing a Walkman, the music - and the fact that Eluned is fairly easily able to get that shop job - retail hadn't been gutted by online sales). The only detail I could spot that didn't quite work was the reference to a videographer at a wedding in 1973. It's good on atmosphere, evoking both the Valleys towns and June's London squat with its raucous, supportive sisterhood, and it doesn't try to tie everything up, leaving things on a note of hope and mutual support but definitely unresolved.

This is one I'd recommend strongly. And finally, no this is not "Pride - The Novel" - it goes deeper that that - though if you have seen that film there will inevitably be some crossover events and themes.

For more information about Neon Roses, see the publisher's website here.