Genevieve Cogman
Pan Macmillan/ Tor, 23 May 2024
Available as: HB, 400pp, audio, e
Source: Advance e copy
ISBN(HB): 9781529083774
I'm grateful to the publisher for an advance copy of Elusive to consider for review, and for inviting me to join the book's blogtour.
The sequel to Cogman's Scarlet, Elusive features the characters, and setting, of Baroness Orczy's Scarlet Pimpernel series in which an English nobleman and his friends, acting anonymously, rescue French aristocrats from the Terror during the Revolution.
In Scarlet, the premise was established, with our reluctant hero, housemaid Eleanor, being "lent" by her vampire (I'll come to that in a moment) employer, Lady Sophie, to Sir Percy Blakeney (the Pimpernel) and his crew to that she can impersonate Marie Antoinette to facilitate a rescue. (Yes, Eleanor closely resembles the French Queen, something which I speculate may be a future plot point). All Eleanor wants is the opportunity to set up as a modiste, earning an honest living through her needleworks skills, but it is not to be. Cogman draws Eleanor as a convincing protagonist who's not afraid to think for herself, albeit the position she's in is precarious due to the vagaries of the English class system and, of course, patriarchy. Any fear I had that that exploring Orczy's "rescue the aristos" angle might seem dated or crass was rapidly dispelled by the intelligent and engaged way in which Cogman presents the realities of Revolutionary France and the crimes of the ancien regime. She also overcomes that fact that she's probably the only person living now who's read the Pimpernel books and that for many, knowledge of them will be limited to the "They seek him here, they seek him there" verses and the Carry On parody. (Is there a proper literary term for works better known from derivatives and parodies than from the original text?)
With Elusive, Eleanor pretty much gets her own adventure, driving much of the action (albeit she has to be somewhat underhand about this) and getting back to France, in the absence of Sir Percy (hence the book's title) to stage a diversionary raid on Mont Saint Michel, where a large number of prisoners are held hostage.
As we learned in Scarlet, vampires are a thing in this world, indeed they're one of the evils against which the people of France rose. The vampires formerly had enemies in the order of magicians/ sorcerers who they defeated and had expunged from history. Eleanor just happens though to have the should have the last remaining sorcerer, Anima, hitching a ride with her. And Anima has her own plans, which also involve Mont Saint Michel...
I loved Scarlet, but now I find I actually enjoyed Elusive even more. Eleanor has much more licence here and is less subject to others' machinations and orders. The relationship with Anima, her unexpected passenger, grows and develops, the two very different women struggling with, but learning to understand and trust, one another. Eleanor has grown, and deepens further here in her understanding of the world, and wherever her story is going, it isn't leading to her becoming an enthusiastic lackey of the British Establishment: she can see the reasons for the Revolution, and enthusiastically urges another young woman, freed from captivity, to strive to make it a better Revolution. There's a questioning side to Eleanor's nature which contrasts with the other members of the League of the Scarlet Pimpernel. They may be perfectly affable, honourable young men by their own lights, they are brave and by no means stupid, but nor have been servants and so they are comfortable with a level of privilege and wealth which is only maintained by repression.
Eleanor sees more clearly.
This story is both more straightforward and more layered than its predecessor. More straightforward, in that it's clearer from the start what Eleanor faces, and what she is doing. We don't have to wait for it to be revealed where the story is going. More layered, because with different factions in play - several different groups of vampires, including the late Marie Antoinette, now one of the undead, the French authorities, personified by Citizen Chauvelin, who has his own difficulties, the sorcerers, whose motivations and fate become clearer and who have some remaining power via Anima, and lots more besides (spoilers!) - Eleanor has to dig deep into her store of knowledge, talent, and courage, and also broaden it with new abilities. She has power, up to a point, but much of her success in this adventure comes rather from persuasion, empathy and quick thinking, in circumstances where a false step could see her and all her friends sent to the guillotine.
As ever in Cogman's books, there is some sharp writing here, both to convey to us the reality of things from Eleanor's viewpoint and to keep the story moving. I especially enjoyed the way that Cogman will have her characters describe a plan, and then jump to the aftermath of its execution, giving the essence of the story without needing to repeat herself. She also often visualises opportunities, situations and schemes as fabrics to be worked rather than timelines, using needlework metaphors to show Eleanor grappling with the difficulties she's in. That's not something I'd come across before and it is a very effective and economical way to portray things.
So - if you loved Scarlet I think you'll love this even more, if you haven't read Scarlet, go and do that!
For more information about Elusive, see the publisher's website here, and of course the other stops on the blogtour, listed on the poster below.
You can buy Elusive from your local high street bookshop or online from Bookshop UK, Hive Books, Blackwell's, Foyle's, WH Smith, Waterstones or Amazon.
