Small Fires
Ronnie Turner
Orenda Books, 27 February 2025
Available as: PB, 300pp audio, e
Source: Advance copy
ISBN(PB): 9781916788473
Ronnie Turner
Orenda Books, 27 February 2025
Available as: PB, 300pp audio, e
Source: Advance copy
ISBN(PB): 9781916788473
I'm grateful to Karen at Orenda Booksfor sending me a copy of Small Fires to consider for review.
After the mysterious but violent deaths of their parents, sisters Della and Lily flee their home in Cornwall to a remote and nameless Scottish island known only as the home of the "God-forgotten". Public opinion has the girls down as killers, despite there being no proof (the complicated truth emerges through this story) and they're the subject of keen discussion not least in the blogosphere(!) and among podcasters.
Perhaps the island will be a refuge, despite the damning words of the boatman who finally agrees to take them to it - he sees them as a curse that he hopes will bring harm to the strange community known as "the Folk".
Or perhaps it will be the end of them.
As the two women explore the island we learn what a truly strange place it is. Owing fealty to a devil - if not perhaps the Devil - known to the Folk as their "Warden", the island is haunted by dark stories. Cut off from the mainland that the Folk never visit, instead living in fear and accepting their own dark fate, it is though plugged into events in the wider world, so that rumours of the Pedley sisters' evil have reached the place (as has news of the dark goings on at Berry and Vincent, chronicled in Turner's So Pretty). Della and Lily soon learn these stories - horrific, Gothic tales of cruelty, abandonment, revenge and murder.
The sisters struggle to make sense of these. That struggle is itself, I think, an inherent part of the Gothic - I remember first reading The Castle of Otranto and being struck not so much by the magnitude of the weird but by its simple presence, its lack of a rationale. There is talk in Small Fires of curses and darkness affecting the island or its Folk, but no, at it were, actionable intelligence, so sense of an origin and so, no sense of a solution.
There are though hints, with a constant theme - present in the Gothic background but also in the present day action of the abusive treatment of women and girls by men. One of these girls ends up on the island, telling how, even with its evil reputation, it's safer for her than the father she's left. But the danger doesn't end at the water's edge, among the Folk there are men with the same dark desires.
The sisters, too, are troubling. The island, and the Folk are, we are told, somehow toxic, poisoned, serving a dark power. The stories we hear about their past are twisted, many of the personalities we meet are gruesome - only Silas, the sort-of hereditary leader, appears even remotely normal. But equally, Della and Lily seem to have secrets and stories of their own.
Which is worse? Where does the darkness come from? Can evil overpower evil?
Written in short chapters told from the point of view of a man and woman, Small Fires contains bitter little nuggets of plot, of emotion, of character. It's a book where every word counts, where the mental and the spiritual is expressed, even extruded, though the physical, with pains, wounds and injuries, with stress and fear, visited as people clutch stomachs, poke, prod and clasp one another, draw blood. On the Island, it seems, there is licence to injure. The normal constraints and boundaries don't seem to exist.
Instead, we have dangerous games played in the half dark. Different characters play them by different rules, convinced they hold the winning cards but not knowing how they're about to be outbid. A pervading sense of masculine entitlement is part of it, but by no means all. We also see - illustrated through those stories - bitter jealousies and hatreds within families and abusive cycles between generations (not only inherited, but eagerly fostered and anticipated for the future).
There is a lot here that may hard to stomach, and I'd definitely say it's a high pressure book, one you may want to take a break from. But it's equally one that will grow on you, in you, and that can't be left alone for long. All in all a remarkable piece of writing, and calling it horror, folk-horror or even gothic barely scratches the surface of this disturbing, thought-provoking story.
For more information about Small Fires, see the publisher's website here.
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