Showing posts with label Chris Brookmyre. Show all posts
Showing posts with label Chris Brookmyre. Show all posts

9 November 2017

Review - Places in the Darkness by Chris Brookmyre

Places in the Darkness
Chris Brookmyre
Orbit, 9 November 2017
HB, 403pp

I'm grateful to Orbit for an advance copy of this book.

Chris Brookmyre is well known for his successful series of crime novels featuring journalist Jack Parlabane and for his Jasmine Sharp trilogy. Among these, he has also published SF (Pandemonium and Bedlam) and I was interested to see how Pandemonium in particular seems to have divided the fanbase. Look at the Amazon reviews - some baffled crime fans there wanting to know why their favourite author is suddenly writing SF.

Places may have a similar effect, because it's heavily SF influenced (A space station! In space! Mysterious advanced technologies! World governments!)

...but it may not, because it's also a murder mystery.

The hero, Nikki Freeman (aka Nikki Fixx, who can make any problem go away, for the right consideration) is a detective on futuristic Ciudad de Cielo (as Spanish is the majority language in the US, much of the nomenclature on Seedee is Spanish influenced). Nikki is a player, cynical, connected and in the sights of morality campaigners like Helen Pititjean. So having to team up with the straitlaced Alice Blake to investigate the gruesome murder of gangster Omega (the first murder ever on CdC) is not her idea of a good career move.

So far, perhaps, so stereotyped. Nikki is the partner with the street (or rather Seedee) knowledge), Alice the senior, by-the-book cop. We know it'll be Nikki's role to bring the realities home to Alice, show here how things really work. And, yes, there is a big gap on Seedee between the public version - what the four corporations of the Quadriga, who run the place, want everyone to believe - and the reality which is rather, er, seedy. Drinking dens, sex clubs and fighting holes are the least of it.

And Alice will show Nikki that rules are there for a purpose.

So, a run-of-the-mill setup, despite the location and futuristic background?

NOT AT ALL.

I don't think Brookmyre could do run-of-the-mill if his writing hand depended on it. There is so much more here.

First, the relationship between the two women is a novel in itself. Of course there is stuff in both their backgrounds which slowly emerges - and mysteries about their present (why do both keep forgetting stuff?) but that aside they're both, from the start, seriously competent (in different ways) and on top of their jobs. Brookmyre sketches enough of the political background to show how much depends on their success, and how they are invested in their different viewpoints (Alice starts with an almost puritanical zeal: Nikki has a fire of righteous fury in her about the treatment of CdC's more disposable citizens) but he does this subtly and allows us to see the multiple levels of the relationship.

Secondly, there is just enough unreliability in what we're shown that almost until the end of the book, multiple perspectives are plausible. (A quantum novel?) I liked Alice, but suspected there was more to her than she - or Brookmyre - was letting on. I liked Nikki, but I didn't trust her. A lot of the book focuses on memory technologies, ways to assist and manipulate the brain, and I felt Brookmyre was up to a fair amount of that himself. Yet when all(?) does become clear, he had, I think, played fair with the reader. The risk, and temptation, of SF-detective fiction, is that a previously unmentioned technology was responsible for everything. That would be cheating, just as it would in a classic detective story if it turns out to have been a twin who did it all. Brookmyre knows his rules, I think.

Finally, the location is gloriously realised and imagined. From the two Wheels spinning round the Core to the space elevator itself, this is a very plausible city in the sky, large enough to require its own Metro and broken enough to have its own underclass and its own dodgy neighbourhoods (and posh suburbs). There's more than a dash of the noir here though, obviously, no rainstorms. I only found one aspect a little hard to swallow - I don't think rotating cylinders create artificial gravity in the way Brookmyre describes. But that's still a good deal less absurd than the typical Star Trek episode, so let's not quibble.

But beyond that - this book simply has heart. In their different ways, Alice, Nikki and CdC - and its people, especially the forgotten ones - aren't being what they could be they need (different types of) healing. And that isn't going to happen while the four corporations, the Federation of National Governments, who oversee the who thing, tussle over control.

That's even before we factor in the others who have a role here, out in the darkness, who have their own plans - which Nikki and Alice may be part of, whether they want to or not.

Cracking the case will take the two women to the heart of this deeper mystery, to confront a threat they could never imagine.

This is a lovely book, pacy, intelligent, fun, and, as I said, with a big heart. If you read SF, you'll love this. If you don't, you should still love it.






25 April 2017

Blogtour review - Want You Gone by Chris Brookmyre

Want You Gone 
Chris Brookmyre
Little, Brown 20 April 2017
HB, 432pp

I'm grateful to the publisher for an advance e-copy copy of this book via NetGalley, and honoured to be joining the blogtour. (This was one book though I couldn't miss out on the hardback of and I've bought one to go with the other Brookmyres on my shelves).

Sam Morpeth doesn't have it easy. Sam's mother is in prison, she's bullied by the popular girls in her class and she's the only carer for a sister, Lilly, who has learning disabilities.

And it all seems to be getting worse as Sam's benefits are cut and the lowlife move in to take what they claim Sam's mum owes them for drugs...

Jack Parlabane, in contrast, is on the up at last. Still glowing - a little - from his reporting of the Black Widow case, he's now been able to use his contact, "Buzzkill" to get the inside story on a major bank hack. Buzzkill has featured several times in recent books, but now we're going to learn a great deal more about him ("there are no women on the Internet") as he and Jack circle and double cross each other, looking for a way out of a pretty extreme situation.

It's a situation that also draws Sam in, and one where she'll have to dig deep into her history to discover what's really going on.

And to survive.

All while juggling schoolwork, Lilly-care and the labyrinthine benefits system.

Brookmyre gives an achingly real portrayal of real people in real dilemmas: what do you do when your flat is burgled, the TV stolen, and your little sister will just melt down if she can't watch her favourite DVDs at the regular time? As a parent of a LD child I can assure you this isn't a trivial issue but Brookmyre clearly gets it. The need to provide care throws many spanners in the works here, heightening the tension as the story winds to a gripping climax.

What happens to the hacker when they're hacked? (Scary TV of armoured - and armed - cops busting open flats, that's what).

How does an ageing hack in a transforming industry stay at the cutting edge when he's beginning to feel too old even for the partying and definitely for climbing up to 3rd floor windows?

This is a book that ranges widely in its themes - from the camaraderie of hacker gangs to financial fraud (that bank deserved what happened to it), the changing face of journalism: Jack's got himself hooked up with a Buzzfeed style outfit, all beanbags and pool tables and based at an achingly trendy North London address (Hmmm, let's see how long that lasts). We also see the grim reality of the benefits system, for those caught up in its workings. All in support of a thrilling plot with the usual Parlabane shenanigans - whatever he tells himself, when he breaks into an office it's not only in search of the story, it's just as much because he can.

But there's a serious edge. Buzzkill nearly ruined Jack once before (by accident? on purpose?) and has been an ambiguous figure throughout. All the same, he's done Jack some favours. Now, Buzzkill is calling in the debts, faced with an enemy the hacker can't hack. But this could bring all Jack's new-found credibility crashing round his ears.

Will he repay his debt?

Will it be the end of him if he does?

From the ominous preface to the final, suspense-filled pages of the story, this is a book that'll keep you gripped and reading - whether you're a longtime fan of Brookmure or a newcomer.


25 January 2016

Review: Black Widow by Christopher Brookmyre

Black Widow
Chris Broomyre
Little, Brown Jan 2016
HB, 422pp

I'm grateful to the publisher for an advance e-copy of this book via NetGalley.

This is a gripping, twisty crime novel featuring Brookmyre's journalist hero, Jack Parlabane.

Parlabane has fallen a long way since his glory days. The victim of a shady sting a couple of stories ago, he's not scratching a living in a borrowed flat, scraping together "content" for websites.

And his wife Sarah is now hie ex-wife.

So he jumps at the chance to "get back in the game" when a young woman, Lucy, knocks on his door one morning. Lucy is worried about her brother Peter who "seems" to have died in a car "accident" outside Inverness. "Seems", because no body was ever found: "accident" because Lucy clearly has suspicions about Peter's new wife, Diana.

The story, framed around the proceedings of a trial, is told largely through the voice of Diana and third person narratives following Parlabane and Ali, an Inverness police officer. Diana is a doctor, a surgeon, who's run into trouble before (she wrote an anonymous blog about work-life balance and sexism in the hospital but it was hacked an her identity exposed) but then found happiness in a whirlwind romance with Peter. She doesn't, though, suffer fools - or those who cross her - gladly. And as becomes clear, her life with Peter crumbled very quickly.

Brookmyre has a good line in observation as, especially, he describes Diana's earlier troubles, whether the specific instances of outrageous behaviour highlighted in her blog or the awful harassment she suffered after her identity was exposed. (He even works in Lewis's Law - the observation that the comments on any article about feminism justify feminism).

He can also string together a plot well, producing a near perfect blend of suspense, surprise and tension. This is where reviewing Black Widow becomes frustrating. I'm normally a bit hard-hearted about spoilers, but this really is one book whose secrets you need NOT to know before you read it. As I turned the pages I felt a real sense of dread at what might be going to happen, and was sorely tempted to check the end just to see how things turned out: don't do that. Just don't.

That sense of dread was all bound up with what might happen to Diana. She's not a conventionally sympathetic character, and even as you learn more about her from her own narrative you may not warm to her, but I think you will care about her, given what she's already been through and how the first chapter opens, narrated from the dock as the trial opens.

When you finish the book I guarantee you'll revisit that first chapter, to see how it lines up with how things turned out. Brookmyre has a startling ability to put things in place that make perfect sense on first reading but which gain a whole new significance in hindsight. The same skill shows up in a slightly different form where he lets a character's private words or actions, made public in the courtroom or on the Web, accuse them in a way never intended. The book shows the consequences of lies and deceit.

It's Parlabane, the discredited journalist with his shady methods who is left to find the answers - even if they come at some cost.