7 May 2026

Review - Quite Ugly One Evening

Quite Ugly one Evening
Chris Brookmyre
Abacus, 7 May 2026
Available as: HB, 400pp, audio, e   
Source: Advance e-copy
ISBN(HB): 9780349145822

I'm grateful to the publisher for giving me access to an advance e-copy of Quite Ugly one Evening to consider for review.

In a sense I feel that reviewing Quite Ugly One Evening, Chris Brookmyre's new Jack Parlabane novel, is rather superfluous, on at least two levels. First, Brookmyre is already a phenomenon, an industry to himself almost and trying to comment on it feels as though I am the ant sitting on the axletree of the wagon and shouting "see how much dust I raise!"

Then there's the point that this is not just a Brookmyre book, but a Brookmyre Parlabane book, and that is something his fans always want to see more of. What can I say that could change this (in either direction)? Perhaps this level of fannish investment is a bit of a double edged sword for an author (see Conan Doyle and Sherlock Holmes) but we are where we are. For many readers the reappearance of Mr Parlabane alone will make this a must-read.

All that said - I think there is more to QUOE (can I coin that?) than fan-pleasing. A lot more

For a start, as we know well, Parlabane isn't a cardboard cutout character. That is the point of him, of course, he matures, he learns (or not) from his mistakes. But still I feel that the man we see here is, while recognisable and clearly the Parlabane of old, also a beautiful study in (middle) aging, regret, and loneliness.

In QUOE, Parlabane is approaching 60 and is suddenly orphaned after his mum dies (something that happened to me a couple of years back, so I can confirm Brookmyre's handling of this sensitive subject and Parlabane's stunned, regretful and confused response). The mystery of the father who abandoned mother and son years before remains. At a loose end after a(another) story goes wrong and with his job on the line (again), Parlabane goes rogue and - perhaps - repeats an earlier mistake, accepting work from MI5.

(Will he never learn...?)

For reasons that don't make a lot of sense to begin with (they will make more by the end of the story) Five send Parlabane off on a luxury transatlantic cruise, tasking him to get close to an eccentric British family, the Maskyns. The Maskyns own a beloved 1960s puppet series that is NOT, I repeat NOT, Thunderbirds. (But clearly it also is).

The Imaginators is, unlike its real-life model, embroiled in culture-war shenanigans. Vastly popular through a spin-off role-playing game, it has become beloved of keyboard warriors who resent the idea of an updating, let along one that might pay deference to modern sensitivities regarding race, gender, colonialism and so on. At the same time, the IP is drowning in debt and a hostile takeover bid looms. All of which comes to a head on that luxury liner, currently hosting a themed cruise with most of the Maskyn family aboard. Business feuds, personal disputes, family politics and general skullduggery will all come to a head - with Parlabane the potential and handy fall guy.

But why, exactly, are the spooks interested...?

I was impressed by the sheer verve of this book. That's quite a feat for Brookmyre to pull off, when his lead character is already jaded and disenchanted and has just suffered a bereavement. Yet there's something about the combination of the writing, the very real peril, and the acerbic commentary on the modern cultural landscape, that makes QUOE a gripping page-turner. 

Almost incidentally it's also a brilliant example of the locked-room mystery - indeed a double locked-room mystery as we have a locked room on a mid-Atlantic liner. Parlabane (whose fear of being isolated on the ship adds a sense of peril) has to deploy all his skills and keep his wits about him to reach the finishing line here. And he may not like everything he discovers.

Something of an old-fashioned mystery (but aren't hose the best?) but imbued with very modern dilemmas, Quite Ugly One Evening really invigorates this series. This book isn't just one more in its franchise, it shows that Parlabane's countercultural instincts and bloody-mindedness remain vital and relevant. I would strongly recommend. 

For more information about Quite Ugly one Evening, see the publisher's website here.