Blogtour review - Ghost Notes by Doug Johnstone

Ghost Notes (Skelfs, 8)
Doug Johnstone
Orenda Books, 13 August 2026
Available as: PB, 257pp audio, e   
Source: Advance copy
ISBN(PB): 9781917764377

I'm grateful to Orenda for sending me a copy of Ghost Notes to consider for review, and to Anne for inviting me to join the book's blogtour. That's really appreciated.

I always enjoy Johnstone's Skelfs books. Ostensibly mysteries, the rich setting - three generations of women operating a business in Edinburgh as undertakers and private investigators - gives Johnstone vast scope to explore personal histories, dilemmas and relations. So much so that the crime aspect almost vanishes and instead you have these women, living their lives, coming to terms with who they are, facing challenges, and reflecting on youth, age and change.  Every page is a joy, every train of thought a delight. And of course the location, Edinburgh, adds its own layer of wonder too.

In Ghost Notes, we are three years on from Living is a Problem. Things have changed. Nothing has changed. Thomas, Dorothy's anguished policeman boyfriend, is now in prison and won't respond to her. Maybe the ghost notes are the letters returned, unanswered, from Saughton Prison?

Hannah, Dorothy's granddaughter, and Indy, are married and settled, but about to come under pressure when a bad boy from Indy's past resurfaces. Maybe the ghost notes are things that haven't been spoken between them?

Jenny, perhaps a bit maturer now but still wild and restless, is about to confront a case involving blackmail and adultery that will make her examine herself in more depth than she's perhaps comfortable with. Blackmail letters - well, emails - those could be ghost notes, too?

And there's also the rogue AI that's whispering dangerous messages into the ears of the bereaved, offering easy words that are very different from the ways that the Skelfs try to aid those mourning loved ones - and which may lead to some very bad consequences. Another kind of ghost note, perhaps - one that sets off a crisis at the graveside as the book opens. (I love Johnstone's graveside set pieces, as necessary to these books as the actions sequence that starts a James Bond movie).

None of the "cases" that the Skelfs face in this book is, in itself, very complicated, perhaps - as detective stories they are fairly simple. But as moral studies, ethical mysteries, psychological challenges, they are all formidable. I'm struck by the themes of life and death, of forgetting and remembering, here. Humanity is complex, and we play with human emotions and attachments at our peril. In this book Johnstone juxtaposes the eternal - those neutrinos that Hannah learns about, barely interacting with us at all - with the very mutable flesh that is subject to no end of shocks and will come, at the end, to its end. It's not just our bodies that pass away. Dorothy remembers her life in California, half a century past. Jenny recalls her raucous youth in the Edinburgh of the 80s. Hannah uses the wind phone to call her rotten dad. Rotten, but the only one she had. Each of the Skelf women is living with her younger self - or selves - and as they go about their lives, they can't help but relive the layers of life that are encoded in Edinburgh's streets.

That's true even as the undertaking business transforms the treatment of death for Edinburgh's citizens. This must be a slightly speculative aspect to the book, but I really hope there are now - or will be soon - undertakers in Edinburgh and everywhere else doing water cremations and composting funerals (I would LOVE to be composted!) and regenerating derelict railway sidings into woodland.

Don't take all this talk of death as suggesting that Ghost Notes, and its companion books, are gloomy. Far from it. They are honest, peopled by the most brilliantly drawn characters I have read for ages. This is a series that's growing and benefiting from the depth of character that the preceding books and stories provide. Johnstone has created a rooted set of protagonists. You know how they'll behave, how they'll move and breathe and have their being in a recognisable but strange city - but they still conspire to surprise, they feel like real people, Dorothy with her drums, Jenny tempted by the drink, Hannah more comfortable than before but still, perhaps, uneasy.

Really, really enjoyable. But you'll know that if you're following tis series. If you're not, you should read them in order, but that will be a treat!

For more information about Ghost Notes, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy Ghost Notes from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, Waterstones or Amazon.

Blogtour Review - The Murder Pool by Stella Blómkvist

The Murder Pool
Stella Blómkvist (trans Quentin Bates)
Corylus Books, 5 March 2026 
Available as: PB, 296pp, e   
Source: Advance copy
ISBN(PB): 9781917586252

I'm grateful to Ewa for sending me a copy of The Murder Pool to consider for review, and for inviting me to join the book's blogtour.

In this latest instalment of the adventures of Stella Blómkvist - Icelandic lawyer and detective - written by Stella Blómkvist - mysterious Icelandic author - the cases come think and fast for Stella.

She’s asked to defend a young man accused of the murder of renowned painter “The Splasher” Kristinn Ófeigsson. Gunnar had been sitting for Ófeigsson who was known for his risqué works depicting scantily dressed young Viking hunks. Now Gunnar is accused of setting about The Splasher with an axe.

In addition to that, Stella is helping out her partner Rannveig, a documentary producer. One of Rannveig's colleagues is putting together an exposé of an abuser with high political connections - and some one seems to be leaning on the broadcaster to squash the story

Then there’s a senior policeman accused of corruption by a colleague with whom Stella’s crossed swords in the past. 

And more besides.

These books are always rapidfire with multiple threads, twists and plenty of plot, but this time, Blómkvist - the author - has, I think, surpassed herself. The result is a busy, even hectic story where nothing stands still for long. All through, it's regularly punctuated by Stella herself with an "Ooof!" when she encounters a setback, discovers something surprising or has an insight. The effect is rather like a series of punches, drumming home an insistent, dramatic rhythm in this enthralling and fast-paced book.

That’s a reflection I think of Stella (the character) herself who has always had many plates juggling. But in this book she not only has crime to address but some chewy personal issues besides, and I began to wonder if it would all be too much. I’ve always felt that the tough talking, wisecracking Stella of the novels might be something of a front for a woman who has things at the back of her mind she’d rather not examine too closely. Overloading herself with work might just be another way to avoid that. Are we seeing Stella on the edge of crisis? 

Maybe. If so, it doesn’t hinder her from tackling her multiple cases. She draws on all the resources she has - her forensic skills, dismantling opponents in the courtroom, her press contacts and her sheer nerve. (Stella even, in one scene, marches into the Prime Minister's office to threaten consequences - a reminder that Iceland is a smaller country where everyone knows everyone, or at least their cousin).

It’s an engaging, dense story that leads back to the prisons of Bangkok and to the Reykjavik underworld, building on events and characters of previous books - nothing in Stella’s world is ever totally done with - to build a picture of rackets and dodgy dealing. Stella B is a brilliant person to have in her corner, and she comes through for her clients. By the end of the book though I thought I saw  change coming for her. As I said, in these books nothing is ever done done.

As with the previous books in the series, Quentin Bates' translation is sharp and pacy, creating excellent readable English while preserving some lumps and bumps in the language (those nicknames?) that show the story's origin in a different language. Great fun to read.

Recommended. I’m eager to see what the next book brings... 

For more information about The Murder Pool, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy The Murder Pool from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith or Waterstones.

Blogtour review - Reaper by Vanda Symon

Reaper (The City of Shadows, 2)
Vanda Simon
Orenda Books, 12 March 2026
Available as: PB, 300pp, audio, e   
Source: Free advance copy
ISBN(PB): 9781917764100

I'm grateful to Karen at Orenda for sending me a free copy of Reaper to consider for review, and to Anne for inviting me to join the book's blogtour.

Reaper sees a welcome return for Max Grimes, Symon’s homeless ex-detective who lives on the streets of Auckland. 

This book and its predecessor, Faceless, take a different and distinctly less comic (I'd even say, more gritty) approach than Symon's beloved Sam Shepherd series. In part (but only in part) that reflects the situation of the main protagonist. I’m sure that - as with other art - the best writing can come from working within constraints, and a detective story where the detective lacks not only any formal formal status but is at the margins of society, with few everyday resources, certainly qualifies on that score. It’s literally the opposite of the aristocratic, money Golden Age detective to whom everybody, police included, defers. And I was interested to see how Symon solves the problems that creates I'm not though going to spill the beans, you need to read the book!)

Reaper is not though merely a technical exercise in writing an outsider detective, it’s a book with heart and soul as we see Grimes caring for and suffering with his community. Indeed, he may be the only one who is caring for them, as the police miss the murders until he shouts about it and the Mayor then uses the deaths as a pretext to clear away the embarrassing street people.

Above and beyond that, though, Reaper is also a tautly written, complex and fast-paced mystery with plenty of tension and a distinct sense of menace. Has Max’s desire to learn the truth about his daughter’s death led him into a trap? Will it distract him to risks he may be running? Grimes is a strangely relatable central character, Symon makes him sympathetic though perhaps not likeable (which is a brilliant combination if you can make it work, as here). His relationship with police detective Meredith is well drawn, with her often frustrated and, rightfully, mistrustful - both feel like people who’ve been hurt and built barriers - but wanting to be of help.

Which brings me to a final point where I think this book, and the series so far (this is only the second so it’s early days) succeeds (and where it could have gone very wrong). You have to ask of a book like this, which sets out to portray a marginalised community, whether it isn’t indulging in a kind of misery tourism. That must always I think be a particular risk for crime fiction, shown for example in its proclivity for female victims, especially for attractive young female victims. (Not in this book). 

It’s a danger, however, that Symon avoids. She’s clear eyed about the people she portrays, sympathetic without romanticising, demonstrating how prejudice and exploitation affect them, but without trying to construct a “rescue” narrative or minimising the problems that have brought them to their current state. Here, of course, Max is the exemplar, suffering after the tragic death of his daughter. Meredith wants to help him, but recognises - and articulates to us - that it’s not her place to reshape his life.

As to Max, what does he want? He's not, I think, sure. Perhaps we'll find out in future books (may there PLEASE be future books!)

So all in all an intelligent and engaging bit of crime fiction which I greatly enjoyed. 

And - MINOR SPOILER - the dog is OK at the end, so you can rest easy if, like me, you worry about that. 

For more information about Reaper, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy Reaper from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith (TG Jones if you must), or Waterstones.

#Blogtour #Review - Black as Death by Lilja Sigurðardóttir

Black as Death (Áróra Investigates, 5)
Lilja Sigurðardóttir (trans by Lorenza Garcia)
Orenda Books, 23 October 2025 
Available as: PB, 225pp audio, e   
Source: Advance copy
ISBN(PB): 9781916788848

I'm grateful to Orenda Books for sending me a copy of Black as Death to consider for review, and to Anne for inviting me to join the book's blogtour.

I read this excellent book with a degree of sadness because it is the last in the Áróra Investigates series. Of course the set up - Áróra has returned to Iceland to look for her missing sister Isafold, so her adventures from book to book, that quest aside, are somewhat secondary - meant that once the mystery of Isafold was solved, Áróra would probably move on. 

In the previous book, Dark as Night, Isafold's body was discovered so I knew what was coming. But I'm still sad!

At least - fortunately for the reader, if not for poor Isafold and her sister - some doubts remained about the circumstances of her death, so there is at least this final part to the sequence. And in tying them up, Sigurðardóttir gives us a final, spectacular conclusion to the story, a book to keep you reading till into the night as we hear Isafold's sad story in her own words, even while Áróra and her friends and colleagues struggle to join the dots.

Be warned - if issues of domestic abuse and coercive control are triggering for you, you may prefer to look away, because Isafold's story is, sadly, an example of this. While that was implicit in what we already knew, the chapters in Isafold's voice here are harrowing, the more so, I think, because we already know the outcome. What we don't know, of course, is exactly how she, her abusive boyfriend, Björn, actually died. The solution to that will tie into a present-day narrative that Áróra & Co unravel, a mixture of money-laundering, smuggling and criminality in the shadier parts of the city. It's a gripping and complex tale in itself - a generous gift really from Sigurðardóttir because now she's built up her protagonists (Áróra herself, Daníel, Helena and of course the fabulous Lady Gúgúlú) into such real and complex personalities, frankly I could just read about them all day, I don't need plot, all I need is to see these wonderful characters revolve around each other.

As they do. All their stories advance, and they're all left on cliff edges (though not perilous ones). We want to know more, and maybe one day we will.  The book would be compulsive if that's all there was to it. But as I said, there is more, the crime plot here murkier than ever, the twists handbrake-grade and the peril (for some) real. For her last adventure, Áróra really has something to get her teeth into - which is good for her because otherwise the sense of loss, of guilt, that now catches up with her might be just too much. Certainly her normal distraction - lifting weights at The Gym - isn't enough any more, so she throws herself into the case.

Perhaps too much...

All in all a magnificent ending to this series and a fantastic crime novel. And one well served by Lorenza Garcia's translation, giving us an English text that hums along. I'm so grateful to translators who provide a window into other languages and cultures, as Garcia does here.

For more information about Black as Death, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy Black as Death from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith (always Smith's in my heart!) or Waterstones.

#Blogtour #Review - Secrets of the First School by TL Huchu

Secrets of the First School (Edinburgh Nights, 5)
TL Huchu
Tor/ Pan Macmillan, 16 October 2025 
Available as: HB, 382pp, audio, e   
Source: Advance copy
ISBN(HB): 9781035055487

I'm grateful to the publisher for sending me a copy of Secrets of the First School to consider for review, and for inviting me to join the book's blogtour.

It's the endgame for Edinburgh Nights and for Ropa Moyu - rather literally in her case, as she's dead, banished to the Other Place. This series has gone from relatively low-stakes exorcisms of unwanted spirits, via scuffles over membership of the ridiculously self-satisfied Society of Sceptical Enquireres (the Scottish magicians' guild) and a knife-sharp portrayal every dreadful corporate exhibition you've ever attended, and the collapse of the Society's relations with magic in England, to a sudden bid for power by the ghoul Henry Dundas who wants to make himself King, God and goodness knows what else.

Huchu wove this destination from the beginning, it's clear, and one can only pity Ropa for having such a stern creator. She's faced here with the impossible. Get back from the Beyond. Find her missing sister, abducted by Dundas's cult. Defeat said cult, when the cream of Scottish magic has been destroyed, or bent the knee to a tyrant (depressingly current, that). Do this without upsetting the English Sorcerer Royal, a mercurial figure, or the King, who rules the country with the most extreme application of Divine Right. This is a hardscrabble UK, living on the edge of starvation after a financial catastrophe not unrelated to Ropa's granny, who is also dead - making things even harder for Ropa; just scraping together bare sustenance is too much for many.

Yes, we have seen Ropa do the impossible before, or seemingly, but will she be able to use her understanding of von Clausewitz, her laissez-faire attitude to rules, and her shaky grasp of magic, to repeat that? As Ropa moves from one crisis to the next, it looks less and less likely. Her ability to walk away from allies, to insist on going alone, always a liability, seems positively self-destructive now.

Yet, she persists.

To say much more about what Ropa does would be to risk spoilers, and I won't do that, but I will say that Secrets of the First School challenges her like she's never been challenged before. She will discover that her understanding of life, magic and of herself, her family and her allies, is about to undergo an earthquake. And she will have to draw on strange sources of power to defeat the Establishment in Edinburgh - and forge strange alliances, despite that habit of walking away from people. (Though, given what Ropa discovers here, trusting anyone is going to be hard).

How it all works out is great fun and the outcome turns not only on Ropa and what she does but also on the tainted roots of Scottish magic and the tainted fruit it has produced. Dundas is a magnificent villain, but he isn't a puzzling, lone, megalomaniac criminal in the manner of a James Bond antagonist. I think that Huchu is nudging us with that character, and his origin in Empire, finance and exploitation to see parallels with some equally tainted modern figures who have the arrogance to try and make the world dance to their tune. And who, I'll prophesy, will meet a not dissimilar fate.

It's a magnificent end to what has been a marvellous sequence of stories and, I think, more than that - not just a fitting end but a powerful and moving novel in itself, the best of the five (which is setting a high bar).

For more information about Secrets of the First School, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy Secrets of the First School from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith (they'll always be Smith's to me!) or Waterstones.

Blogtour Review - A Lethal Legacy by Guðrún Gúðlaugsdóttir

A Lethal Legacy
Guðrún Gúðlaugsdóttir (trans Quentin Bates)
Corylus Books, 20 September 2025
Available as: PB, 234pp, e   
Source: Advance copy
ISBN(PB): 9781917586023

I'm grateful to the publisher for sending me a copy of A Lethal Legacy to consider for review, and for inviting me to join the book's blogtour.

Nothing has changed at Bjargarlækur for as long as anyone can remember – so are moves to bring change to this remote farm in the Icelandic countryside a motive for murder? Three elderly siblings have lived more or less peacefully in this isolated place their whole lives, until Brynjólfur is found dead in his own bed. Called on to help out at the farm, freelance journalist Alma is far from certain that the old man died a natural death. Determined establish the facts of the matter, she finds herself caught up in a vicious family feud. Sisters Klara and Thórdís are unable to agree on the future of the farm, just as others with an interest in the place circle hungrily around them. Echoes of missed opportunities, lost love and age-old crimes surface as a reckoning takes a bitter toll on those left behind – and Alma struggles to get to the truth.

Journalist Alma and her husband Gunnar have just embarked on renovating the wreck of a house they've bought. However a most dramatic call from daughter Gunnhildur summons Alma away to a remote farmhouse. (One of the minor delights of this novel is how - from off, as it were - Gunnar, left back at home, continually reports to Alma that he's found a new problem - the floor, the windows, the heating - that will require either a tradesman he can't find, materials they hadn't budgeted for, or indeed, a complete change of plan about layout. But he never loses his enthusiasm! It'll all be fine!). Gunnhildur, a nurse who needed some time away from things after splitting from her boyfriend, reports that the elderly man she was caring for alongside his two sisters has been found dead. She worries she may be blamed for mixing up Brynjólfur's meds, and asks her mum to come out and support Gunnhildur and her own toddler daughter Una.

This is Alma's intro to the isolated community at Bjargarlækur. Soon she's in the thick of investigating Brynjólfur's death, partly to help Gunnhildur - though dear Daughter happily scarpers part way through the story as Boyfriend has appeared again - but mostly, one senses, from a prickling of her journalist's thumbs and from sheer burning curiosity.

It's a tangled tale that emerges. The siblings were at war with one another. Brynjólfur and Klara, one of the surviving sisters, wanted to preserve the farm and turn into a museum of old Iceland. In a country that has experienced rapid change one can see why this might be worthwhile. (Another of the joys of A Lethal Legacy is the glimpses of that older Iceland that we get in the stories from the sisters and some of their neighbours. One is left in no doubt how much these remote communities were required to be self-sufficient, and the echoes of that run forward to some extent into the present of the novel, with the police remote and the authorities slow to intervene in the escalating situation).

The other sister, Thórdís, was though dead set against the museum idea. Complicating the picture is the presence of a younger couple to whom the farm has been let, and who may or may not be a pair of ne'er do wells. All sorts of accusations are thrown - Slaughtering the sheep! Selling the cows! Brewing moonshine! Behind them are suspicions they may have their eyes on the place, perhaps in a stitch-up with local authorities.

Once the possibility of murder is added to this mix of family dissension, greed and a gossipy local community - a great deal is to be gleaned from the local priest and the doctor - and Alma's shut in at the lonely, slightly spooky, house - one may well expect almost anything to happen. And there is drama. The sense though that something is rubbing under the surface is an even greater source of tension, the contrast with the bleak, static landscape and the changeless decades that the siblings have lived at Bjargarlækur only adding to this.

Is that impression of calm, of retreat, misleading though? 

At its heart a story of family secrets, A Lethal Legacy manages to be both truly Gothic, with the possibility that not everything going in totally natural, and also a fine, taut crime thriller. Alma's rather out on a limb in conducting any sort of investigation here and she lacks institutional backing to ask questions or poke around, having to rely on the sisters' goodwill (which is in short supply) and her de facto position as their nurse/ carer, to gather facts. 

As she does so it slowly becomes apparent that there is more going on here than you'd expect. With a parallel strand of the story focussing on possible past abuse affecting a member of her own family, and the differing attitudes of the sisters resulting in contradictory accounts of their earlier lives, there's a difficult jigsaw for Alma to assemble. She is, though, nothing if not determined.

I really enjoyed this story. The brooding, remote setting is a fitting location for dark deeds. Klara and Thórdís are magnificent characters, well drawn. Neither is exactly likeable - though by the end of the book one knows enough about them to forgive a lot - but they are a great double act. Alma is determined to reach the truth, at first to protect her daughter, but later, it seems, from sheer bloody-mindedness. And as I've said, the glimpses of Icelandic history and culture are fascinating.

As ever, Quentin Bates' translation sparkles, catching the very different characters of the individuals at the heart of this story through their speech - sometimes slangy and modern, at others more formal or even slightly outdated. He does this while navigating a lot of rather abstruse language describing funeral customs - wakes, lyings-in, funeral meats and such - laying clear subtle differences which matter to Klara and Thórdís. A lot of the background here would be known to the Icelandic reader and so it isn't explicitly set out, but the translation makes clear where everyone is coming from, as it were.

Great fun - and also in some aspects, very sad. I'd recommend this one strongly.

For more information about A Lethal Legacy, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy A Lethal Legacy from your local high street bookshop or online from Amazon.

Blogtour Review - The Crooked Medium's Guide to Murder by Stephen Cox

The Crooked Medium's Guide to Murder
Stephen Cox
Self-published, 1 September 2025
Available as: PB, 394pp, e   
Source: Advance copy
ISBN(PB): 9781068164408 

I'm grateful to Anne and Stephen for sending me a copy of The Crooked Medium's Guide to Murder to consider for review, and for inviting me to join the book's blogtour.

Stephen Cox has previously written a heartwarming two part SF story Our Child of the Stars/ Our Child of Two Worlds about the arrival of an orphaned alien child, the humans who take him in, and the difference that makes to the world's future. He's one of those authors that I was keenly waiting for more from, so I was pleased to see The Crooked Medium's Guide forthcoming, something in quite a different vein but still - I'd say - with a sense of family, of community, at its heart and still told from the perspective of the underdog.

Mrs Ashton is though, at first, a hard underdog to like! She is the crooked medium of the title, a convinced Spiritualist but a fraud who does NOT converse with spirits, though she has another gift, the ability to "open up" subjects and read their minds. This enables her, often, to perceive enough to convince. Sometimes, she can do genuine good, but her willingness to break into minds without consent is troubling to put it mildly.

As is her willingness to pilfer, forge and leave a trail of debtors behind.

Mrs Ashton is aided in her endeavours by the formidable Mrs Bradshaw - Braddie - a Scot who's often exasperated, and often willing to give unpalatable advice, which is generally ignored. She regards the risks that Mrs Ashton runs as unconscionable, and her gloomy warnings prove wise over the course of this novel. 

The two women are lovers, something that must, in the high Victorian age, be kept as the strictest secret, and Cox is good on both their physical relationship and the strain that this necessary discretion places on their relationship. There are some touching passages here, especially where he shows us Mrs B worrying over Mrs A, her "hinny" and recognising how she's being manipulated by the other woman.

The third member of the detective trio (as it turns out to be) is Maisie, a poor girl with a difficult family who acts as the other womens' bodyguard, spy and general fixer. Maisie is sharp and cynical, with a host of connections and contacts in the East End - and she's having none of Mrs Ashton's nonsense.

While a lengthy history of close brushes with the law is implied, putting the two older women at odds with a hostile Press and police, the central action in The Crooked Medium's Guide concerns an aristocrat, Lady Violet, who comes to Mrs Ashton for help with her abusive husband Sir Charles Barrington-Stewart, a rising MP. Though warned by Braddie to have no part of the affair, Ashton refuses to drop it and follows the Barrington-Stewarts to their country house where, naturally, murder follows. 

From this point the book is in whodunnit mode as Ashton and Braddie race to clear their name, while a distinguished Scotland Yard detective has the opposite intention. I loved the complexity of the resulting situation, which takes in the closed society of the Big House, previous crimes that Sir Charles may or may not have committed, and a perplexed spirit who - to her horror - begins appearing to Mrs Ashton. None of the information adds up, Mrs Ashton's creditors are circling and a key witness has disappeared. 

I think that credible and interesting stories often follow from characters in tight situations, people subject to constraints, and with Mrs Ashton especially, Cox gives us this in abundance. As if being a woman isn't enough in patriarchal Victorian society, Mrs Ashton is already suspected of fraud and of not paying her debts; her Spiritualism puts her at odds with the Establishment, and the loyal servants of Corwood Manor are suspicious. We are also shown hostile press accounts of her doings - clearly the crooked medium is newsworthy.

Yet she continues, winning over a person here, a person there, deploying her gift of "opening up", latching onto what little actual evidence there is and pursuing a shrewd series of deductions as to what really happened. Perhaps not likeable at first, Mrs Ashton - and her accomplices - did bring me round in a story that's mysterious, driven and, above all, great fun to read.

While most of the action is seen from the viewpoint of Mrs Ashton, and the story is always at its most vivid then, there are sections shown for example from the perspective of the detective or one of the Corwood servants and also from Maisie's. We also get to see a number of others representing something of the diversity of the Victorian Metropolis - I hope and expect that Cox is planning further episodes in this world because while some of the characters we meet, such as Dongmei Li and her family, fascinate they don't appear much - I hope they're being set up for future episodes. 

For more information about The Crooked Medium's Guide to Murder or to buy the book (you should!) see the author's website here - and of course don't miss the other stops on the blogtour which you can see listed on the poster below. 

Blogtour - Extract from The Winter Warriors by Olivier Norek

The Winter Warriors
Oliview Norek (trans by Nick Caistor)
Open Borders Press, 11 September 2025
Available as: HB, 448pp, audio, e   
ISBN(HB): 978-1916788763

I'm delighted today to be hosting an extract from Olivier Norek's new historical novel, The Winter Warriors. 

The story...

November, 1939. A conscription officer arrives in the peaceful farming village of Rautjärvi. The Soviet Union has invaded, and for the first time in its history as an independent country, Finland is at war.

Setting off into the depths of winter to face the Red Army, the small group of childhood friends recruited from Rautjärvi have no idea whether any of them will ever return home. But their unit has a secret weapon: the young sniper Simo Häyhä, whose lethal skill in the snow-bound forests of the front line will earn him the nickname “The White Death”.

Drawing on the real-life figures and battles of the Finnish-Soviet Winter War, this is a gripping, page-turning historical thriller from one of Europe’s most acclaimed storytellers.

Olivier Norek

The author...

After 18 years in the French police force, Olivier Norek turned to crime writing - Between Two Worlds was the Times and Sunday Times Crime Novel of the Year 2024. The Winter Warriors is his first historical thriller. While researching for this novel, Norek spent three months (the duration of the war itself) in Finland, experiencing the -35°C conditions in which the war was fought and in which more than 130,000 Russian soldiers died before the Soviet Union signed a peace treaty in March 1940.

The extract...

First Prologue

Light streams over his closed eyes, over his prostrate body and its stilled heart. 

All around him, the last day of war has littered the ground with bodies in their thousands, staining the snow red. Amongst the other corpses, he is no-one. No more precious, no more impor- tant. Elsewhere, he could be a father, a brother, a friend, a husband. Elsewhere, he is everything. 

In death, only their uniforms set them apart. They were ene- mies, now they lie side by side. Here, hands touch; elsewhere, lifeless faces confront each other. They have spent the whole winter killing one another. 

The dead from earlier weeks are half-hidden in the earth. Only vestiges remain: still visible helmets, occasionally parts of their backs. Their arms are like aerial roots, as if growing out of the ground itself, ready to rise, get to their feet, and haunt all those who decided on this war. 

Their blood saturates the ground, their flesh nourishes the trees, mingles with the sap. They will be in every new leaf, every new bud. There were more than a million of them, and when, tomorrow and beyond tomorrow, the wind blows through the branches of the forests of Finland, it will also carry their voices.

There had been happy days, a cherished peace.

There had been a before, in the days leading up to the Hell. 

Second Prologue 

For many years Finland belonged to someone else.

For centuries, it formed part of the kingdom of Sweden. For a further century, it came under Russia’s sovereignty. It was not until 1917 that it gained independence. 

In 1939, therefore, Finland was 22 years old. Twenty-two years are hardly sufficient to make a man, let alone a country. 

In a storm of lead and fire, Stalin’s Red Army, the largest in the world, swept through this neutral, poorly armed nation, launching a bloody conflict known by history as the Winter War. 

The hellish events that are the subject of this novel took place in that year of 1939 at Kollaa in Finland. But also on its isthmus, in Karelia. On the ice fields at Petsamo. From the shores of its gulf to the distant reaches of Lapland. 

Imagine a tiny country. Imagine a huge one. Now imagine them clashing. 

Twenty million shells. The Earth almost cracked in two when Russia pounded its crust in the same place day after day for more than a hundred days. 

Tank columns against old-fashioned rifles. A million Red Army soldiers against workers and peasants. But past conflicts tell us it takes five soldiers to face a single man fighting for his land, his home country and his own people, hands clutching his carbine, a sentinel behind the door of his barricaded farm. 

And a single man can change the course of history. 

At the heart of the harshest of its winters,

at the heart of the bloodiest war in its history,

Finland saw the birth of a legend.

The legend of Simo Häyhä, the White Death.

And yet there had once been happy days, a cherished peace. There had been a before, in the days leading up to the Hell. 

For more information about The Winter Warriors, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy The Winter Warriors from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith or Waterstones.

Blogtour Review - The Transcendent Tide by Doug Johnstone

The Transcendent Tide (Enceladons, 3)
Doug Johnstone
Orenda Books, 14 August 
Available as: PB, 283pp, audio, e   
Source: Advance copy
ISBN(PB): 9781916788626

I'm grateful to Orenda for sending me a copy of The Transcendent Tide to consider for review, and to Anne for inviting me to join the book's blogtour.

In the third and final part of The Enceladons Trilogy, we follow the mysterious jellyfish hive mind to the Arctic Ocean where the refugees from Enceladus have sought shelter. While the story could continue - and perhaps one day it? - this book draws a line, of sorts, for now, indicating what the presence of this peaceful, aquatic species may mean for Earth and its natives. Sandy reappears of course, as do Lennox, Vonnie, Ava, Chloe and Heather. 

Heather, ever restless, burdened by her life, chose to join with the Enceladons, to become, not one of them but more like them. Even this has not though wholly healed her mental wounds and she has also become concerned that Enceladons themselves may have changed, at last reacting to human aggression not by withdrawing but by retaliating. Boats have been sunk, hunters found dead. Heather wants to know more.

Lennox and Vonnie have been hiding out evading the authorities while missing their connection with the Enceladons. Ava has been caring for baby Chloe, but meets a crisis that she believes on Sanday can help her with. At the same time Lennox and Vonnie are tracked down by a mysterious billionaire, Karl Jensen, who clearly knows more than he should about the Enceladons.

I have been impressed by the way that Doug Johnstone has made each of the books in this series a different story, not just a recap of the same story. In Book 1, The Space Between Us Heather and Ava in particular had difficult personal circumstances which intertwined with an almost Buchan-esque flight across Scotland, pursued by both the authorities and a vengeful husband. Sandy's true nature, and that of his fellow Enceladons, were revealed in the course of this, showing the peaceful Enceladons in contrast to the patriarchal human authorities and attitudes. In Book 2, The Collapsing Wave, a secretive US military operation imprisoned our heroes and sought to control - and perhaps destroy - the Enceladons. Again, human militarism and desire for control were shown, but on a wider stage than in Book 1 and perhaps with wider consequences

Now, in The Transcendendent Tide, just as they seemed to have achieved safety, new threats arise for the Enceladons - and for the little band of friends. Also threatened is Niviaq, an Indigenous Greenland woman who is well aware of the realities of colonialism and might therefore be expected to be wary of the mysterious space aliens as well as the  wealthy private organisation now operating helicopters, ships and private jets from a sophisticated base in her homeland.

I enjoyed The Transcendendent Tide as much for its moral dimension as I did meeting dearly loved, familiar characters. There is action and mystery here - what is Jensen really up to? What's been happening to the sinking ships? - but also a crunchy ethical debate. What steps is one entitled to take - perhaps obliged to take - in the face of threats to life and to a way of life? What might though be lost of a peace loving species take such steps? Heather perhaps acts here as something of a conscience, I liked the way she doesn't judge but wants to know. Her conversations with Sandy are frustrating, limited as ever by the different conceptions the two have of individuality (even after Heather's transformation) and she's forced to investigate herself. But she doubts her judgement and even more, her right to judge.

All in all an exciting and satisfying end (or, I hope, pause?) in this evolving story, with tough choices for all.

For more information about The Transcendent Tide, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy The Transcendent Tide from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, or  Waterstones.

#Blogtour #Review - The Burning Stones by Antti Tuomainen (trans David Hackston)

The Burning Stones
Antti Tuomainen (trans David Hackston)
Orenda Books, 24 October 2024
Available as: PB, 300pp, audio, e   
Source: Advance copy
ISBN(pB): 9781916788435

I'm grateful to Orenda for sending me a copy of The Burning Stones to consider for review, and to Anne for inviting me to join the book's blogtour.

Anni Korpinen is the star saleswoman at sauna stove maker Steam Devil.

But is Anni also a serial killer?

All the facts seem to suggest it. Anni's colleagues have her down as a cold-blooded killer (albeit one who employs hot steam for her murders) and local police chief Kiimaleinen is determined to make charges stick. 

Only one person believes in Anni's innocence - herself. But can she really hold out in the teeth of the evidence?

The Burning Stones was a fun book to read. It's described as comedy crime, but I think the truth is more nuanced than that - while the story does have its humorous aspects, it's a very dark humour, and the comedy arises from a desperate human predicament. The crime we see is also very, very gruesome. And the eventual revelation of who the killer is and what their motives are points less at human wickedness but at small, rather pathetic and plaintive motives - certainly compared with the nature of the killings. So it's equally a rather sad book, the record of a few days that turn Anni's world upside down, stressing all her relationships and breaking some behind repair. 

I enjoyed the way that Tuomainen throws the burden of proving her innocence on a woman who manifestly has no special talents in that line. As she repeats several times, she is a saleswoman (though a very good one) not a detective. Anni's attempts at tracking down the real killer often seem apt to land her in more trouble, and there's a murky secret in her past that makes it hard for her to be frank with (possibly) sympathetic policemen who might be willing to help - so she's very much on her own, surrounded by colleagues who mistrust her and who, let's be plain, all have questions to answer themselves.

Anni does though have one resource to fall back on - the peace she gains from her regular sauna sessions and swimming in the local lake. Many times in the story she retreats to ponder matters in the steam. But might even this, her understanding of the uses of the sauna, be evidence of her guilt? 

A real mystery, an involving and enjoyable story with well drawn and plausible characters and a tale with ratcheting tension, as Anni waits for that knock on the door, this is a book I'd strongly recommend. It's also a window onto Finnish sauna culture which was enlightening to say the least! I'd never, for example, heard about the concept of a "bumlet" (you'll just have to read the book!) I think that David Hackston's translation is brilliant here, it's as though Tuomainen is deliberately posing challenges, using colloquialisms, songs and jingles, technical terms and very specific language for which, clearly, there are no direct English equivalents and which require words to be created. Hackston deals with all this and more with aplomb and gives us a very readable text besides.

For more information about The Burning Stones, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy The Burning Stones from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith or Waterstones.

Blogtour review - Home Before Dark by Eva Björg Ægisdóttir

Home Before Dark 
Eva Björg Ægisdóttir (trans Victoria Cribb)
Orenda Books, 17 July 2025
Available as: HB, 300pp, audio, e   
Source: Advance copy
ISBN(HB): 9781916788602

I'm grateful to Orenda for sending me a copy of Home Before Dark to consider for review, and to Anne for inviting me to join the book's blogtour.

In this new standalone psychological crime novel, Eva Björg Ægisdóttir introduces us to troubled Marsí. In 1977, Marsí dreads the tenth anniversary of her older sister, Stína, disappearing into the Icelandic night. 

Marsí has always blamed herself for Stína's loss, because 14 year old Marsí, was conducting an illicit correspondence with a penpal - using Stína's name.

And on the night Stína vanished, Marsí had arranged to meet him...

The first thing to say about this novel is that - as the title hints - it is dark, dark, dark. The setting is almost gothic, the isolated town, and the even more isolated farmstead where Marsí's family still live, breathing suppressed secrets and decades old grief. Marsí's dad makes his living by farming hens, the miserable lives of the poor creatures in their close confinement adding suffering from which she shrinks, and her mum sits in the house drinking alone, mourning her lost career as an actress.

Marsí has her own problems - not all related to the trauma and guilt of losing her sister - and Ægisdóttir cleverly cuts between events of 1966/ 67 (seen from the perspective of each sister), and Marsí's life in 1977. She clearly has an eating disorder, something that goes unremarked in the 70s. Sometimes the two girls' accounts support each other, sometimes they contradict each other significantly. Add in that 70s Marsí is either misremembering, is imagining things, or is a very unreliable narrator indeed, and it's clear that Home Before Dark is a real puzzle box of a book, a story where nothing can be taken for granted and events need to be reconstructed, almost forensically.

All this, and Marsí begins receiving letters again from her former penpal, who now threatens to become her stalker.

I really enjoyed Home Before Dark. It's miles from the typical Icelandic crime mystery (not that I've anything against those!) in that here the investigation of the crime isn't the central thread of the story. Yes, Marsí does make a new attempt here to discover what happened in 1967. (Of course, everyone tells her to leave well alone). And - spoiler! - she does eventually succeed. And that has... consequences. But really, it's her journey to this knowledge - and the re animation of a whole series of relationships (friendships and enmities) from her teenage years, as well as the stirring of long buried family skeletons, that drive the story. Marsí herself emerges as a brilliantly portrayed character, at once very dislikable but also, ion her affliction and desperation, very vulnerable. I changed my mind more times about whether I found her sympathetic than in any book I've read for a long time. 

In best gothic fashion, Home Before Dark shows us one family tragedy, but hints at more. As we will eventually learn, behind the apparent catastrophe there are complex family dynamics and unhealed wounds. While the atmosphere of darkness grows, the detail is only revealed slowly, with plenty of time to get to know Marsí, Stína and their (rather strange) parents and circle of teenage friends (seen both in the 60s and, more grown up, later). Ægisdóttir also shows us bits of Icelandic history that are not normally explored in a contemporary crime novel. Some are just intriguing - like that fact that even in the 70s TV shut down on Thursday. Others are darker and look back to a more patriarchal, decidedly unmodern Iceland.

Though it all, Victoria Cribb's excellent translation captures mood and nuance, matching the gathering tension and keeping all the distinct voices clear and recognisable, with their idiosyncrasies and different identities.

 An excellent book, and a great escape from the current UK heatwave!

For more information about Home Before Dark, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy Home Before Dark from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith or Waterstones.

#Blogtour #Review - Little Red Death by A K Benedict

Little Red Death
AK Benedict
Simon & Shuster, 13 February 2025
Available as: HB, 367, audio, e   
Source: Advance copy
ISBN(HB): 9781398519879

I'm grateful to Anne at Random Things Tours for sending me a copy of Little Red Death to consider for review, and  for inviting me to join the book's blogtour.

(If you think I'm being slightly oblique in this review, it's necessary because of what this book is and no, I can't explain that, for spoiler related reasons but I hope you will read the book and then conclude that my review makes more sense).

AK Benedict's latest is a crime novel, and a puzzle novel, and also a novel about writers and writing, and it's about friendship and childhood and loss and... this is difficult to put into words... I suppose it's about the essence of what a crime novel is?

Most of all though, it's a superb read. 

It's a crime novel, in that we meet DI Lyla Rondell, an efficient and driven young detective taking the lead on her first murder enquiry when a young woman is kidnapped and murdered. 

It's a puzzle, in that, like Benedict's recent Christmas novels, there's a game to play here, a contest between writer and reader. 

It's about friendship, because Lyla has a deep hurt, relating to her childhood friend Allison. Lyla's childhood matters, both because, for a mere character on a page, Benedict makes Lyla real, motivated and true and her childhood is part of that. 

Loss, because, yes, loss.

That death in the woods is only the first. The book features a series of murders which are inspired by fairy stories. There is a Wolf. There are woods. There is also a woman imprisoned, made to perform an impossible task,  trying to spin straw into gold, as it were, to save her life and maybe, earn her freedom. Her plight takes us into the essential dilemma of this story. Crime as entertainment. Cosy crime. Murder on demand. How does that even work, ethically? Are we, as readers, not just clients, commissioning our hit -men and -women authors to off victims simply for our pleasure and amusement? (As an aside, when did "crime" fiction become murder fiction?)

The question is especially piquant here because of the situation that author KT Hexen is in, writing death scenes which will then be enacted by a serial killer. Is she somehow responsible? How far should she cooperate with a killer? At what point do you, dear reader, at what point do I, have to accept that some of the blood is on your - or my - own hands?

As the layers of the story build up - the forensic investigation, the pressure from the boss, the prurient Press, the leaks from the enquiry, the taunting notes from the killer - that moral greyness spreads, because we're also seeing things from another perspective, as it were, we're reading messages. The messages keep getting clearer, perhaps, but will we, at the end of the story, still be dancing in the dark?

This is a story that, to succeed, has to function at several different levels. It needs to be a good police procedural. It needs to make us fear for the next death. It needs to make us love Lyla. And above all, it needs to work properly in retrospect, when, so to speak, the curtain is pulled aside and we see what's happening. And all that without any jarring effect, any suspicion that things are off. Benedict achieves all this and more creating something rather different, eminently readable, and also fun. (The Author, in her endnote, does refer to a trail of breadcrumbs, and I think I spotted these, it's almost as if she left consecrated bread throughout the book, but I don't count those as a jarring element at all, they have a purpose here in terms of what's going on).

Strongly recommended.

For more information about Little Red Death, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

#Blogtour #Review - The Burning Stones by Antti Tuomainen

The Burning Stones
Antti Tuomainen (tran David Hackston)
Orenda Books, 24 October 2024
Available as: HB, 276pp, PB audio, e   
Source: Advance copy
ISBN(HB): 9781916788329

I'm grateful to Orenda for sending me a copy of The Burning Stones to consider for review, and to Anne for inviting me to join the book's blogtour.

Anni Korpinen is the star saleswoman at sauna stove maker Steam Devil.

But is Anni also a serial killer?

All the facts seem to suggest it. Anni's colleagues have her down as a cold-blooded killer (albeit one who employs hot steam for her murders) and local police chief Kiimaleinen is determined to make charges stick. 

Only one person believes in Anni's innocence - herself. But can she really hold out in the teeth of the evidence?

The Burning Stones was a fun book to read. It's described as comedy crime, but I think the truth is more nuanced than that - while the story does have its humorous aspects, it's a very dark humour, and the comedy arises from a desperate human predicament. The crime we see is also very, very gruesome. And the eventual revelation of who the killer is and what their motives are points less at human wickedness but at small, rather pathetic and plaintive motives - certainly compared with the nature of the killings. So it's equally a rather sad book, the record of a few days that turn Anni's world upside down, stressing all her relationships and breaking some behind repair. 

I enjoyed the way that Tuomainen throws the burden of proving her innocence on a woman who manifestly has no special talents in that line. As she repeats several times, she is a saleswoman (though a very good one) not a detective. Anni's attempts at tracking down the real killer often seem apt to land her in more trouble, and there's a murky secret in her past that makes it hard for her to be frank with (possibly) sympathetic policemen who might be willing to help - so she's very much on her own, surrounded by colleagues who mistrust her and who, lets be plain, all have questions to answer themselves.

Anni does though have one resource to fall back on - the peace she gains from her regular sauna sessions and swimming in the local lake. Many times in the story she retreats to ponder matters in the steam. But might even this, her understanding of the uses of the sauna, be evidence of her guilt? 

A real mystery, an involving and enjoyable story with well drawn and plausible characters and a tale with ratcheting tension, as Anni waits for that knock on the door, this is a book I'd strongly recommend. It's also a window onto Finnish sauna culture which was enlightening to say the least! I'd never, for example, heard about the concept of a "bumlet" (you'll just have to read the book!) I think that David Hackston's translation is brilliant here, it's as though Tuomainen is deliberately posing challenges, using colloquialisms, songs and jingles, technical terms and very specific language for which, clearly, there are no direct English equivalents and which require words to be created. Hackston deals with all this and more with aplomb and gives us a very readable text besides.

For more information about The Burning Stones, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy The Burning Stones from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith or Waterstones.

#Blogtour #Review - Jimi Hendrix: Purple Haze by Tom Mandrake, DJ Ben Ha Meen and Mellow Brown

Purple Haze

DJ Ben Ha Meen and Mellow Brown (writers), Tom Mandrake (artist)
Titan Comics, 27 August 2024
Available as: HB, 128pp, e   
Source: Advance copy
ISBN(HB): 9781787731899

I'm grateful to the publisher for giving me access to an advance e-copy of Jimi Hendrix: Purple Haze to consider for review, and for inviting me to join the graphic novel's blogtour.

From the publisher

This is a pure rock and roll space opera featuring the legendary Jimi Hendrix as you’ve never seen him before. 

Fully sanctioned by Experience Hendrix L.L.C.; Authentic Hendrix, LLC - this is the first ever full-length graphic novel inspired by the music of the legendary Jimi Hendrix – arguably the world’s greatest guitarist. 

This 21st Century psychedelic rock ‘n’ roll odyssey sees Jimi Hendrix embark on a quest to the very centre of the universe in search of a magical talisman powerful enough to unlock the incredible latent power of his music so that he can share it with a universe starved of the rock ‘n’ roll by a tyrannical intergalactic force hellbent on silencing all music from the universe and enslaving all life. 

What I thought

Space opera. Rock opera. Seemingly unrelated genres which the collaborators behind this graphic novel nevertheless pull together with aplomb. The result is great as an example of each, but put together, something much more.

Yes, we get zoomy spaceships, vivid alien worlds, combat and awesome vistas, that genuine sense of wonder that space opera must deliver. But we also get what is actually - so far as such a thing is possible - a pretty vivid visualisation of a musical high (is that a thing? I think it's a thing) as the central character here, Hendrix, takes to the stage on a galaxy-crossing tour. Lyrics stream by in a kind of diagetic cloud. The music ignites in the intense shades of a fiery sun, blazing across the page. At once, deeply SFnal, deeply musical.

But, as I said, there is more here too. The story finds Hendrix, mysteriously, playing on an endless tour in this far-future dystopia. The how and why of that's never explained, but that doesn't actually loom large in the story and it doesn't really matter. Rather we have this guitar hero pushing his message of peace and brotherhood in a galaxy embroiled in brutal war. He's doing all he can, he thinks.

But of course he's not (I had vibes here of Springsteen's No Surrender "There's a war outside still raging/ You say it ain't ours anymore to win" and there's a moment of realisation with attempts to coop the tour  for sinister purposes, a moment of truth and decision which leads to a fascinating quest. The ultimate test here is then very much one of those "surely there must be another way?" setups where, behind the spaceships and the zooming, the point is that the hero must, will, reject the constraints imposed on them and do the different thing. The Kobayashi Maru moment, in Star Trek language.

And who better, in such a moment, to use their humanity, their sympathy, their courage, than Jimi Hendrix?

A fine graphic novel with a powerful, beating heart. Recommended.

For more information about Jimi Hendrix: Purple Haze, see the publisher's website here - and of course the other stops on the blogtour which you can see listed on the poster below. 

You can buy Jimi Hendrix: Purple Haze from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, or Waterstones.