MR Carey
Orbit, 4 March 2025
Available as: HB, 297pp, audio, e
Source: Advance e-copy
ISBN(HB): 9780356519449
I'm grateful to Orbit for giving me access to an advance e-copy of Once Was Willem to consider for review.
One of the things I really enjoy about a New Year (yes, I know it's March now, bear with me) is the prospect of new books from favourite authors. Many authors publish a book a year, or every other year, and these are previewed a few months ahead, so it's easy to follow the rhythm of the calendar and accumulate a forward look of what's coming. This is laudable behaviour, what in a business context is called "horizon scanning". It's easy to convince yourself that you are being bold, a veritable explorer, searching the horizon with a telescope and alert to future trends.
The reality of course can be slightly different - a deluge of upcoming books you want to read but will never have time to. Perhaps this will change in coming years when there are no authors left, and AIs, or as George Orwell called them, the "novel-writing machines", churn out reworked slop to keep the readers happy and stop anyone thinking. Then I will throw away my catalogues, settle down in my corner, and spend the rest of my life catching up, as there will be nothing new to miss.
We are not there yet. But happily there is already a better way out of this dilemma because we have MR Carey, and other authors, whose coming books one obviously has to read and there's an end to it. I have been watching this one coming, and eagerly waiting to start it and can now report that it every bit as good as I had wished.
A historical fantasy set in the 12th century English Midlands, Once Was Willem takes us to a world of knights, barons, and kings in a time of civil war. Or actually, it doesn't, quite because most of the KB&Ks are kept offpage while the action focuses on villagers, children, outlaws and fugitive magicians.
Oh, and monsters.
I approve of this, on the basis that the KB&Ks get too much attention given they basically have their holdings by theft and murder, and deserve taking down a peg or three. History is much, much more interesting seen from "below" (or, as one may equally say, when seen clearly). So in Once Was Willem, the lawlessness of the times is due to the quarrels of the KB&Ks, but the people who have to deal are... the people. And they have no choice by to deal, and precious few resources to use for that yet they SUCCEED. How to we know they succeed? It's simple. You and me are here today, so our ancestors managed the difficult trick of staying alive and keeping things on the road (In the particular context and setting of this story, that is true for values of "you and me" that mainly includes European descended people because that's where the book is set, but I think the point is absolutely general - our ancestors survived, and kept things going. Perhaps in appalling circumstances, but still they did, or none of us would be here).
Of course this book is fantasy, and the people in it didn't exist so didn't, literally, survive. And it being fantasy they had resources that don't exist "for real". But I don't think that diminishes the validity of a story that focusses, like this, on ordinary people.
Nor does the fact that, as is true in Once Was Willem, they ordinary people do many appalling things. The Willem of this story is a boy, outcast from his family for reasons I won't spoil, who has to take refuge in the woods alongside monsters. There he finds a more welcoming and accepting family than in his village of Cosham, which habitually chases out the weird kids and burns the witches. Nevertheless, it's those outcasts and weirdos who come to the village's rescue when a local upstart lordling (he was of late an outlaw and robber himself, see my point above) demands Cosham hand over all its children. Shades of "Seven Samurai/ The Magnificent Seven" here when the mysterious creatures from the woods come together to defend the kids (not, really, the village.
The story is cleverly told from Willem's point of view, with an appropriately limited (but gradually expanding) understanding of events and the wider context. That did slightly recall Koli's perspective in Carey's Rampart trilogy, (also excellent). There is a split perspective so that events are narrated both as they happen and in hindsight, Willem having come on pretty extensive knowledge afterwards so he's able to report action and conversations in the right places without having to be there. While this, obviously, sends an enormous signal about the book (Willem survives!) that's hardly unexpected and Carey is masterful in pulling the rug from under our feet when we think we know how that happens, what it means and what Willem will have to go through to ensure victory.
Willem, and his friends. All of them are very real characters, hurt in their various ways and needing to develop the ability to trust before they can move forward. None completely understand what is going on or what is at state and they need to find ways to see each other as allies and friends, not as the dangerous creatures they're rumoured to be.
Their opponent, Cair Caradoc, the magician, is as villainous and self-seeking as a storybook wizard should be, magic being something that can easily be accommodated to this slightly liminal, chaotic part of England. His power is great, his deeds vile and his ambition deadly. A magnificent creation.
All in all this is a terrific, absorbing fantasy with a story that simply romps along. Rooted in a recognisable time and place it's able to surprise because it's told from a genuinely distinctive point of view. It isn't, nor does it mean, to be, word for word historically accurate (the early mention of potatoes signals that) but at the same time it is accurate in that it speaks up for and focusses on the fate and actions of the common people, who are, after all, the people who actually did the history (because they had little choice if they, and their children, were to survive).
Strongly recommended.
For more information about Once Was Willem, see the publisher's website here.
