Showing posts with label Jasper Fforde. Show all posts
Showing posts with label Jasper Fforde. Show all posts

2 July 2020

Review - The Constant Rabbit by Jasper Fforde

The Constant Rabbit
Jasper Fforde
Hodder & Stoughton, 2 July 2020
Available as: HB, 306pp, e
Read as: PB advance copy
ISBN: 9781444763621

I'm grateful to Hodder for an advance copy of Jasper Fforde's new novel, The Constant Rabbit, to consider for review.

A new Jasper Fforde novel is always an Event and I was very pleased to have a chance to read this one ahead of time. It's a stand-alone book, set in an alternate present very like our own - a present suffering from many of the same problems as we do, in particular a resentment at difference. Fforde has personified this in the national response to anthropomorphised rabbits. Some fifty years before the events of the novel, an Event gave a small number of rabbits human traits, including size, the ability to speak and vaguely human physiology. Rabbits doing what rabbits do, there is now a large population of them, drawn from three distinct strains of rabbit: lab, pet, and wild. The nature of the Event is never precisely explained, although its purpose is discussed several times and in a self-referential moment is described as possibly being satirical:

"'It's further evidence of satire being the engine of the Event,' said Connie, 'although if that's true, we're not sure for whose benefit.' 
'Certainly not humans', said Finkle, since satire is meant to highlight faults in a humorous way to achieve betterment, and if anything, the presence of rabbits has actually made humans worse.'"

Anyway, humanity being what humanity is, there is a lot of resentment in some quarters at the rabbits and wild talk of a "litter bomb", an explosion of breeding that will overwhelm the island. Anti-rabbit laws have been passed at the behest of the powerful "UK Anti-Rabbit Party" (UKARP) and its leader Mr Nigel Smethwick, and persecution is stirring. Rabbits have even been "jugged" by the goons of Two Legs Good, a gammony sort of direct action movement, and the Rabbit Compliance Taskforce (RabCoT) established to police where rabbits can live and what they can do.

It's against this background that our protagonist, Peter Knox, and his daughter Pippa, see a family of rabbits - actress Connie (the inspiration behind the rabbit in the Cadbury's Caramel ads), her husband, war hero Doc and their children Bobby and Kent - arrive at the vacant house next door. Much Hemlock is a quiet, inward looking Middle English village where the most exciting things that ever happen are Speed Librarianing and the annual Spick and Span contest. It's also, naturally, a bastion of anti-rabbit prejudice so the rabbits aren't welcome, and Peter is approached to offer them money to leave - with an unspoken threat that if they won't, 2LG may step in. For Peter it's a complication too many as he actually works undercover for RabCoT as a spotter (most humans can't tell one rabbit from another, but Peter is the rare exception). The pressure from his neighbours puts him in an awkward position personally (he has nothing against rabbits) and professionally (it may blow his cover: spotters, once outed, have been targets for rabbit sympathisers).

Fforde develops the central concept well, giving the rabbits a well-realised, if baroque, culture focussed on adultery, duelling and hallucinogenic carrots with their own religion and prophet (the "Bunty") and integrating events closely with actual history. The background of discriminatory law, unequal wages and exploitation is also consistent and convincing with a sinister plan to relocate the rabbit population to a "MegaWarren" complete with barbed wire fence, workshops and its own rail spur. The story that then reveals itself to us is essentially a thriller, with the rabbits menaced by various nasties (but with plans for resistance of their own) and Peter caught between his job and pressure from his neighbours on the one hand and his guilt and what's going on - and desire for Mrs Connie Rabbit (an old friend) on the other.

It's all very well done, and has the characteristic Fforde humour and sense of the bizarre. I don't know of any other writer who is as good at making the frankly incongruous seem plausible. Perhaps it's the footnotes or the the way that everything which isn't incongruous is so, well, naturalistic. In the case of this book, all of that gets an extra dose of credibility as a poke at the attitudes behind Brexit (with the odd sideswipe at other modern villains such as Donald Trump). All very entertaining.

And yet. The concept did make me uneasy at times. Perhaps it's the idea of satirising racial prejudice, prejudice against people - for surely that's what this is - by setting up a society of animals, albeit talking, thinking animals, as the victims of discrimination. And the associations the MegaWarren conjures up...
I found myself wondering whether the whole concept actually helped make a point about prejudice and the way that a minority can be persecuted, or whether it actually got in the way of that point? 

Maybe it's the timing, which couldn't have been foreseen - a summer of Black Lives Matter protests making the same point in a much more vivid and compelling way than any fiction, however satirical, could achieve and possibly making a treatment like this seem as though it's trivialising the issue which I'm sure isn't the intention?

Perhaps I am overthinking. The Constant Rabbit is, if nothing else, thought provoking. And it is firmly engaged with contemporary life. It's often funny, contains a number of well-spun mystery threads, and the ending was for me genuinely poignant. In addition to all that the book does something with one character which almost literally took my breath away. I can't tell you much about it because this is one occasion when knowing what's going will absolutely ruin the point but if you read the book, you will realise gradually that there are things you're not being told... directly. And when you do you'll agree, I hope, that you didn't need to be and that the story and the characters actually work better without. It's very impressive both for how Fforde does what he does and for the fact that he does it. 

But I'm babbling now. You'll have to read the book for yourself for this to make any sense, I'm saying no more.

For more information about The Constant Rabbit, see the publisher's website here.

13 August 2018

Review - Early Riser by Jasper Fforde

Cover by Robert Frank Hunter 
Early Riser
Jasper Fforde
Hodder & Stoughton, 2 August 2018
HB, 407pp

I'm grateful to the publisher for an advance e-copy of this book via NetGalley.

Skinny Pete went to sleep, underfed and bony
Skinny Pete went to sleep, and died a death so lonely.

The enemy aren't the Villains, nomads, scavengers, insomniacs, Ice-Hermits, Megafauna, nightwalker, hiburnal rodents or flesh eating cold slime - it's the Winter.

This is a standalone volume from Jasper Fforde, not part of the ongoing Thursday Next series or a continuation of Shades of Grey, a potential series that seems to have been blighted by a quite different book with a similar name. However, in tone I'd say it is more similar to Grey than to Next, taking place in a fictional version of our world which is, while fantastical in some ways, not magical.

The world of Early Riser might best be described as an alternate timeline, a planet and landscape identical in many ways to our own, with a lot of technology, cultural references ("Fawlty Dormiorium with Sybil, Basil and Polly and so forth - 'don't mention the Ottoman' ") and history in common, but where - rather than a trend to warming - global cooling ("snowball Earth") is happening, with the winters bitter and a glacier advancing across "the Albion peninsula" (the separation from the mainland never having quite happened, although a belt of marshland following what to us is the Channel shows where a warmer era led to higher sea levels).

The sheer wintriness of this book (apart from being very agreeable to read during the 2018 summer heatwave) motivates the plot in many ways. In this reality, humans hibernate and always have, clustering in "hibernatoria" - multistorey, circular buildings with floor upon floor of sleeping cells, all heated by cosy nuclear piles in the basement ("Hotpots"). Hibernating is a serious business, governed by law and custom. One needs to put on enough fat in the Autumn to last through till Spring, and anyone not attaining their healthy "Winter weight" is looked at askance. Forde loving describes the whole culture around hibernation, making it, in the end, quite a cosy idea. The hibernatorium is more than a sleeping cave, it is a home, a community, with dining room and (as a fine illustration here shows) many other facilities. And a Porter guards the entrance, staying awake through the Winter to protect their charges.

Of course, it's not all cosy. Only the lucky (and rich) are entitled to supplies Morphenox, a drug that prevents dreams and so saves on energy (and fat depletion) allowing a greater chance of survival. But Morphenox has a potential side effect... a small number of those who take it lose their minds in sleep, waking as "nightwalkers", effectively zombies. Yet the risk is considered worth it, not only for individuals who are less likely to starve over Winter but for the good of the species - survival is vital because, in such a hostile climate, population is under threat, so there is mandated childbearing and a great deal of care is taken of orphans in "the Pool". Anything that reduces attrition is welcomed and HiberTech, the company that makes Morphenox, is a power in the land.

The land itself is Wales, the story taking place in early winter in mid Wales when Charlie, a newly appointed novice Winter Consul - an order who stay awake through the cold months, guarding the population against Villains, Wintervolk (monsters) and disasters (like meltdowns in the Hotpots -  ventures from Cardiff to the interior to deliver a "nightwalker" to HiberTech. A simple job for a newbie, and he's accompanies by a vertebral Consul, so what can go wrong?

A great deal, of course. What with hostile colleagues in Sector 12, the formidable duo of Arcadia, head of security at HiberTech and Toccata, the top Consul in Sector 12, missing nightwalkers, a massive bet hanging on whether or not the Gronk is real, hippies on a quest for real dreams, and a terrorist movement seeking a return to Real Sleep - and more - there is plenty going on. Indeed the book is so rich, with such a cast of characters that it can be overwhelming at times, or at least it would be if those characters, and the setting wren't so perfectly realised.

There are also some hilarious strands, such as the Villains, ("Villains generally lives on the edge of the ice-fields and often raided nearby towns for pantry and domestic servants") who prove, of course, to be English and upper class, the banter between Jonesy and Charlie in which they spin a wholly fiction, longstanding love affair out of thin air despite having only just met (and never actually bundled each other) or barely fictional names such as that of " 'sleep extreme' guru Gaer Brills". There are also some very sharp observations ("She was making up nostalgia", "right-wing hardliners loved a good panic").

Behind all this, though, there is a well constructed and devious thriller plot. As Winter falls, a secret is in play, its preservation essential to the way of life of Charlie, his colleagues and the wider population - and its revelation key to preventing  rather nasty fate for many. In a headlong, catastrophe-stern series of encounters, not all of them waking, Charlie will be tested to the limit and find out who he can really trust. Because she of those around him are basically two-faced and have their own agendas...

It's not a short book, but the pages fly by, with fascinating new details of that intricate, well-delineated world coming in all the time, even as the sinister events of Winter unwind and Charlie fears for his life. By the end, I was sorry that the story had to stop but there is a wonderful coda in the form of some posters and other material including, of course, advice from the Ministry of Sleep.

In all an excellent addition to Fforde's imaginary worlds, even if it does remain standalone (but i hope it won't).