#Review - The Last Song of Penelope by Claire North

The Last Song of Penelope (The Songs of Penelope, 3)

Claire North
Orbit, 20 June 2024
Available as: HB, 388pp, audio, e   
Source: Advance copy
ISBN(HB): 9780356516110

I'm grateful to Orbit for sending me a copy of The Last Song of Penelope to consider for review.

The stories of Penelope and of Odysseus her husband, who was ten years away from Ithaca at the Trojan War and ten years returning, are part of the DNA of Western culture and I can remember when I first heard then, in a (necessarily bowdlerised!) version when I was about eight years old. 

Even then, I thought, this was rather odd. 

It wasn't so much the somewhat random escapades of Odysseus as he made his leisurely way home (though he could have hurried up a bit couldn't he?) but the way Penelope was treated as she waited for him. Why didn't someone just chase those suitors away? Why did Penelope have to stage an elaborate ruse, weaving her father-in-law's shroud just to delay them? Of course, nobody was going to teach the kids in an English rural primary school in the 70s about sexism and the patriarchy - and I'd never really gone back and revisited the stories until Claire North's trilogy began to appear - so long-buried questions and puzzlement bubbled up as soon as I began reading these books. I have been intrigued and captivated by the way that North deals with them. By the cool affect of her narration, the way she integrates human affairs with the Greek pantheon, the puzzled outsider's view of Egyptian Kenamon. But most of all, by the often-exasperated Penelope - a woman on the edge in more ways than one - as she deals with indignity after indignity and triumphs every time.

Last Song is the third (and last) book, and if you haven't read the others (Ithaca and House of Odysseus) you simply must go back and do so before you start this one. Not because spoilers (this is a three thousand year old story!) but because you have such a reading treat in store. You mustn't miss out. So promise me you'll do that, please?

Assuming you have, you'll be a bit more clued up with the setting. In her husband's prolonged absence, Penelope is Queen of Ithaca, a remote and much-maligned corner of the Ancient Greek world, a modest place and one which tends, shrewdly, to exaggerate its modesty. With so many ravening kings, pirates, psychotic gods and such loose on the wine-dark sea, the less tempting a kingdom appears, the safer it will be.

The general set-up is that Penelope, a wise and determined woman, mustn't be seen to exercise ;power, so this is left to her somewhat bumbling counsellors. In reality she is, though, firmly in control and is playing a long game, keeping the suitors, who wish to marry her (and inherit the kingdom) at arm's length while also preserving Ithaca's independence from its stronger neighbours. 

In the earlier books we saw Penelope skilfully navigate various crises, cultivating allies and bamboozling various would-be enemies. In The Last Song, though, she faces her stiffest challenge when Odysseus, finally, returns, upsetting careful calculations and overturning the delicate balance that Penelope has maintained. Soon Ithaca will be at war with itself for reasons utterly predictable to anyone who's been watching the absurd, strutting men who inhabit these tales. 

All of that is complicated by our narrator, the goddess Athena, who, as she informs us, is far from reliable. Indeed, she admits that she has a certain purpose in shaping events, and she will, obviously, adhere to a certain view of how things develop. While it might be nice if this involved female solidarity with Penelope and her lieutenants and maids, that will only go so far. Athena is in the business of writing her story, and she will have an eye to the audience down the ages who will receive it. 

So, as events unfold, we're getting two narratives (at least). There is what - we may imagine - "really" went on (but which we're not told all of) and what the "poets" will sing of in future days. Sometimes these align, more often not. I would venture to say though that the former is what eight year old me would like to have been told. By giving us this, North therefore corrects the record, though, as Athena warns us, there can be no reliability when one goes beyond the words of poets...

But what a story this is. There is war here, both force of arms and force of cunning. There is pride, rage, revenge. There is greed. Above all - or at the centre of all - there is love, or loves. Love that might have been, love that has been worn down and lost but might be regrown. The relationship between Penelope and the returned Odysseus is knotted and complex, he revealed to be, perhaps, less the pig headed patriarch than some of his peers. But equally complex is Penelope's relationship with her son Telemachus - though it is rather one to which she has lost, and can't seem to find, the key.

There is also bitterness and cruelty here with some moments of real horror - The Last Song of Penelope is not a book for the faint of heart. Long-suffering as she is, Penelope is not spotless herself - for example, even she does not really, I think, see her maids, who are slaves, as people, however much she clearly loves them. So we are trapped by layers of assumptions and social norms.

The Last Song of Penelope is a brilliant, satisfying, heart-wrenching and absorbing conclusion to North's trilogy. The writing shows North at her formidable best, but more, it takes these ancient stories and imbues them with a sense of heart, a deep empathy for people of long ago, who are living half in myth, half in history. I think it's that heart, that empathy which is perhaps what is missing from so many modern retellings, eroded by the act of translation and the familiarity of the story. North gifts her version with both. 

I would STRONGLY RECOMMEND this book!

For more information about The Last Song of Penelope, see the publisher's website here.