#Review - The Sleepwalkers by Scarlett Thomas

The Sleepwalkers

Scarlett Thomas
Scribner UK, 11 April 2024
Available as: HB, 288pp, audio, e   
Source: Advance e-copy and purchased
ISBN(HB): 9781398528406

I'm grateful to the publisher for giving me access to an advance e-copy of The Sleepwalkers  to consider for review.

In The Sleepwalkers, Scarlett Thomas dissects a relationship (or rather, allows it to dissect itself). Newlyweds Evelyn and Richard are on a Greek island where his mother, her mother-in-law, has booked an idyllic (...supposedly...) hotel for the honeymoon. However, fissures are apparent from the very start, with Evie resentful of Annabelle's machinations, which both required the wedding to be brought froward and had them kicking their heels in a cheap hotel until their room at Villa Rosa become free. Moreover, it's the very end of the season, the island is visibly closing down day be day, and the locals say bad weather is coming. And Evelyn feels that Isabella, the owner of the hotel, is slighting her, talking past her to Richard, flirting with him. It may be true - the partial account that Evelyn gives certainly supports that, but then Richard's (also partial) account doesn't, or may not. Possibly he, a man flattered by Isabella's attention, isn't seeing, or doesn't want to see, what's going on. 

Their relationship is hardly built on sold ground - there is the Thing that happened at the wedding, some scandal or a revelation so seismic that of course Evie and Richard won't discuss it at all. 

Reflecting that fractured relationship, we get instead partial accounts of their final 48 hours on the island, letters written by each to the other, sound recordings, scraps torn from a hotel guest-book and other remnants. Some are incomplete, meaning that sentences break off or whole pages are absent:

"I knew he liked my innocence, and so I wore my

'Slut!' he said, pulling my hair and"

The whole is assembled into an archive letter and offered for our enlightenment. The list of items is given at the start of the book, a list that the reader may assume will guide then through this volume, but it will lead you astray. Apart from the items marked as missing (such as the set of photos) others are absent, or given out of order, or simply incomplete. So from the start we're in unreliable narrator territory, the narrator - or curator - of the story being Evie, who's compiled the documents in this particular case for reasons that only gradually become apparent.

Evie is, as becomes clear, somewhat obsessive, not only about Isabelle but also for example about the "beautiful people", a group of mysterious tourists on the island who are, seemingly, not just beautiful but wealthy, privileged and annoyingly, well, unavailable. With Evie's obsessions and Richard's wandering eye, and the secret they're not talking about, this is an enclosed, almost gothic, atmosphere, with trouble clearly brewing. 

But the book is so much more than that. Always good at exploring and analysing the expectations placed on young women (if I can write "young women" without sounding about 150) here Thomas really takes the gloves of to expose stresses, pressures and tensions - as well as predatory males.

I love the way that Thomas presents this story, a many-layered, collusive telling that, in effect, makes everybody a biased witness. It's just revelatory to see the different, self-justifying, partial accounts which it is tempting to try to resolve, perhaps, into a single narrative - even though doing so involves taking sides, making choices, judging, aligning, excusing. Here the bonus is that both Evie and Richard also dodge backward and forward, explaining their earlier lives to try and account for their more recent actions. Sometimes this seems to the point, sometimes it seems to meander. Sometimes one ostensible form of writing gets taken over for another purpose, for example when Evie's attempt at a playscript (she's an actor and writer) veers off to explore a painful episode of her earlier life. (I would give a context warning here for rape references).

The focus is often on the impossible demands, indeed the regular treasons, inflicted on women by men. There are some awful examples cited, from the life-wrecking inflicted on the unfortunate Chloe to a background of trafficking on the holiday island to a sober law professor sitting down a distressed student to tell her not to pursue her allegations against a couple of young men. 

The fault line there is that between Evie and Richard, each of whom has secrets both from others and from themselves, the fragmentary structure of the book an ideal way to peel the layers back and reveal all (but also, due to the teasingly incomplete text, not all).

In keeping with the ravelled, incomplete and biased selection of sources we're presented with, the conclusion is also left teasingly unclear. This is a story that blends troubled personal relationships with possible criminal conspiracy, the two acting and reacting in unpredictable ways, and there are various ways we can imagine it resolving - few of them however good.

It's a complex, engaging and passionate story, in many respects a tragedy, the story often carried by what isn't said, by who isn;'t there, by letters that can't be found and things that aren't talked about. Silences can speak volumes, don't you think?

Strongly recommended.

For more information about The Slepwalkers, see the publisher's website here.