Review - Our Child of the Stars by Stephen Cox

Cover by www.leonickolls.co.uk

Our Child of the Stars
Stephen Cox
Jo Fletcher Books, 24 January 2019
HB, 483pp

Today I'm joining the blogtour for Our Child of the Stars, published on Thursday. I'm grateful to Jo Fletcher Books for an advance e-copy of this book via NetGalley - and indeed for a finished hardback copy too which is a real work of beauty.  If you can, take yourself to a bookshop and hold it in your hands! And then buy it, obviously.

I'd been looking forward to the book, based on advance "noise", and there was a extra layer of intrigue because of it being Cox's first book. That always raises the possibility of something a little different. I mean, obviously some aspiring authors will want to write, say, another space opera (or whatever) in line with all the previous space operas, and there's nothing wrong with that, but I've found that, in contrast, some debut authors produce books that are a little different (and not just in the "X meets Y" sense).

Cox's IS one of those, and the result is amazing. While this is firmly a SF novel - Aliens! Spaceships! - for much of the book that aspect is almost incidental. Allow yourself to suspend disbelief in a crashed alien spacecraft and a Government cover-up (and patently, lots of people do) and you have a story of a frightened, injured child and the woman and man who will do anything to protect him. And, eventually, of the others they gather around them to help.

The sheer verve with which Cox portrays these three - especially Cory, the alien child who wants so much to learn and experience the world and to put behind him the dreadful things that have happened - is a joy be read. After introducing the story with Cory's joyful Hallowe'en, Cox turns to Molly and Gene's background. It's the 1960s, they're a bit counter-cultural, stranded in hyper-conformist middle America under, I think, the Nixon administration with the Vietnam War in the background and the Cold War behind that. Molly finds Gene and Gene finds Molly, but it's not all roses. She suffers depression after a miscarriage and struggles with drink. He... can't cope and looks elsewhere. The effects of this are a major theme, sensitively handled, not just a hook so that their acceptance of the alien boy they call Cory is plausible.

That happens after an event called Meteor Day, bringing death and destruction to Amber Grove but also astounding new evidence of extraterrestrial life. The cover-up follows, something Cox makes very believable. I said above "Allow yourself to suspend disbelief", but remember, this is the late 60s we're talking about. In that period and running into the 70s such things were in the air (something expressed much batter than I can in the Hookland Guide, see https://hookland.wordpress.com/about/). The spectacular conspiracy sketched here, involving the President's Chief Scientific Adviser, the FBI, the CIA and more is actually very convincingly done, pitting the Myers against the apparatus of the State in defence of a child they fear will be treated as a monster. It's not only the US Government that pays attention - they need to worry about criminals, the Russians and inquisitive neighbours, too.

As all this develops, Cox succeeds in portraying the alien - the child - at the centre of everything as an inquisitive and hopeful, if very lonely and scared, little boy. Yes, you could see ET vibes here if you wanted but I think that by providing a substitute family for Cory - even as he mourns the death of his mother and his playmates and wishes for the return of "Cory people" to him - the central theme of love and acceptance is built into the heart of this book. And heart is the right word, this story has a great deal of it, dwelling on themes of motherhood, fatherhood and love that had tears in my eyes several times.

There is, also, a more conventional SF post going on in the background, which perhaps had John Wyndham-esque overtones (the disaster of Meteor Day is never really accounted for, nor a couple of other events which suggests a sequel in the works) but that felt, at times, a little optional to me in what is really a very human story. I said I hoped for something new and different, and the book delivers that, but it also does a very old thing in showing us ourselves through the eyes of a helpless and vulnerable stranger come to challenge and affirm our humanity.

(And if that last sentence feels as though it could have been written over Christmas you shouldn't be surprised. It may be early but this would make a great present for 2019 if you're the ultra organised type).

A great SF story, a great story of humanity, full of action but also of heart. Strongly recommended.

For more about this book, see the publisher's website here.

I really meant what I said about about holding this book in your hands in a shop! But if you want to skip that you can buy from Hive here - supporting local bookshops - or from Waterstone's, Blackwell's or Amazon.